Tag Archives: curve

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Across the Valley

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Across the Valley
A desert wash curves past barren desert hills on its way to the salt flats of Death Valley.

Across the Valley. © Copyright 2023 G Dan Mitchell.

A desert wash curves past barren desert hills on its way to the salt flats of Death Valley.

Visitors to Death Valley might not immediately realize how much of a role water has played (and continues to play) in shaping the place. I like to point out that this location, known for its heat and aridity, is one of the best places to see the effects of water laid bare. The vast playa and salt plains in the valley are formed by water that settles there and evaporates. The Valley once held an ancient (and quite large!) lake. The alluvial fans — like that in the foreground of the photo — are laced with waterways, small and large. The present-day forms of the mountains result largely from water eroding uplifted blocks.

The location of the photograph is on one of the immense alluvial fans that descend from rugged mountains toward the playa. In this area the fan is interrupted by groupings of mostly-barren hills, many featuring darker rock, and they line up in interesting patterns. In the far distance, perhaps up to 50 miles away, lie mountains at the far southern end of the Valley.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Gullies, Hills, and Mountains

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Gullies, Hills, and Mountains
A line of badlands terrain full of gullies with desert mountains in the distance.

Gullies, Hills, and Mountains. © Copyright 2022 G Dan Mitchell.

A line of badlands terrain full of gullies with desert mountains in the distance.

This photograph embodies many elements that attract me to Death Valley National Park. I’m always impressed by the clarity (and seeming irony) with which the place reveals the effect of water on the landscape. Essentially everything in this scene is the result of water, from the gullies on the soft foreground formations, to the gigantic, gravel-filled wash beyond, and the the eroded mountains in the distance. That distance is another important feature — I’ve only encountered the immense scale of this landscape in a few other places.

It was still morning when I made this photograph, though golden hour had passed. We had photographed more intimate aspects of the landscape in the earlier light, and now we were moving on when we paused at this high point to take in this gigantic scene. Beyond the foreground hills, the flat wash stretches for miles to the base of haze-obscured desert mountains.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Ridges and Light

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Ridges and Light
Morning light on curved ridges, Death Valley National Park.

Ridges and Light. © Copyright 2022.G Dan Mitchell.

Morning light on curved ridges, Death Valley National Park.

There are many ways to tell the story of a landscape. One approach is to go for the whole thing, the epic landscape, the big view, and to put everything in the frame. This can work, and it may produce impressive and powerful images of great scale. And, to be sure, Death Valley National Park’s landscape lends itself to this with its expansive vistas, immense mountains ranges, and other striking features.

Another way to say something about a landscape is to go in the opposite direction and let small “excerpts” from the larger scene present aspects of it. The more I photograph a place the more I trend in this direction. You’ll still find me looking at those big views, but more and more I look for small bits and pieces. The texture of these rounded ridges is found all over Death Valley and is usually eroded into some combination of gullies and small, smooth hills. Here the warm-colored early morning light is sweeping across these hills, contrasting with the cooler tones of the shadows.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Creosote, Sunset Shadows

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Creosote, Sunset Shadows
A clump of creosote among curving sand dunes as sunset shadows arrive.

Creosote, Sunset Shadows. © Copyright 2022 G Dan Mitchell – all rights reserved.

A clump of creosote among curving sand dunes as sunset shadows arrive.

This comes from a short but very intense burst of photography on a late- January evening in Death Valley National Park. A suitable interval before sunset I had headed out on a hike of a bit more than a mile to a line of sand dunes, where I expected that the final direct sun o the day would arrive over the top of a low ridge to my west, and that it would have the potential to bring some lovely, wam light to the dunes. I arrived at the dunes well before sunset and set to work looking for subjects in this somewhat unfamiliar place.

The light was already transitioning toward evening, and as I worked the transition accelerated. I put a long lens on the camera, partly because it would allow me to pick our small compositions in the larger landscape and partly because it would let me quickly respond to short-term bits of beautiful light that were too transitory for me to pick up and move to their location. Moments before the sun dropped beyond that ridge, the color of the light intensified and the shadows lengthened.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.