Tag Archives: el capitan

Autumn Light and Color

Autumn Light and Color
Light through seasonal haze illuminates autumn trees in Yosemite Valley.

Autumn Light and Color. © Copyright 2023 G Dan Mitchell.

Light through seasonal haze illuminates autumn trees in Yosemite Valley.

I have a few seasonal rituals, things I do and places I go every year. Visiting Yosemite Valley during its fall color season is high on the list. The Valley has color, but it comes later than the Eastern Sierra aspen transition. So I made one of my epic one-day up-and-back visits earlier this week. The plan: up hours before dawn, a four-hour drive to arrive just after sunrise, a few hours of morning photography, midday naps, more late-day photography… and then the four-hour drive back home again..

It is exhausting, but it is also exhilarating to see the peak color there once again, to renew my acquaintance with familiar subjects, and to investigate a few new ones. I know this specific location quite well — and if you visit the Valley much you probably know it, too. A gap in the Valley’s cliffs to the south-southwest allows beams of light to reach the valley floor and progress across the meadow and trees. I made a plan to be there for this light, and I made this photograph just as the light passed across this group of black oaks.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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El Capitan Meadow Trees

El Capitan Meadow Trees
Tall trees stand at the end of El Capitan Meadow, against a backdrop of giant cliffs in hazy light.

El Capitan Meadow Trees. © Copyright 2023 G Dan Mitchell.

Tall trees stand at the end of El Capitan Meadow, against a backdrop of giant cliffs in hazy light.

By Yosemite view standards, this is distinctly non-iconic, at least superficially. (Actually, the meadow is pretty well-known as a place to view climbers on El Cap, but this photograph looks the other direction.) But one of the great themes of this remarkable Valley is the juxtaposition of relatively common things (a meadow and some trees) with the uncommon (a cliff face erupting thousands of feet above the Valley floor.) At the upper right corner you can spot a few remaining late-May snow patches left over for this historic precipitation season.

I suspect that the first point of attention for most people in a scene like this is the powerful vertical of the two tall trees. But I see a whole lot of relatively horizontal layers in this scene. It begins with the nearly flat and very green meadow at the very bottom. Above that is a layer of (mostly) black oak trees. They are backed by a layer (or arguably several layers) of tall conifers. Finally, behind everything else, is the shadowed, vertical wall of this valley.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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First View

First View
Morning view of Yosemite Valley’s El Capitan and Ribbon Fall on a spring morning.

First View. © Copyright 2023 G Dan Mitchell.

Morning view of Yosemite Valley’s El Capitan and Ribbon Fall on a spring morning.

There are several stories about how I came to this spot earlier this week. One starts decades ago, but I’ll begin with a shorter one. Up at 2:50AM and on the road minutes later, I began the drive from the San Francisco Bay Area to Yosemite Valley in darkness. I had considered a sunrise arrival, but that would have meant being on the road around 1:00AM — which wasn’t going to happen. So the sky began to lighten out in the Great Valley, and the sun rose while I was in Merced Canyon. This scene was in front of me when I finally stopped, shortly after turning onto Southside Drive in the Valley.

Of course, the full story of “how I got here” is much, much longer. It started decades ago when I was five years old and my parents relocated to California from the Midwest. Soon after our arrival we went to Yosemite — I don’t know the exact year, but it must have been not long after my fifth birthday. I’ve been to this place many times over those years, and I expanded my experience to the greater Sierra. On this visit I thought a lot about how my relationship to this Valley has changed, and I hope to write a bit more about that in the next few weeks.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Light on Granite

Light on Granite
A gesture of light falls across an irregularity in the granite face of a Yosemite cliff.

Light on Granite. © Copyright 2018 G Dan Mitchell – all rights reserved.

A gesture of light falls across an irregularity in the granite face of a Yosemite cliff.

There is a tendency for people to regard the landscape as a fixed and even a permanent thing. The mountain will be there when you go back to it in a year or ten or a hundred, so the photograph “captures” a thing that is unchanging. This is, of course, incorrect, and on multiple levels. Supposedly permanent things change constantly — in fact, the forms by which we know them today are the result of profound forces of change that are ongoing. (One reason that climbers wear helmets is that rocks fall…) But changes on much shorter scales are of tremendous interest to those who photograph (or just like to view) than landscape. They range from annual (what is it like [i]this[/i] year?) to seasonal. Some of them obviously occur on a daily basis — and photographers think about those a lot. Light and atmosphere vary in profound and often remarkable ways.

In so many cases, timing is everything. For some, calculating that timing is a key. I just read a friend’s report on a night photograph that he had “figured out” over a year ago — it required him to be in a certain place during a narrow window of time with conditions that were just right. I am impressed! For others — including my friend — even more critical is being attuned to what is happening right now or in the next few minutes or hours and then being ready to respond. I share all of this here with this photograph as the effect of light on this granite face was tremendously transitory. The time between the bulk of the face falling into shadow (and leaving the thin strip in sun) and the complete loss of light was perhaps measured in seconds, and certainly little more than a minute. (This is another photograph from my artist-in-residency sponsored by Yosemite Renaissance this past winter and spring.)


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.