Tag Archives: dark

Pedestrians, Mosco Street

Pedestrians, Mosco Street
Pedestrians walk up Mosco Street on a raining Christmas Eve

Pedestrians, Mosco Street. Manhattan. December 24, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Pedestrians walk up Mosco Street on a rainy Christmas Eve

Christmas Eve in Manhattan, and we ended up in Chinatown at restaurant where we’ve eaten on this night in the past — but we discovered that it has apparently become popular since the last time we visited. The wait for a table (for our rather large group) was going to be at least 90 minutes, so we decided to look elsewhere. After figuring out that everything nearby was just about as crowded, we headed down the short length of Mosco Street to find a place with some open tables nearby.

This photograph illustrates one of the things that fascinates me about urban night photography, namely the wildly diverse light sources. Stop and consider the range of intense colors in this scene — the bright yellow light of the old street lamps along the right side of the street, the more neutral light on the left side from more modern lights, the spots of intense red and blue from store signs. Because it had rained, the streets were reflective, and they also picked up the wash of colors. A couple of people walk toward the camera on the left, casting shadows, and a solitary figure is in the yellow light along the brick wall on the right.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Storm, Mono Lake

Storm, Mono Lake
Dark clouds of a massive summer thunderstorm move across Mono Lake.

Storm, Mono Lake. Eastern Sierra Nevada, California. August 7, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Dark clouds of a massive summer thunderstorm move across Mono Lake.

This has been the “summer of the monsoon” in the Sierra Nevada. Although the range is terribly dry after four years of drought and this past winter’s truly anemic snow pack, summer has brought a greater than usual amount of monsoonal flow from the south, producing a great deal of thunderstorms and rain. In July I saw an odd juxtaposition of nearly snow free peaks and ridges that looked like late September of a dry year… along with green meadows and full ponds where the rains had fallen.

By the time of this early August visit to the Yosemite High Sierra and then a few days of backpacking on the east side of the range further south, things were drying out a bit and the foliage was taking on the usual late-August dry appearance. I camped down in Lee Vining Canyon the first night, and being close to Mono Lake I managed to head out there and make photographs after setting up camp. Thunderstorms were forming above the Sierra crest, and they had sprinkled on my camp. They then drifted east of the range and continued to build, so as I looked along this section of the north shore of Mono Lake, with Black Point and Negit Island visible in the foreground, the sky in the distance was turbulent, dark, and full of falling rain.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Dahlia

Dahlia
Dahlia blossom

Dahlia. Fort Bragg Botanical Gardens. Fort Bragg, California. July 5, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A dahlia blossom.

I’m not usually the flower photographer around here — that title goes to my wife, Patty, whose passion is seeing and photographing the very small world of flowers. But every so often I give it a try. We spent some time one morning at the beautiful botanical gardens in Fort Bragg, where I made a few photographs including this one of a dark-colored dahlia blossom

We were in Northern California for a few days earlier this week, centered in the Mendocino area but traveling from there to places as far away as Humboldt Redwood State Park and even up to Ferndale, California. Overall it was not a tremendously successful trip for photography, at least not for me. (It was, however, a very successful trip for eating…) Photography in this area is perhaps more condition-dependent than in some other places where I photograph, and the conditions were difficult this time. No matter. Even when I don’t come back with a lot of photographs, I do come back with more knowledge of the place that I can can use the next time I’m there.


G Dan Mitchell is a California photographer and visual opportunist. Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Dark Hills, Death Valley

Dark Hills, Death Valley
Dark Hills, Death Valley

Dark Hills, Death Valley. Death Valley National Park, California. April 1, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Dark hills contrast with surrounding salt flats and alluvial fans

I know that “dark hills” is not a very poetic description for this landscape… but it does seem, at least, to be accurate! These formations have intrigued me for a few years, and I’ve been surprised to be able to photograph them all alone — despite visiting them regularly, I have never encountered another person there. I’m not sure why, except that there are some better known icons nearby, and perhaps they attract all of the others in the area.

In the past I tried to find out more about the source of the formations and my recollection (which I was unable to re-verify this time) is that they are the result of some kind of ancient tufa-like deposits formed on the bottom of the lake that once filled the basin that is now Death Valley. Their darker color contrasts strikingly with the surrounding terrain, and the material of the mounts has a finely layered quality. This example sits on a small playa where pooling water seems to have left salt deposits behind, though similar forms can also be found in slightly higher terrain nearby. In the evening the low light from the west angles across these mounds and makes their textures and curves a bit more visible.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.