Tag Archives: detail

SEC Armadillo

SEC Armadillo
“SEC Armadillo” — The SEC Armadillo auditorium, Glasgow, Scotland

It was due to a series of more or less random circumstances that we ended up passing this fascinating building during our visit to Glasgow, Scotland. We started walking from our downtown hotel, heading generally toward the University of Glasgow, a nearby museum, and then towards an area known for, among other things, its street art. Then it was time to start back, and we spontaneously decided to follow the waterfront, and that look us past the “Armadillo” building.

At the start of the waterfront section we ran into a helpful local who spent several minutes filling us in on the history of this area, part of which was once filled with shipping facilities. He said that many public buildings in Glasgow end up with names like the one applied to this building. In fact, once you hear it called the Armadillo, that image sticks in your mind!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Detail, Duomo of Orvieto

Detail, Duomo of Orvieto
“Detail, Duomo of Orvieto” — Detail of a twisting column from the facade of the Duomo of Orvieto, Italy.

As per the common pattern, the hilltop town of Orvieto Italy has a large “duomo” on a central square. As is also typical, the facade of this church is packed with remarkable visual features — statuary, columns and arches, and fascinating details like this twisting column. Much of it is high enough that it can only be seen at a distance, but this bit is right for eye-level viewing.

You can read about these places and look at pictures of them for years (as I, a late-in-life traveler, did) and not really understand the effect of their physical reality. In particular, if you imagine them in the times when they were first created you start to understand how astonishing and even magical they must have been (and still are). It is remarkable that those who produced a structure that depends so much on massive scale for its effect also had the energy to attend to such tiny details with so much precision.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Blue Column, Sagrada Familia

Blue Column, Sagrada Familia
“Blue Column, Sagrada Familia” — A blue column lit by early evening light passing through colored glass windows, Sagrada Familia, Barcelona.

We visited the Gaudi-designed Sagrada Família in Barcelona last summer. The place was so visually striking that I honestly haven’t quite known what to do with the photographs, but I started digging into them recently. We are familiar with photographs of the remarkable exterior of the structure, but the interior is anrguably even more amazing. The amount of detail is nearly incomprehensible, and it is profoundly affected by the light coming through myriad stained glass windows and moving across its features.

We visited late in the afternoon, shortly before sunset — and I recommend this timing to others who may go. The sun was low in the sky when we entered, and colorful beams of light from the stained glass windows angled across the interior surfaces. Because it was late, the light was not static, instead changing constantly. Shafts of colored light moved slowly across the cathedral, striking various elements such as this column, illuminated by light coming through glue and yellow glass.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Dunes Detail, Sunset

Dunes Detail, Sunset
“Dunes Detail, Sunset” — Sunset light on sand dunes, Death Valley.

Sand dunes are a source of endless fascination to photographers. They provide a sort of workshop in light, texture, composition, and associations. They can be purely abstract, but their forms can also suggest many other things — human figures, water, mountains, and so much more. When photographing dunes you can play with the relationship between the abstractions and the real, perhaps choosing to incorporate bits of elements — plants, tracks, etc. — blur the line between the abstractions and the real.

Dunes change appearance greatly depending on the time of day and the atmospheric conditions. In some sense, they are a sort of canvas on which light paints. At times the shadows can be deep and even stark, but in soft light they can be almost as light as the highlights. It is hard to say with certainty what color dunes are. In the middle of the day they may seem almost colorless, but when they pick up the colors of sky and golden hour light they may become subtly colorful.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.