Tag Archives: dense

Aspen and Fern Covered Hillside, Sierra Nevada

Aspen and Fern Covered Hillside, Sierra Nevada
Aspen and Fern Covered Hillside, Sierra Nevada

Aspen and Fern Covered Hillside, Sierra Nevada. Bishop Creek Area, California. October 2. 2010. © Copyright G Dan Mitchell – all rights reserved.

Colorful autumn aspen trees and ferns cover a rocky hillside along Bishop Creek, Sierra Nevada, California.

And the series of photographs of wild autumn aspen color from the eastern Sierra Nevada continues… This photograph was made along Bishop Creek. The colors in this area when I was there were the most intense fall colors that I can remember seeing in the Sierra. At first I thought perhaps it was just me, but others have been writing the same thing about this. Not only were the aspens “on fire,” but the overcast and light rain also served to intensify their colors and the colors of the other brown and green plants.

This hillside above the banks of Bishop Creek was covered with dense aspens and ferns, and both were well along in the seasonal color transformation that occurs between the end of summer and when the first snow falls. Speaking of “dense,” this is one of a series of photographs in which I tried to work with these very densely vegetated scenes in an attempt to try to capture the lush and almost overgrown character of these areas.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Lodgepole Forest, First Light

Lodgepole Forest, First Light
Lodgepole Forest, First Light

Lodgepole Forest, First Light. Yosemite National Park, California. July 23, 2010. © Copyright 2010 G Dan Mitchell – all rights reserved.

First morning light touches the tops of lodgepole pines in a lakeside forest, Yosemite National Park, California.

This bit of dense lodgepole pine forest is on the far shore of an easily-visited lake along Tioga Pass Road, and I like to photograph it when the morning light is just starting to make its way over the tops of the surrounding mountains and it begins to touch the first trees along the lake shore.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

G Dan Mitchell Photography
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Detail, White Bark Pine

Detail, White Bark Pine
Detail, White Bark Pine

Detail, White Bark Pine. Yosemite National Park, California. July 24, 2010. © Copyright G Dan Mitchell – all rights reserved.

Detail of dense growth of a white bark pine tree in the high country near Tioga Pass, Yosemite National Park.

I photographed this dense growth of white bark pine in a high meadow not far from Tioga Pass, after venturing out into (and around, given the wet conditions!) this area very early in the morning. Although it isn’t apparent in this very close-up photograph, this was a rather unique tree. It had grown up around a large boulder and taken on the boulder’s shape since the branches followed the outline of the boulder almost exactly – it almost looked like the boulder was covered with a “tree blanket.”

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Redwood Grove Panorama

Redwood Grove Panorama
Redwood Grove Panorama

Redwood Grove Panorama. Muir Woods National Monument, California. April 17, 2010. © Copyright G Dan Mitchell – all rights reserved.

A wide panoramic view of morning light in a dense redwood grove at Muir Woods National Monument, California.

Up next in the stitched panorama parade… a photograph make in the vicinity of Bohemian Grove at Muir Woods National Monument in the Golden Gate National Recreation Area, California. This grove is high on the list of popular places in the central and well-known section of the park, and the loop trail that many visitors hike travels right through it.

There are, it seems to me, a huge number of ways to photograph these very tall trees. Interesting effects of light filtering down from above are often a possibility. There are lots of small subjects that can be shot close up. But their sheer height is often difficult to capture. You can shoot straight up, but that creates some issues. You can (and I have) shoot in vertical format to try to include the vertical size. You can try to shoot from further back, but then the scale of the trees diminishes – plus it is very hard to get a clear line of site on these trees from any distance… unless, perhaps, you are at the edge of an area that has been logged.

So, I’ve been thinking about shooting very wide panoramas of groves of parallel vertical forms of the massive trunks. I think that this has two effects that work for me. First, when you stand before these trees and look around you mostly are seeing just the lower sections of the trees – so for me this depiction is true to the experience of being in the forest. Second, the fact that you cannot see the full height of the trees doesn’t mean that you aren’t aware of it! Focusing on these massive trunks might cause you to project the rest of the trees and the great height that isn’t included within the frame. (This isn’t the first time I’ve done this, and I’m certainly not the first person to do it.)

By the way, because the image is stitched from multiple high-resolution full-frame images, it has the potential to be printed very large at some point.

(More of my Muir Woods photographs)

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Technical Data:
Canon EOS 5D Mark II
Canon EF 70-200mm f/4 L USM at 200mm
ISO 200, f/116, .6 second
panorama stitched from multiple exposures

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