Tag Archives: creek

River of Aspens

River of Aspens
A grove of colorful autumn aspen trees traces the path of a Sierra Nevada gully

River of Aspens. Sierra Nevada, California. October 9, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A grove of colorful autumn aspen trees traces the path of a Sierra Nevada gully

Perhaps a more appropriate title could be “Another River of Aspens” — such features are ubiquitous in the Sierra and other locations, where aspens frequently are found along stream beds and can spread out as water might when they reach the lower and flatter elevations. As a result, the “streams” of trees can seem to flow in almost that same way that water might. This is a particularly obvious example, as the trees meander along the descending gully, spread out into a fan at its base, and then arrive at the shoreline of a lake. (The pattern also is similar to that of alluvial fans and even some forms seen below glaciers.)

We were at this location rather early on a fall morning. It is a place that is popular — a bit too popular these days — with photographers and others, but hard to resist if one is nearby for other purposes. We arrived before dawn and spent some time photographing in the cold, pre-sunrise light before we packed up and headed off to those “other purposes” nearby. This very early light is different from what we experience a bit later in the day. It can be quite blue in quality — often so much so that compensation is required during post processing — but the soft light can produce a more subtle effect with light getting into the shadows and revealing some of their details.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Cliff Face and Bare Aspen Trees

Cliff Face and Bare Aspen Trees
Bare aspen tree trunks and branches against a backdrop of a Sierra Nevada rock face

Cliff Face and Bare Aspen Trees. Eastern Sierra Nevada, California. October 9, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Bare aspen tree trunks and branches against a backdrop of a Sierra Nevada rock face

There are all kinds of ways to photograph aspens, and they can be photographed during virtually any season: winter trees with snow, spring trees with new leaves, summer trees surrounded by wildflowers and grasses, autumn colors, and this wonderful time when the bare trees stand out against the rest of the surrounding terrain. At this latter stage they can be photogenic on their own or they can be set off against backdrops of other trees, rocks, or the fallen leaves littering the ground.

These specific trees have gotten my attention in the past. They grow against a fractured granite backdrop, and they are in a location where I might go to photograph other fall subjects. So when I go to photograph those subjects, I often end up walking past this spot and pausing. While nearby trees still had a lot of colorful leaves, these smaller trees had already dropped almost all of theirs.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Lakeside Trees and Rocky Slope

Lakeside Trees and Rocky Slope
Lakeside autumn aspen trees reflected in shoreline water

Lakeside Trees and Rocky Slope. Eastern Sierra Nevada, California. October 9, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Lakeside autumn aspen trees reflected in shoreline water

This was a long and productive day. We started before dawn, waking up in darkness and heading up into the mountains to arrive at a likely spot to photograph fall color before sunrise. We began by photographing a familiar lake from a somewhat different perspective, working from an elevated position above the lake. A bit later we moved to other locations in the big east side mountain valley, generally working our way around so that we could photograph aspen color before the direct sun arrived. We stopped for breakfast at a mountain lodge before heading back down into Owens Valley and then turning north. We ended up north of Lee Vining in the late afternoon, and eventually we finished photography and began the long drive across the Sierra and back to the San Francisco Bay Area.

This is one of the early morning photographs. I had finished with a somewhat iconic Eastern Sierra subject, though photographing only parts of it that might or might not be recognizable. Soon the direct sunlight began to hit this subject, washing out the colors and ending my photography of that subject. No matter, I just pivoted a bit to my right and found lakeside trees where the direct sun had not yet arrived, and I photographed these trees in the softer shadow light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Bluff, Tidal Flats, Tomales Bay

Bluff, Tidal Flats, Tomales Bay
Evening along the shoreline of Tomales Bay

Bluff, Tidal Flats, Tomales Bay. Near Point Reyes National Seashore, California. October 15, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Evening along the shoreline of Tomales Bay

This is another photograph from our very recent visit to areas of California just north of San Francisco. If you follow the news, that description perhaps calls to mind the recent (and current, as I write this) major wildfires burning in California, including the disastrous fire in the Santa Rosa area that killed dozens of people and destroyed thousands of homes and other structures. In fact, we were very close to that area on this trip. We might not have gone at all, except that one of the reasons for going there was to participate in a wedding — and since the wedding went on despite the first, we went. We had planned a few days after that for photography, and we decided to stick to that plan, too.

The effects of the fires were obvious in many ways: signs in shops and elsewhere about people needing a place to stay or raising funds for fire relief, the traffic heading to the coast to try to find relief from the smoke, and the constant presence of that smoke in the air. We ended up doing much less photography than we usually would, but on one day we did manage to make a few photographs. We had driven north up that coast a ways, turning around just north of Jenner where the smoke became quite severe, and we were returning to the area around Point Reyes National Seashore. We arrived alongside upper Tomales Bay, which separates Point Reyes from the rest of California, not long before sunset. Here the smoke thinned a bit, mostly just producing some atmospheric haze, and the scene was quiet and still in the early evening light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.