Tag Archives: dark

Geese, Dark Sky

Geese, Dark Sky
Geese in flight against a dark autumn sky above California’s Central Valley.

Geese, Dark Sky. © Copyright 2022 G Dan Mitchell.

Geese in flight against a dark autumn sky above California’s Central Valley.

What visit to the country of winter migratory birds would not be complete without at least one photograph simply of birds filling the sky? These are most likely Ross’s geese — though it is a little hard to say for sure at this distance. As they do numerous times each day, they lifted off en masse when something disturbed them, flew in ever-widening circles for a few minutes, found a new spot, and settle back down on the ground. During that time the sky was filled with a swirling mass of geese.

The conditions at this moment were just right for a darker sky than usual. It was a foggy morning. Earlier the fog had been thick enough to make driving dangerous and bird photography almost impossible. But now, a few hours later, the fog was lifting and opening up the visibility near the ground.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Watching the Parade

Watching the Parade
A figure in dark clothes waits behind baricades for the 2022 Manhattan “Columbus Day” parade to pass.

Watching the Parade. © Copyright 2022 G Dan Mitchell.

A figure in dark clothes waits behind baricades for the 2022 Manhattan “Columbus Day” parade to pass.

The light in urban areas is often special in different that what we find in the natural landscape. A feature in common among both types of landscape? The light matters. A feature that is different? The reflective surfaces in urban canyons reflect light in almost any direction to produce striking effects. Here we not only have some direct sunlight that backlights the main subject, but tons of reflected light creating fascinating patterns on the sidewalk and in the street.

A critique of this photograph could be, I suppose, that we cannot see the faces of the subjects. But in this case that is part of what makes it work. The central figure, dressed almost entirely in very dark colors, appears to be quite tall, an effect amplified by perspective and the smaller figures to the left. The person’s body language is fascinating, too, and I think I see a few parallels to that of the central figure in “The Scream” by Edvard Munch.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Looking In

Looking In
Looking into an old mansion through a screen left ajar.

Looking In. © Copyright 2022 G Dan Mitchell.

Looking into an old mansion through a screen left ajar.

We were at this location to photograph flowers, but I almost always keep an eye out for other subjects besides the one I came for. This large public garden is centered around a historic mansion, and at times I found the old building to be as interesting as the flowers that were my object. I noticed that the outer screen didn’t quite close all the way, and then I noticed that a warm lamp was barely visible inside the building. Looking in at the warmly lit interior scene, as vague as it is, evokes memories of such places in the winter.

This is one of those photographs that —once again! — proves the point that we often do not expose for some compromise, straight-out-of-camera shot. instead, I like to think about what exposure will give me the image data that I can use to in post to produce an image that is true to what I saw. Here I had to control the brightness of the exterior — which was fortunately muted a bit as the sun passed behind some clouds —while getting enough of an image in the dark and subtle interior that I could work with it in post.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Pink Tulip

Pink Tulip
A pink tulip photographed against a background of dark greenery.

Pink Tulip. © Copyright 2022 G Dan Mitchell.

A pink tulip photographed against a background of dark greenery.

This is the fourth in the (slightly out of order) sequence of photographs of spring tulips that follows their transition from green buds to colorful blossoms. Here all traces of the earlier color changing process are gone, and the flower is at its peak of color.

We travelled to a local, Bay Area garden several times in April to photograph spring flowers, and on the most recent visit the tulips were the featured performers. At this location there are — or were, by the time you read this — extensive beds filled with tulips in almost every imaginable color and pattern, with even more of them placed around the grounds in pots.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.