Tag Archives: death valley

Beneath The Overhang

Beneath The Overhang
High overhanging walls of a narrow desert canyon, Death Valley National Park.

Beneath The Overhang. © Copyright 2022 G Dan Mitchell.

High overhanging walls of a narrow desert canyon, Death Valley National Park.

This is a remarkable spot in a lovely desert canyon in Death Valley National Park. After hiking up a wash for some distance and navigating around a minor impediment, the path suddenly enters the “narrows” — sections of the canyon with very high walls only feet apart where little light manages to find its way down from above. Entering the soft light, shades, and quiet of these places is always a special experience.

I have presented almost all of my photographs from my recent pair of visits to the park as color photographs. It is hard to forego color with these subjects, given the remarkable variations in the color of the landscape and the light in the desert. But here I felt that a black and white rendition made sense and suggested those characteristic feelings from being in this deep canyon.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Dunes, Evening Sky

Dunes, Evening Sky
Evening sky above trackless sand dunes, Death Valley National Park.

Dunes, Evening Sky. © Copyright 2022 G Dan Mitchell.

Evening sky above trackless sand dunes, Death Valley National Park.

On our late-March to these sand dunes we arrived late in the day under sky that was starting to fill with high clouds in the west. At times the clouds were thick enough to block the light and lower the contrast to an extent that seemed “beyond subtle.” But as the clouds moved thinner areas passed in front of the sun, and this was enough to give the light at least a bit of directionality. In clearer skies, the sand here would have been extremely bright, and the background sky with thin clouds would have appeared much darker.

In the end, I came away with some files that held enough contrast to work with in post, where I could focus attention on the variations in light and color on the curved dunes. By moving close to the base of the dunes I was able to angle the camera upwards and eliminate everything from the background except for the sky.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Canyon and Strata

Canyon and Strata
A desert wash in a winding badlands canyon leads toward contrasting strata, Death Valley National Park.

Canyon and Strata. © Copyright 2022 G Dan Mitchell.

A desert wash in a winding badlands canyon leads toward contrasting strata, Death Valley National Park.

This juxtaposition of very dark and very light layers in this badlands terrain has long fascinated me. Often the contrasts among the various layers are relatively subtle, even where obvious colors are involved — but here we see nearly the darkest forms right next to some of the lightest. The material in the foreground is perhaps closer to the typical coloration.

There is a lot to look at in terrain like this, especially when viewed from a slight elevation. In some ways the largest forms mimic and expand on the smallest. Tiny irregularities combine to produce larger versions of themselves, and then these combine to produce larger gullies, which themselves collect together to form that great washes that drain the landscape.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Canyon Walls

Canyon Walls
The path into a narrow slot canyon passes between dark buttresses.

Canyon Walls. © Copyright 2022 G Dan Mitchell.

The path into a narrow slot canyon passes between dark buttresses.

We hiked up a remote canyon to get to this place. There is little need for a trail here — you just follow the bottom of the valley or canyon, occasionally climbing around blockages. I recall the clattering and clinking sounds of walking on the rocky floor of a wash, intuitive route selection that favored the shady side of the canyon, and the entrance to the narrow sections. Here the feeling is darker, cooler, quieter — reminiscent of walking into a cathedral.

Canyons like this are so fascinating that it seems they should be easy to photograph, but I’m always surprised by their challenges. It can take a while to search around for just the right perspective and composition, and the light can be tricky — there are often stark contrasts between deep shadow and bright sunlight. I’m always taken by the blue tones of the shadows in the canyons of Death Valley, and by the contrast with the warmer tones where the light manages to penetrate.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.