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Three Aspens, Granite

Three Aspens, Granite
Three autumn aspen trees standing against a granite wall, Eastern Sierra Nevada.

Three Aspens, Granite. © Copyright 2012 G Dan Mitchell – all rights reserved.

Three autumn aspen trees standing against a granite wall, Eastern Sierra Nevada.

Those of us who have spent a lot of time in the Sierra — and the story is similar for other locations — gradually accumulate “personal spots” that might not make much of an impression on others but which we greet like old friends each year. Mine include a particular rock outcropping in Tuolumne Meadows, a particular flat rock in the Yosemite backcountry where I’ve frequently placed my cook stove, a small grove of trees nestled in a bend along an Eastern Sierra road, a high and barren lake in the Southern Sierra, and quite a few more. I’ll bet you have a few such places of your own.

This little group of three slender aspen trees set against a jumble of rocks s is one of those spots. It is very accessible, but there’s an excellent chance that if you were nearby you passed without noticing. Yet virtually every autumn I end up stopping and photographing them again. (Yes, there are other photographs of them in my collection.) They are “the same,” yet they are also different every time I visit — the leaves may be green, yellow, a combination, or gone. The light may be intense in the morning or soft and blue in late-day shadows. So I return, and I photograph them again, and I mark another season with each return.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Aspen Reflections

Aspen Reflections
Autumn aspen trees reflected in an eastrern Sierra Nevada pond.

Aspen Reflections. © Copyright 2020 G Dan Mitchell – all rights reserved.

Autumn aspen trees reflected in an eastrern Sierra Nevada pond.

Each year at about this time I ask, “Is it ever too early to start thinking about fall color?” The answer, of course, is no. Autumn is my favorite season for all kinds of reasons — the colors, of course, but also the return of cooler temperatures and “interesting” weather and shorter daylight hours. The period between Labor Day and the arrival of late-autumn snow is my favorite time in the Sierra. There’s nothing as beautiful as a late-September or early-October day in the high country.

As a person who has photographed Eastern Sierra aspens a lot — and who has written a book on the subject — the way I see this subject has evolved over the years. While I’m still impressed by a hillside completely full of colorful trees, I am constantly looking for other ways to photograph this subject. Here I aimed the camera down toward the surface of an Eastern Sierra pond, framing to exclude anything but the brilliant colors of a grove on the other side of the water.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Aspens, Ferns, And Boulders

Aspens, Ferns, And Boulders
Early autumn aspen color with ferns and granite boulders

Aspens, Ferns, And Boulders. © Copyright 2019 G Dan Mitchell – all rights reserved.

Early autumn aspen color with ferns and granite boulders.

My arrival at this well-known Eastern Sierra location was perhaps a few days too early, and the color would not really peak until three or four days later. However, even when there are still a lot of green trees it is possible to find a few that are changing colors — and in some ways the striking fall leaf colors may even seem a bit more so when there are still some green leaves in the scene.

This photograph probably looks fairly static… but it was a very windy day! In fact, moments earlier I had given up photographing in a more exposed location because the winds were so strong! This grove was a bit more sheltered, being at the bottom of a steep, narrow bit of valley. Even so, the aspen leaves are easily moved in slight breezes and I had to wait for just the right moment to find a time when the motion was minimized. There is more going on in this scene than may be immediately visible. In a sense there are four primary components: the vertical lines of the light-colored trunks, the patterns of green and yellow leaves, the golden brown of the ferns, and hiding in the background the darker tones of rocks.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Early Aspen Color

Early Aspen Color
Early autumn season aspens begin to change color

Early Aspen Color. © Copyright 2019 G Dan Mitchell – all rights reserved.

Early autumn season aspens begin to change color.

As fall approaches I always anticipate the color change of aspen trees way in advance of the actual event, and I start watching for early signs more than a month before the color peaks. Way back in August I typically find a few early clues — yellowing corn lilies, drying meadows — and at some point in September I find my first few yellow aspen leaves. The change begins in earnest by the first week of October, and that is when I made this photograph. At this point, the aspen trees seem to move toward a sort of “lime green” color, often with a few interspersed yellow leaves, and in the right light you can convince yourself the fall colors have arrived.

There is a useful lesson about lighting in this photograph, too. Although this scene seems pretty straightforward, there’s more going on with the direction and color of the light than you might first notice. This grove of trees is, indeed, in the shade. The camera is pointing roughly east, a tall ridge rises behind this little grove, and it was still shading the trees hours after sunrise. This provides soft light that fills in shadow details much better than direct sunlight. Look deeper into the grove and beyond and you may notice that the color becomes more blue. Light in shadows is usually quite blue — after all, the main light source is the very blue sky! But the trees in the foreground are not very blue… and there’s a reason. Behind my camera position (if we could turn around and look backwards) was a very large mountain in direct sunlight, and the reflection of that light was strongly diffused and directed straight into the grove, warming the colors and highlighting the front trees.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.