Tag Archives: desert

Eastern Sierra Ridges

Eastern Sierra Ridges
A seemingly endless series of ridges rises toward the crest of the Sierra Nevada in early evening light

Eastern Sierra Ridges. Near Mono Lake, California. October 1, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A seemingly endless series of ridges rises toward the crest of the Sierra Nevada in early evening light

The east side of the Sierra Nevada — the “eastern escarpment” — provides an often impressive and quite varied landscape. In places the terrain at the base of the mountains may be in the 4000′ elevation range, which in others the “lowlands” to the east may lie at 8000′ or higher. The mountains may erupt from this lower landscape in a sudden upward burst of granite and cliffs, or they may rise more gradually along mountain valleys that extend well into the range. In places the summit peaks are visible, while in some areas they are hidden behind lower peaks east of the crest. In one spot in the middle of the range the crest is actually lower than peaks to the west.

In this area along the western boundary of Yosemite the Sierra rises somewhat gradually from the high desert sagebrush country. The emptiness of this high desert gives way to a band of coniferous forest and is then replaced by the rugged granite high country. Here the sagebrush highlands rise, ridge upon ridge, toward the peaks of the crest, with the golden colors of early fall becoming muted by atmospheric haze in the distance.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Mountains and Lake, Autumn Haze

Mountains and Lake, Autumn Haze
Hazy autumn light at dawn on Mono Lake and desert mountains

Mountains and Lake, Autumn Haze. Mono Lake, California. October 2, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Hazy autumn light at dawn on Mono Lake and desert mountains about autumn light in California.

I’ve written about the “golden” color, the muted quality, its softness, and otherwise tried to put my finger on what it is. I’ve known, for example, that something special happens to the light in the Sierra from late September onwards. But I’ve never been able to quite put my finger on the nature of the change. Is it the angle of the sun, changing weather, the colors of vegetation, or something else? It finally occurred to me — sometimes I’m slow! — after all these years that this is the wildfire season in the state and that this might be an important factor.

It surely is a factor in this early October photograph of morning light over Mono Lake. I’ve been poking around this area and making photographs for years, moving more and more towards images that are about the gigantic spaces and forms of this remarkable lake and its surroundings. On this morning I had gone to a different location, high above the lake, from which I had an overview of much of the lake and out to the east toward the rising sun as that autumn haze filled the air, muted details of the landscape, and filled the atmosphere with warm, golden light.

For decades I have recognized the obvious, that there is something different and special


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Desert Mountains, Evening Shadows

Desert Mountains, Evening Shadows
Patterns of rock, evening light, and shadows in rugged desert mountain terrain

Desert Mountains, Evening Shadows. Death Valley National Park, California. March 30, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Patterns of rock, evening light, and shadows in rugged desert mountain terrain

In places along the eastern edge of Death Valley, the color of soils and rocks varies tremendously. In the daytime light the colors are perhaps subtle — tans, reddish, gold, black, and more — but in the early and late (especially, on this side of the valley) light the colors intensify and become more saturated.

After I finished photographing more expansive views taking in the width and length of the portion of the Valley and including the base of the Panamint Mountains, I headed over along this other side of the valley where the final light falls. This scene holds some of the range of rock color, along with the rugged landscape of overlapping hills and gullies.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Strata and Folds, Evening

Strata and Folds, Evening
Desert terrain of contorted and folded strata

Strata and Folds, Evening. Death Valley National Park, California. March 30, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Desert terrain of contorted and folded strata

It has been well over a year since I made this photograph, but I remember the evening well. I had arrived in Death Valley earlier in the day, by way of a detour through the Los Angeles area, found a place to camp, and was now starting several days of intensive photography in the area. In the evening I headed south in the park to a particular knoll that I have photographed from before, with the idea of photographing a particular subject in some light that I had in mind.

I found and photographed that subject, though conditions weren’t quite what I expected. A combination of evening haze and strong winds presented some challenges — and I’ll need to return to the spot to make that photograph that I originally envisioned. However, from this elevated position there was a spectacular view of arid and rugged desert terrain in the opposite direction, so as the light on my original subject faded I turned my attention in this direction. There are many things to think about and say about terrain like this, but I’ll mention one thing. When we look at such a place our first impression is of the rugged dryness. But when we look again we see evidence of water everywhere in such a landscape — in those valleys, and in the gullies tracing twisting lines down the faces of the formations.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.