Tag Archives: dark

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Peaks and Clearing Storm

Image Leave a comment
Peaks and Clearing Storm
“Peaks and Clearing Storm” — Rain clouds move to the east and sunshine lights desert peaks, Death Valley National Park.

We almost came home early from our recent visit to Death Valley National Park. A significant rainstorm was forecast overnight, and the daytime light was already mostly gray. We decided to stay — after all, we had already paid for our accommodations. We visited a few interesting places in the poor light, and were about to visit one more location and photograph sprouting plants in the soft light. But suddenly and with little warning the sun came out! We changed plans and went looking for subjects in this light, backed by the dark, departing clouds.

The light seemed like it would be transient — after all, the forecast was still for rain. So we took advantage of the first light we saw, and I first set up my tripod literally in front of our lodgings. The light was very beautiful, and not just because it was such a surprise. This late day light was warmer in color, and it contrasted with a dramatic backdrop of darker clouds.

Leave a comment or question using the form. (Click the title to see the full article and to comment if you are viewing it on the home page.)

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Europe, Photographs: Night, Photographs: Portugal, Photographs: Travel, Photographs: Urban/Street

Deserted Street, Porto

Image Leave a comment
Deserted Street, Porto
“Deserted Street, Porto” — Nighttime on a deserted street in Porto.

On our sort-of-first-night in Porto in May we ended up at a little restaurant on this street. (I write “sort-of-first-night” since we had actually stopped for one night earlier on the trip, between Coimbra and our walk in the Douro hills.) We walked out of our hotel looking for a nearby place to eat that didn’t scream “tourist restaurant. We ended up at a little restaurant here, so unobtrusive that you might not even spot its entrance sign in the photo.

I made the photograph a few nights later as we headed back to our hotel from a long walk to the other side of the Douro River and back. We crossed back over the river after sunset, and our route took us past this side street again. This time I thought the night scene looked fascinating, so I paused and photographed down the deserted street.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

Join the discussion — you are welcome to leave a comment or question. (Comments are moderated and may not appear immediately.)

This site uses Akismet to reduce spam. Learn how your comment data is processed.

(All media © Copyright G Dan Mitchell and others.)

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Light and Dark

Image Leave a comment
Light and Dark, a narrow Death Valley canyon.
“Light and Dark” — A canyon wall lit by reflected sunlight is seen through a dark section of canyon narrows, Death Valley.

Having photographed in the red rock canyons of Utah, I suspect that I have a bias toward that sort of beautiful, warm-toned landscape. In Death Valley I often look for, and enjoy finding, canyons with similar smooth surfaces… though that Utah red rock isn’t something you’ll see very much here. The narrow canyon in this photograph is perhaps more typical of the Death Valley landscape, with much rougher and more angular rocks.

I have written frequently about how wonderful canyon light is and how much it contrasts with the harsh and brilliant light of the desert landscape outside the canyons. In the deepest and narrowest sections the shadowed light becomes quite blue since the blue of the sky that is the main source of illumination. In this photograph we see the contrast between those blue foreground shadows and the warmer colors of the more distant canyon wall that is more open to the light.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

Join the discussion — you are welcome to leave a comment or question. (Comments are moderated and may not appear immediately.)

This site uses Akismet to reduce spam. Learn how your comment data is processed.

(All media © Copyright G Dan Mitchell and others.)

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Curve in the Canyon

Image Leave a comment
Curve in the Canyon
“Curve in the Canyon” — A gravel wash curves through narrows in a Death Valley canyon.

The sensations upon entering one of these canyons after walking in desert heat and sun are striking. It is suddenly much darker and much quieter, and often the air is still. At this bend in the canyon, the walls and edges conspired to create a sort of spiral shape with everything centering on the bigger and warmer-toned section in the upper center of the photograph.

Hiking these canyons they ofcanten start to feel like a steady progression back and forth — a turn to the right is soon followed by one to the left, and so forth. In some canyons this leads to a somewhat humorous “just one more”situation. I might check my watch and note that it is about my turn-around time. I tell myself, “First, just hike to the next curve.” Getting there I tell myself, “You can take a look at what is beyond this section.” So I round the bend and see the canyon continues… and, of course, I just have to continue on to the next bend… and then next… and the one after that.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

Join the discussion — you are welcome to leave a comment or question. (Comments are moderated and may not appear immediately.)

This site uses Akismet to reduce spam. Learn how your comment data is processed.

(All media © Copyright G Dan Mitchell and others.)