Tag Archives: edge

Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Trees In Sun, Cliff In Shadow

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Trees In Sun, Cliff In Shadow
Sun from behind an ice-rimmed granite monolith lights a row of trees at the edge of a meadow

Trees In Sun, Cliff In Shadow. © Copyright 2018 G Dan Mitchell – all rights reserved.

Sun from behind an ice-rimmed granite monolith lights a row of trees at the edge of a meadow

I made this photograph on a day of somewhat ephemeral conditions. There had been snow the day before — light snow, but in very cold conditions. On this morning the storm had passed, but it was so cold that a thin layer of snow was still there. It was in the meadows, on the branches of trees, and collected on every small irregularity on the granite cliffs above Yosemite Valley. At the moment I made this photograph the sunlight, shining through thin clouds, had just arrived on the closest trees, while those in the distance remained in cold shadows.

The light and the snow patterns on the face of the granite monolith are remarkable. The small amount of snow — perhaps only and inch or two — brought the patterns of cracks and small ledges into relief, making visible features that we might overlook on a warmer day And the light on the cliff is rather blue since the face is illuminated not by direct sunlight, but instead by the giant “light panel in the sky,” which happens to be very blue!

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Cliff in Sun, Trees In Shadow

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Cliff in Sun, Trees In Shadow
The edge of a granite face caught in morning sun, with snow-covered trees in shadow

Cliff in Sun, Trees In Shadow. © Copyright 2018 G Dan Mitchell – all rights reserved.

The edge of a granite face caught in morning sun, with snow-covered trees in shadow

The little bit of sunlit granite cliff on the right side of this photograph has long intrigued me. When the light hits it a highlight is added to a scene that is often otherwise almost completely in shadow. The light only happens for a short period, since the sun has to rise above the thousands-of-feet-high cliff above and then find its way down at just the right angle. Basically, it is only going to happen in the morning at this time of year, and for a short time at that. On this day I photographed it just after new snow had fallen the night before, coating trees and granite with a thin layer of snow.

The color of this scene is perhaps also worth mentioning. I decided to “go with the blue” on this image. Deeply shaded areas that are illuminated by open sky are often far bluer than we might think, something that photographers soon learn to recognize. When we look at such a scene with our eyes and our brains visual processing system, our brain tells us that, for example, the snow in this scene is white. But objectively speaking it is very much NOT white — it is the blue of the sky. In many cases photographers — including me — will adjust the color of the blue shadows in post to make them a bit closer to how we recall the scene, but another option is to leave it just as blue as it actually is… which is what I’ve done here.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature

Hills, Edge of the Carrizo Plain

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Hills,Edge of the Carrizo Plain
Evening light on a stream bed dropping though Temblor Range hills toward the Carrizo Plain

Hills, Edge of the Carrizo Plain. Carrizo Plain National Monument, California. April 2, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Evening light on a stream bed dropping though Temblor Range hills toward the Carrizo Plain

On this early April day I drove south from the San Francisco Bay Area on highway 101, leaving that route and heading east near Paso Robles to travel through the impossibly green spring landscape of Central California hills. I wasn’t alone. This being a beautiful spring Sunday, many others were out here to look for spectacular wildflower displays. And here, as in many other similar California locations, we found what we were looking for.

I continued to the east, eventually arriving at this high plain, often a desolate place but for a few weeks in wet years a place full of growth and color. I met up with friends who were already camped there, and we soon headed out to look for places with special color. We followed a small gravel road up into the foothills of the Temblor Range — we parked where it ended, loaded up packs, and continued on up into the hills of foot, heading toward some extensive fields of colorful wildflowers. As we topped the first rise I paused an looked back down at the base of the hills where the gully of a small stream winds its way toward the plain.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

The Shadow Line

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The Shadow Line
The boundary between morning sunlight and shadow traverses granite slabs

The Shadow Line. Yosemite Valley, California. February 26, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

The boundary between morning sunlight and shadow traverses granite slabs

These slabs on the lower face of the Glacier Point apron always attract me, especially in the morning. I go way back with them — many years ago when I was, for a short time, a budding rock climber, we climbed on them, testing the limits of our trust in friction. Today, when I’m in this section of the Valley early in the morning, I always watch for the arrival of the first sun on the slopes.

I was in a cold meadow before sunrise on this winter morning. Soon the first light began to touch the cliffs along the north side of the Valley, and then trees along the upper rim near Glacier Point picked up the light. It worked its way slowly down the immense face, and the light final streamed through gaps behind Half Dome and slanted across this slope and revealed the cracks and scallops on the weathered granite.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.