Tag Archives: detail

Post-Processing: A Shadow Recovery Example

Note that this is an older article from 2012. While the concepts are largely the same with contemporary cameras and software, some aspects of the article are now a bit date.

(In another forum someone asked a question – actually, more like posed a challenge – related to how much usable detail and quality could be extracted from a raw file that contained areas of very low luminosity, as could happen with a badly underexposed image or with an image of a scene with a very large dynamic range. Since I went to the work of responding and illustrating my response, I figured that I might as well share it here, too. With minor revisions, here it is.)

First, I actually have a “real” version of this photograph in which highlights were slightly blown, but which I preferred to use since I could bring them back in post and get a bit more shadow detail to start with. (It looks a bit bright to me as an on-screen jpg, but it makes a fine print.) That photograph ended up looking like this:

Morning light slants over the top of sandstone cliffs above early autumn foliage in Kolob Canyon, Zion National Park

This photograph and the other I’ll move to below were both shot from a tripod with a Canon EOS 5D Mark II at ISO 100 using the Canon EF 24-105mm f/4L IS at f/16. While the “keeper” used for the photograph above had a 1/4 second exposure, the example I’ll use below was shot at 1/30 second.

The exposure challenge in this scene was the very large dynamic range between the bright spot of sky at the head of the canyon and the much darker colorful foliage in relatively deep shadow in the foreground. Exposing for optimal quality in the foreground would completely blow out the sky, while exposing for the sky would necessarily grossly underexpose the foreground.

I originally thought that I might like to have four bracketed exposures in case that would let me produce a better final image via layer blending, but it turned out to be unnecessary and the final image (as shown above) has a single source file with no blending. However, this means that I still happen to have one very badly underexposed (by three stops) version at 1/30 second which I’ll use here as the starting point for what I plan to illustrate in this post. Follow along with me and see what I can do with the very underexposed version of the file…

Continue reading Post-Processing: A Shadow Recovery Example

Fractured Sandstone Detail

Fractured Sandstone Detail - Details of fractured sandstone rock, Zion National Park
Details of fractured sandstone rock, Zion National Park

Fractured Sandstone Detail. Zion National Park, Utah. October 12, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Details of fractured sandstone rock, Zion National Park

On this day we had driven across a good chunk of Arizona and southern Utah while traveling from Moab towards Springdale and Zion – and it had rained, heavily at times and lightly most of the day. Back in Arizona many of the creeks and rivers had come back to life, and north of where we were it may have been snowing. By the time we reached Zion and headed across the Mount Carmel Highway on our way to Springdale, everything was quite wet.

Rain radically changes the appearance of this portion of the park. (In truth, it changes the appearance of many things, but that is a topic for another post!) There were puddles and rivulets everywhere, and those dry waterfalls that characterize this country were no longer dry. The clouds soften the light and fill in the shadows, and the moisture intensifies the colors, especially the red and pink colors of the sandstone. Shortly after entering the park we pulled over and spent some “quality time” exploring this change near a small valley that held pools and a little temporary creek, and I found this area of fractured sandstone.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Sand Tufa, Mono Lake

Sand Tufa, Mono Lake - Early morning light on details of sand tufa formations, Mono Lake
Early morning light on details of sand tufa formations.

Sand Tufa. Mono County, California. July 14, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Early morning light on details of sand tufa formations, Mono County.

I have wanted to photograph this subject for some time. The sand tufas are not found in the same location as the better-known “tufa towers” that are so often photographed, and they are smaller and somewhat subtler (if that is the right word) subjects. If you weren’t aware of what you were looking for, it would be very easy to pass right by them and barely notice their presence at all. They also appear to be very fragile, so great care should be taken if you ever happen to come across them. Walk around, not over or through them, and minimize your impact on them to the greatest extent possible. If you come across examples, it is probably best to not blast a lot of specific information to the world. I don’t know all of the details of their formation, but judging by their locations and by the recent history of lower lake levels, I suspect that they may have been underwater before the historically recent extraction of water from the eastern Sierra by Los Angeles.

If you are thinking of looking for an interesting and easy to shoot photographic subject, don’t bother with the sand tufa. You’ll probably have much better luck and more fun shooting the impressive and better known and larger “tower” features at other areas. These small structures do not tower above anything. Some are only inches tall, and the largest are just a few feet tall. Their natural color is a muted and, let’s be honest, boring gray color. Their location does not particularly allow them to be paired with more impressive and distant large-scale landscape features such as the expanse of the lake’s surface or the surrounding mountains and hills, with the possible exception of certain kinds of cloud formations. When I went there I had some pre-conceived ideas about I might photograph them, perhaps including the Sierra’s eastern escarpment in the images, but these ideas did not pan out. However, by shooting in the first few minutes of light and working with a long focal length to crop tightly I found some interesting fluted patterns to work with.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Interior Detail, War Memorial Opera House

Interior Detail, War Memorial Opera House - Entrance to stairways at the War Memorial Opera House, San Francisco.
Entrance to stairways at the War Memorial Opera House, San Francisco.

Interior Detail, War Memorial Opera House. San Francisco, California. June 29, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Entrance to stairways at the War Memorial Opera House, San Francisco.

We are fortunate to have season tickets to San Francisco Opera. (No. Not box seats. Not even orchestra seats. But, still, the opera… :-) So we spend a fair amount of time in the War Memorial Opera House in San Francisco and wander around the place a bit before shows and during intermissions. I find the whole place architecturally interesting, and some day I would love to have an opportunity to go in there with all of the right gear and have free run of the place to make photographs.

But for now I have to make do. This particular entry and the stairwell beyond have intrigued me for a while. Long before I made this photograph I had made a few iPhone images of the scene and thought about what it contains and some of the reasons that it must attract me. Last summer we went to the San Francisco Opera performance of Wagner’s “Ring,” and due to the somewhat extreme length of the component operas, many of the performances started fairly early – this one started at 7:00 p.m., meaning that there was plenty of light coming in from the windows to the right of the scene. On this evening I had brought along a camera body and a single 50mm prime, which turned out to be just about the right lens for this scene.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.