Tag Archives: district

Alfama Street Art

Alfama Street Art
“Alfama Street Art” — Detail of street art on a wall in the Alfama district of Lisbon.

This detail of a bit of Portuguese street art comes from the Alfama district of Lisbon. This is the oldest neighborhood of the city, with tightly spaced buildings and streets so narrow and twisting that vehicles cannot pass. It was (and reputedly still is) a neighborhood where the poor are more likely to live — though one can see a creeping urbanization occurring around the edges.

I don’t generally photograph graffiti — the “I am here” initials and other personal marks made in public spaces. But there’s a fine line between that and what I think of as street art. I will photograph the latter. Here the imagery covers of a mundane wall — look closely and you can make it out beneath the paint — and uses wildly exuberant patterns and colors.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Monastery of São Vicente de Fora

Monastery of São Vicente de Fora
“Monastery of São Vicente de Fora” — The Monastery of São Vicente de Fora rises above Alfama, Lisbon.

Unfortunately we did not actually get to the Monastery of São Vicente de Fora during our Lisbon visit — we were merely tempted by the sight of the impressive architecture on this ridge above Alfama in Lisbon. As is our practice, we headed out for a walk on this day, a walk that followed only the most general plan. We knew we wanted to get to visit Alfama, but beyond that we would just wander. Eventually — and, I suppose, inevitably — we arrived at Portas do Solwhich presented this view.

The buildings of Alfama are tightly packed and separated by very narrow streets, many of which would not accommodate vehicle traffic. A small section of such buildings is in the foreground in this photograph, temporarily shaded by the passing clouds. The Monastery dominates the view, as it sits on the hilltop above the district — and at this moment it was in the sunshine.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Ginginha Vendor

Gingihha Vendor
“Gingihha Vendor” — A woman selling ginginha from her doorway in the Alfama, Lisbon.

One can never be sure things like ginginha are tourism constructs or actual traditions — or perhaps a bit of both. (Parallels include Portugal’s pastel de nata, San Francisco’s Sourdough bread, Belgium waffles, and more.) But I understand, both from reading about it and from seeing it, that gingihna is a traditional drink in many places in Portugal. It is a sweet, cherry liqueur that is often sold on the street, either in small shot glasses or in little chocolate cups that you simply eat when you are done. (Nice way to solve the litter problem!)

You can step up to small ginginha shops and buy one all over the place. But there also appears to be a less formal sales force operating from their front doorways. On our recent visit we saw several women set up this way to sell ginginha, including this woman sitting in her doorway in the Alfama district.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Cobbled Street

Cobbled Street, Montpellier, France
“Cobbled Street” — A man walks up the slope of a steep cobbled street, Montpellier.

After visiting Monpellier’s Arc de Triomphe and nearby Christmas Market, we headed back down the Rue Foch toward the old center of the city, but soon took a detour to the north. It eventually took us to the St. Pierre Cathedral and then the nearby Jardin des Plantes. To get there, we first traveled through some quieter, winding back streets, including this one where I photographed a man ascending a steep section.

The light in this location and others like it reminds me a lot of the light in slot canyons in the American Southwest. Because this “canyon” is also narrow and lined by tall “walls,” direct light rarely makes it to the street level. As a result, the light is often quite “cool,” or blue, since most of it is coming from the sky itself. But in places where the sunlight hits the walls, it reflects back and forth and sends a bit of warmer toned light into the “canyon,” as on the wall at the end of this street.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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