Tag Archives: el cap

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada

El Capitan Meadow Trees

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El Capitan Meadow Trees
Tall trees stand at the end of El Capitan Meadow, against a backdrop of giant cliffs in hazy light.

El Capitan Meadow Trees. © Copyright 2023 G Dan Mitchell.

Tall trees stand at the end of El Capitan Meadow, against a backdrop of giant cliffs in hazy light.

By Yosemite view standards, this is distinctly non-iconic, at least superficially. (Actually, the meadow is pretty well-known as a place to view climbers on El Cap, but this photograph looks the other direction.) But one of the great themes of this remarkable Valley is the juxtaposition of relatively common things (a meadow and some trees) with the uncommon (a cliff face erupting thousands of feet above the Valley floor.) At the upper right corner you can spot a few remaining late-May snow patches left over for this historic precipitation season.

I suspect that the first point of attention for most people in a scene like this is the powerful vertical of the two tall trees. But I see a whole lot of relatively horizontal layers in this scene. It begins with the nearly flat and very green meadow at the very bottom. Above that is a layer of (mostly) black oak trees. They are backed by a layer (or arguably several layers) of tall conifers. Finally, behind everything else, is the shadowed, vertical wall of this valley.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Trees and Haze, El Capitan

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Trees and Haze, El Capitan
Late-afternoon spring haze mutes the contours of El Capitan, standing beyond groups of Yosemite Valley trees.

Trees and Haze, El Capitan. © Copyright 2023 G Dan Mitchell.

Late-afternoon spring haze mutes the contours of El Capitan, standing beyond groups of Yosemite Valley trees.

Near the end of my one-day (one very long day!) visit to Yosemite Valley the week before the Memorial Day crowds arrive, I visited a few spots in the lower Valley that are familiar to me. I went to this location mainly to photograph a flooded meadow that is surrounded by trees and from which granite cliffs are visible. These trees were silhouetted against the base of El Capitan, whose form and textures were muted by afternoon haze.

Haze can be the photographer’s enemy or friend. It certainly interferes if you are looking for clear, detailed photographs of distant subjects. On the other hand, it can accentuate the distance between objects, mute distant details to bring attention to closer subjects, and lend a moody emotion to a scene.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Oak in Winter

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Oak in Winter
Light snow covers a meadow and the branches of an oak tree during a spring storm, Yosemite Valley

Oak in Winter. © Copyright 2018 G Dan Mitchell – all rights reserved.

Light snow covers a meadow and the branches of an oak tree during a spring storm, Yosemite Valley

I went back and forth on the question of whether this photograph should be black and white or color. When I made the photograph, in light snow flurries and soft and low light, there was hardly any color in the scene, and I imagined the “I might as well” go with monochrome. I toyed with the idea of doing a color rendition and leaving the viewer to figure out if it really was in color or not. Finally, I simply decided that color wasn’t a particularly important aspect of the image… and here you are.

The scene might be just a bit deceiving. It is clearly a winter-like scene (though photographed in early spring) with new fallen snow. However, a closer look reveals that the snow is quite light — perhaps no more than an inch or so — yet it is fresh enough to cling to branches and cover the ground. It was snowing lightly as I made the photograph, in fact.

See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Hiker, Black Oaks, and Meadow

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Hiker, Black Oaks, and Meadow
Hiker, Black Oaks, and Meadow

Hiker, Black Oaks, and Meadow. Yosemite Valley, California. October 30, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A hiker crosses a Yosemite Valley meadow beyond black oak trees with autumn foliage

Yes, yet another photograph of autumn oak trees and Yosemite Valley meadows! It is (or was) the season in late October and I’m still sorting through the photographs. When I first arrived here my plan was to photograph the black oaks as a “natural” landscape without people. So I found a composition that I thought would work and settled in to wait for the folks who were (as is inevitable in the Valley) wandering around in the meadow to finish and move out of the frame. It seemed that every time the view was about to be clear yet another person would arrive and walk into the frame. I finally decided that I might have to make two or more photographs and blend the “person-less” sections to create one image without hikers, so I made a few exposures as two or three people walked across. (I also timed some of the shots so that the people would be hidden behind the oak trees.)

As luck would have it, after I decided on this approach there was a point at which no human figures appeared in the scene, so I do have my natural landscape version of this scene. However, after thinking about it a bit more, I actually like the version with a person in it better! While most of my landscapes are “people-free,” every so often I do one that includes the figures in the frame. I’ve learned a few things about this. First, having a person in the frame isn’t always a bad thing. (Yes, file that in the “duh!” file.) The presence of a human figure can both crystallize the composition and it causes us to relate to the scene very differently – perhaps imaging ourselves being there or perhaps considering what the person in the photograph might be thinking and experiencing. Second, the figure can often be quite small and still change the effect of the image in ways that are much bigger than the small figure might suggest. As an exercise, try to just barely cover the person with your finger. Notice how the greatly the effect of this scene changes?

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.