Tag Archives: creek

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Arching Cottonwood, Canyon Stream

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Arching Cottonwood, Canyon Stream
An autumn cottonwood tree arches across a stream deep in a Utah slot canyon.

Arching Cottonwood, Canyon Stream. © Copyright 2012 G Dan Mitchell – all rights reserved.

An autumn cottonwood tree arches across a stream deep in a Utah slot canyon.

There are still a few more photographs in this series from a small canyon in a somewhat obscure part of this Southern Utah landscape. The canyon is a bit of a special place to me, even though visitors might not regard it as being as spectacularly iconic as some better known places. It was the very first such canyon that I ever entered, and for that reason it will always retain a bit of additional magic.

The starting point for entrance is, as is often the case with these canyons, not particularly striking at all. There is a small gravel parking lot, perhaps unmarked, surrounded by mostly dry foliage and some nearby cottonwood trees. You drop down a steep bank to reach a small, slow-flowing stream, then follow it as it meanders through flats. Eventually the walls rise beside you, and before long you are cut off from the larger world.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Autumn in the Canyon

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Autumn in the Canyon
A cottonwood tree with autumn foliage deep in the canyon of the Escalante River.

Autumn in the Canyon. © Copyright 2012 G Dan Mitchell – all rights reserved.

A cottonwood tree with autumn foliage deep in the canyon of the Escalante River.

In my previous post I mentioned something about the experience of wandering down canyons such as this one, in particular the seductive nature of the continuous pattern of “next bend,” straight section, and the next “next bend” — and the difficulty of resisting the lure of exploring just one more twist of the canyon. On this. day I ran into that temptation as your pre-set turn-around time arrived… and passed… and we continued through a couple more of these bends.

This was one of the earlier bends, a point where we came back down to the stream after passing over some higher ground in a straight section. Here we had to wade to cross the stream since the route now followed the opposite bank. After crossing I climbed up a bit to place this colorful cottonwood tree in a composition that included the canyon beyond, and as I photographed a string of horses forded the stream.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Canyon Wall and Reflections

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Canyon Wall and Reflections
A vertical canyon wall is reflected in the Utah canyon stream.

Canyon Wall and Reflections. © Copyright 2012 G Dan Mitchell – all rights reserved.

A vertical canyon wall is reflected in the Utah canyon stream.

A small group of photographers spent a couple days exploring this canyon, walking in from its wide mouth and soon being surrounded by tall sandstone cliffs and cut off from the outside world. On the first day it was quite cold and we faced the challenge of wind — which created some big challenges when photographing in the shadowed depths of the canyon. We had some success, but a few days later we decided to return and try for a day with less wind.

In this canyon I recognized a lesson that I suppose I already knew subconsciously. As we worked out way downstream we were balancing the distance we could travel against the amount of time we spend on each subject and calculating our necessary turn-around time if we were to exit the canyon in daylight. But it is hard to stop exploring such a place, and more that once we would round a bend, see another section of canyon come into view, and say, “just this one more section.” Then we’d reach the next bend, feel the need to explore it, catch a glimpse of what was around the next bend and, well, you get the idea. If I recall correctly, this was the final bend at which we realized that we had to reverse course. It was a lovely spot, extremely still and quiet, with the small stream flowing gently past the bottom of a very large and rugged cliff in deep shadows.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Autumn Aspens, Broken Boulders

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Autumn Aspens, Broken Boulders
A group of autumn aspen trees grows in jumbled and rocky Eastern Sierra Nevada terrain.

Autumn Aspens, Broken Boulders. © Copyright 2012 G Dan Mitchell – all rights reserved.

A group of autumn aspen trees grows in jumbled and rocky Eastern Sierra Nevada terrain.

Aspen trees frequently grow on what we might regard as less-than-optimal soil and terrain, at least in the Eastern Sierra Nevada. While some manage to find a home in canyon bottoms and other places with good soil, many trees live their lives in dry, rocky, and exposed places. Often the trees seem to adapt — perhaps remaining quite small or maybe maintaining more space between them. The trees in this photograph are growing on truly rocky terrain. The trees are rooted in little more than cracks in the granite, and around them are solid rock and a field of broken granite.

Dealing with color when photographing aspens in locations like this can be tricky, especially since I much prefer to photograph them when they are shaded. (Direct sunlight on these trees can be quite harsh.) The light in shadows can be extremely blue, mainly because the main light source is that giant blue light panel we call the say. On the scene, our human visual system adapts and we register the rocks as gray. But the camera is, to an extent, more objective, and the intense blue color of those “gray” rocks is revealed in a photograph. With that we are faced with a subjective, interpretative question: where should be set the colors along the continuum stretching from the objective blue to what we recall in our mind’s eye? Here, as I often do, I shifted the color away from blue to produce colors that are more like what I recall — and even here those rocks seem quite blue to my eyes. Fortunately, there is no one right answer to this question, and I’ve seen effective interpretations that were strikingly blue along with others that used much warmer colors.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.