Tag Archives: early

Central Valley Coyote

Central Valley Coyote
A coyote pauses during an early evening hunt in California’s Central Valley.

Central Valley Coyote. © Copyright 2013 G Dan Mitchell – all rights reserved.

A coyote pauses during an early evening hunt in California’s Central Valley.

We know that coyotes are about in the locations where we photograph migratory birds in the autumn and winter. We often hear their cries in the evening, and occasionally we’ll catch sight of them in the distance as they trot across the grassland toward a tasty-looking flock of birds, no doubt encountering equally tasting small mammals along the way. However, seeing one this close in the daytime is a bit less typical.

It was the last hour before sunset, as you might guess from the warm and low-angle light, when this specimen appeared not far away from my position. It was most certainly aware of my presence, but it didn’t seem overly concerned as it passed, pausing occasionally to look around and even cast a glance in our direction.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Red Rock and Autumn Color

Red Rock and Autumn Color
Early autumn color at the base of Zion Naitonal Park cliffs.

Red Rock and Autumn Color. © Copyright 2012 G Dan Mitchell – all rights reserved.

Early autumn color at the base of Zion Naitonal Park cliffs.

Back in Autumn of 2012 I had an unusual opportunity to spend a total of roughly a month photographing in the red rock country of Southern Utah. I was there early in the month for a couple weeks, and I returned in near the end of the month with photographer friends. On that second visit we concentrated on Grand Staircase-Escalante National Monument and on Capitol Reef and Zion National Park. We visited Zion twice — as we entered the state and again as our trip concluded and we started back to California.

From my autumn visits to this part of Utah I started to learned a few things about how fall color evolves there, though my knowledge is far from complete. The first thing I learned is that the aspens change color earlier than in California — more like late September than early October. (I learned this the hard way, by showing up a bit too late to photograph peak aspen color.) The color in the red rock canyons seems to come later, and we had plenty of it to photograph in the second half of the month. When we arrived in Zion National Park at the end of the month interesting color was showing up at higher elevations, but I think we were catching only the very beginning of the color in Zion Canyon. That’s where I made this photograph, with an early riot of color at the base of the ubiquitous red rock cliffs.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Cranes Above The Levee

Cranes Above The Levee
A small group of sandhill cranes flies into a mist-filled early morning winter sky above a Central Valley levee.

Cranes Above The Levee. © Copyright 2012 G Dan Mitchell – all rights reserved.

A small group of sandhill cranes flies into a mist-filled early morning winter sky above a Central Valley levee.

Light comes in infinite variations — bright, warm, cool, clear, misty, back, front, reflected, glowing, harsh, and on and on. (I wonder how many ways there are to describe light?) Photographers and photographers may be characterized by their favorite subjects, how they compose, elements of post-processing, and much more. But what light they prefer and how they handle it may be among the most important factors.

I have my preferences. One of them is for light coming through a glowing, mist or fog filled atmosphere, so bright that you almost cannot look straight at it. In this light the atmosphere almost becomes a tangible thing. This winter morning in California’s Central Valley had that quality as this small group of sandhill cranes flew past.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Wetlands, Winter Fog

Wetlands, Winter Fog
Early morning winter tule fog rises from Central Valley wetland ponds as sandhill cranes take flight.

Wetlands, Winter Fog. © Copyright 2012 G Dan Mitchell – all rights reserved.

Early morning winter tule fog rises from Central Valley wetland ponds as sandhill cranes take flight.

Winter transforms the arguably-mundane California Central Valley landscape. Much of the area is agricultural country, and while that can look bucolic when fields are green, most of the time they are not. During much of the year they are brown, and during the winter the place can be quite muddy. (Don’t regard this as suggesting I don’t like the Valley. I do!)

On a January morning such as the on the day I made this photograph, magic can occur as tule fog rises and drifts about wetlands and as the sky fills with birds. To make this photograph I stopped along an empty rural road next to flooded fields and waited for cranes to take wing along a levee.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.