Tag Archives: deep

Canyon Bend

Photo of Death Valley slot canyon
“Canyon Bend” — A bend in the canyon narrows, Death Valley National Park.

Slot canyons and “narrows” are among the most compelling desert landscapes. Desert landscapes tend to be exposed, open to the sky and wind, and blasted by the midday sun. The space seems horizontally oriented, often with a distant horizon and perhaps low mountains rising from playas. The canyons contrast almost every way. They are places of shade, protected from wind, and the distant horizontal views are cut off, replaced by close surfaces covered with angles and curves.

There are many small canyons in Death Valley National Park, and they may be among its least-known and most interesting features. A few are popular, but most are off the beaten path and some are downright difficult to get to. Their lonely quality is part of the charm, and I hope it stays that way. This spot presents a fascinating combination of the blue-light, shadowed stratified walls, the water stained face in the warmer light above, and the canyon floor covered in gravel washed down by flowing water.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” from Heyday Books, is available directly from G Dan Mitchell.

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Arching Cottonwood, Canyon Stream

Arching Cottonwood, Canyon Stream
An autumn cottonwood tree arches across a stream deep in a Utah slot canyon.

Arching Cottonwood, Canyon Stream. © Copyright 2012 G Dan Mitchell – all rights reserved.

An autumn cottonwood tree arches across a stream deep in a Utah slot canyon.

There are still a few more photographs in this series from a small canyon in a somewhat obscure part of this Southern Utah landscape. The canyon is a bit of a special place to me, even though visitors might not regard it as being as spectacularly iconic as some better known places. It was the very first such canyon that I ever entered, and for that reason it will always retain a bit of additional magic.

The starting point for entrance is, as is often the case with these canyons, not particularly striking at all. There is a small gravel parking lot, perhaps unmarked, surrounded by mostly dry foliage and some nearby cottonwood trees. You drop down a steep bank to reach a small, slow-flowing stream, then follow it as it meanders through flats. Eventually the walls rise beside you, and before long you are cut off from the larger world.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Autumn in the Canyon

Autumn in the Canyon
A cottonwood tree with autumn foliage deep in the canyon of the Escalante River.

Autumn in the Canyon. © Copyright 2012 G Dan Mitchell – all rights reserved.

A cottonwood tree with autumn foliage deep in the canyon of the Escalante River.

In my previous post I mentioned something about the experience of wandering down canyons such as this one, in particular the seductive nature of the continuous pattern of “next bend,” straight section, and the next “next bend” — and the difficulty of resisting the lure of exploring just one more twist of the canyon. On this. day I ran into that temptation as your pre-set turn-around time arrived… and passed… and we continued through a couple more of these bends.

This was one of the earlier bends, a point where we came back down to the stream after passing over some higher ground in a straight section. Here we had to wade to cross the stream since the route now followed the opposite bank. After crossing I climbed up a bit to place this colorful cottonwood tree in a composition that included the canyon beyond, and as I photographed a string of horses forded the stream.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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The Visitor

The Visitor
An anomalous white rock rests against dark rock deep in a Death Valley canyon.

The Visitor. © Copyright 2019 G Dan Mitchell – all rights reserved.

An anomalous white rock rests against dark rock deep in a Death Valley canyon.

Desert canyons, especially in an arid place like Death Valley, are refuges from the harsh environment. Not that they are entirely gentle and friendly places, being periodically scoured out by floods and left covered in rocks. But they offer shade, sometimes sources of moisture, and occasional plants. The deepest and narrowest are quiet and still places.

They are transitory landscapes, on time scales that range from annual to much longer. Cut through by flowing water and weaknesses in the rock, they reveal strata from long ago. That flowing water inexorably moves material down from the peaks toward the playa, and almost anything we come across in such canyons will only be there temporarily. I don’t know enough geology to offer too many facts about this rock, but its light color against the surrounding dark rock was striking, as was its upright position.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.