Tag Archives: distant

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Dunes and Distant Hills

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Dunes and Distant Hills, Death Valley
“Dunes and Distant Hills” — Death Valley sand dunes and distant desert hills in morning light.

The photograph’s title includes the words, distant hills.” But just how distant are they? From my position as I made this photograph, once I got to my vehicle, it would be a roughly 10 mile drive to those hills. Distances (and sizes) can be very deceptive in this park where we often experience huge vistas with features many miles away.

I made this photo near the end of the morning’s work. I had started before dawn, both to photograph in the soft predawn light and because I wanted to be in place for the arrival of the first direct sunlight. When that arrives, things transform very quickly. At first the color-saturated light hits only the high points, but as it increases the light works down onto and around other features.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Photographs: Central California, Photographs: Nature

Wetlands, Clearing Fog

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“Wetlands, Clearing Fog” — Morning tule fog clears to reveal wetlands ponds, grasses, and distant winter trees.

I made this photograph during a fortuitous moment of light and atmosphere. We were in California Central Valley wetlands primarily to photograph migratory birds. The tule fog was thick when we began our work before sunrise. But later on, as we came to the edge of this pond, the fog thinned around us, producing a bit of clear air even as more distant surroundings remained shrouded in fog.

In direct sunlight the effect can be somewhat harsh and stark, but since everything around from this little area was still shrouded in fog and mist (even the sky above contained clouds) the overall light was still soft. I got down low to position the darker foreground water and grasses in front of the more distant wetlands terrain and the distant trees barely visible in the fog.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Mono Lake Basin, Photographs: Nature

Mono Lake, Mountains, Morning

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Mono Lake, Mountains, Morning
“Mono Lake, Mountains, Morning” — Early morning autumn light on Mono Lake and distant desert mountains.

Part of the challenge of photographing a familiar subject is finding a different perspective on it. This is especially true with “iconic” subjects that everyone has seen, and which we know by way of familiar views. If you think about any famous place you can probably visualize the scenes I’m thinking of — familiar views of familiar things. (I’m not against them. In fact, it is an interesting challenge to try to make those views different.) There are several familiar approaches to photographing Mono Lake. Yes, I’ve done them, too!

But this is not one of those familiar views. For one thing, the camera position here is not one that most people visiting the lake would think of or even know about. It is a pretty good distance from the lake — in fact the photograph was made with a very long lens. It is also elevated, up in mountains where sage meets aspens. I photographed in the early morning on a clear day, when the low morning sunlight was angling across the landscape from the right.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | Post | Email

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: New England

New Hampshire Hills, Autumn

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New Hampshire Hills, Autumn
“New Hampshire Hills, Autumn” — An autumn view across hazy New England hills in New Hampshire.

If I recall correctly, this was our first morning out and about on the Kancamagus Parkway, that popular fall color route in New Hampshire. We had driven over it late previous day when we arrived to check into a hotel, but there had been little time to stop and photograph. So the next morning we got up early and headed back up into the hills to start photography.

This is perhaps not the most colorful New England autumn photograph. In fact, I think it might be a bit more like my California landscape photographs in some ways. The colors are there, but they are muted by the early morning atmosphere and light. The photograph looks across a series of ridges and into the far distance where morning clouds have not yet lifted.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | Post | Email

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.