Tag Archives: elevated

Duomo di Siena

Duomo di Siena
“Duomo di Siena” — An overhead interior view of the Duomo di Siena.

Here is another photograph made from the upper levels of the Duomo di Siena, or Siena Cathedral. In this case we signed up for an early morning tour that took us way up to the roof of the building and listed a number of rooms and passageways that you wouldn’t know about by visiting the main floor. At times we had incredible views of the surrounding city and countryside, and at other points we got unusual and striking views inside the church itself. I made this photograph through a narrow opening as we crossed between the two sides of the duomo.

As with all such cathedrals, it is worth pondering how their architecture and interior additions must have seemed almost incomprehensible to people when they were constructed. Today we put up much large buildings in a year or a few, but then it took decades or even centuries. Even more remarkable, at one point at even larger cathedral was planned and initial construction begun — and it that version the space in this photograph would have been merely the width of the church, not its length.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Interior, Duomo di Siena

Interior, Duomo di Siena
“Interior, Duomo di Siena” — An elevated view of the of the interior of the Duomo di Siena.

When we travel we prefer finding our own way over relying on guided travel. In our experience, a big part of the value of travel comes from things like feeling somewhat out of your element, encountering unanticipated things and events, and even just devoting some time to wandering. However, there are times and places when paying for guided access can get you to place that are otherwise inaccessible. That’s how we ended up on a guided tour of Siena’s Duomo, one that took us high up into the upper reaches of this remarkable structure.

I made the photograph on this tour. As we crossed over from one side of the roof area to the other we passed a portal into the cathedral, and it provided a remarkable perspective on the interior and, far below, the floor of the duomo. (One other advantage of this tour? It started well before the crowds arrived.)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Long Shadows

Long Shadows
Pedestrians at the High Line Park cast long shadows.

Long Shadows. © Copyright 2023 G Dan Mitchell.

Pedestrians at the High Line Park cast long shadows.

In my experience, interesting things happen to the light during late-fall and winter in Manhattan. Many are familiar with the “Manhattanhenge” phenomenon where the sun lines up with streets, but I’m thinking more of the combination of low sunlight angles and midday and afternoon light casting long shadows to the north and northeast of subjects, who appear against a bright, sometimes-glowing background.

Interesting things happen in this light. The shadows fascinate me — they are long and often anngle across the scene. (In some places the shadows themselves criss-cross when the light is reflected from building windows.) To photograph this light I have to walk towards it, and if I’m including human subjects they are often walking the other way — so things happen quickly and I have to react with little time for careful thought. As a result, there are surprises… such as the arm position of the man at the left, who walks almost as if he is trying to balance on a tight rope.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Woman Photographing Brick Wall

Woman Photographing Brick Wall
A woman stands on a bench to photograph a brick wall along the High Line Park, New York.

Woman Photographing Brick Wall. New York City. © Copyright 2015 G Dan Mitchell – all rights reserved.

A woman stands on a bench to photograph a brick wall along the High Line Park, New York.

I made this photograph on a winter’s day walk along the High Line Park in western Manhattan — the increasingly well-known park that extends along the abandoned path of an old elevated railroad bed. The park is very popular, and even on a winter day there were many, many people out walking along it, and the surrounding neighborhoods were also filled. Of course, there is a lot going on in this Chelsea neighborhood — the Whitney Museum is now open at the southern end of the park, there are lots of restaurants and more along its length, and the north end now terminates at the busy construction site of the Hudson Yards.

When I made the photograph I probably wasn’t thinking consciously about much or than the possibility of isolating the figure of the woman, engrossed in making a close up photograph the bricks, against the small and large patterns of the background wall, with the slight natural intrusion of the tree at the right edge. Later I thought about what she was photographing, and how most people might simply wonder what the heck she sees there, in a place where there is nothing apparent to photograph. This might be a bit of a metaphor for lots of photography, where the act of capturing “something you see” defines your world and presents a personal vision of it to others. And I still do like the complex set of interlocking patterns of the wall, the wooden structure, the window, and the single figure.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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