Tag Archives: eroded

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Desert Canyon, Morning Light

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Desert Canyon, Morning Light
Soft morning light on eroded landscape in a desert canyon.

Desert Canyon, Morning Light. © Copyright 2023 G Dan Mitchell.

Soft morning light on eroded landscape in a desert canyon.

There are places and subjects that I can return to many times and still find new ways to see them. This photograph comes from one of those places, one that I remember thinking I was “done with” a long time ago,. But every time I return I discover something that I missed before. For years I have photographed from the little valley that is the subject here… but only recently realized that it could serve as the subject as well as a camera position.

This photograph, with its subtle forms and colors, is also more or less the result of an accident. I ended up at this camera position for the first time a few months ago when I went there to photograph something entirely different. Finishing with that other subject I turned around and saw this one, on that morning softened by atmospheric haze and backlight.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Badlands, Desert Valley

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Badlands, Desert Valley
The view across eroded badlands hill and up a broad wash toward desert mountains.

Badlands, Desert Valley. © Copyright 2023 G Dan Mitchell.

The view across eroded badlands hills and up a broad wash toward desert mountains.

This scene has intrigued and challenged me for quite a while, and this is certainly not the first time I have photographed it. I is near an area where I frequently photograph in Death Valley, and for a variety of reasons I typically arrive at this spot after completing work in nearly locations. The view opens suddenly from a high perspective at a turn in the route, and I hardly ever pass without stopping.

As can be the case in the desert landscape distance, atmospheric contact, lighting, and subjects of low contrast are both pluses and minuses. Landscapes that may look well-defined in person are not always easy to translate to a photograph. This time I decided to render this subject in monochrome, which gives me more control over some of these parameters and try to register the depth of the scene.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Across the Canyon

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Across the Canyon
Morning light on a desert canyon and eroded hills, Death Valley National Park.

Across the Canyon. © Copyright 2023 G Dan Mitchell.

Morning light on a desert canyon and eroded hills, Death Valley National Park.

Weeks ago I thought I was “done” with the photographs from my January visit to Death Valley National Park. As usual, I was wrong. I almost always end up returning later to files that I think I’ve picked over, and I inevitably find something that I missed. (I have a theory about this that has to do with how we see photographs right after we make them versus how we view them later on with some aesthetic distance.) I made this photograph on a morning when thick haze to the east softened the light.

The impetus for this return to the file archive was a posted by a friend who was photographing in the park just before the first day of spring. I recognized her camera position as being very close to a place that I had used in January, and when I went back to my files to verify my hunch I ended up plowing through the archive again. The fact that this photograph sees the light of day now is the result of multiple bits of serendipity. I was there to photograph an entirely different subject, and I only spotted this scene by turning away from that subject. I might never have “found” it again if it hadn’t been for the coincidence of seeing my friend’s photograph.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Eroded Badlands Hills

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Eroded Badlands Hills
“Eroded Badlands Hills” — Deeply eroded badlands hills and more distant mountains in morning light, Death Valley National Park.

Special Note: Patty and I are presenting a Silicon Valley Open Studios event on May 21 and 22. Look us up (Dan | Patty) or contact us for information. Come and see our prints!

You could look at this photograph in several ways, but I think the complex patterns of this landscape are the main attraction. Recently I read an article about photography that suggested (to paraphrase) that landscape photography aspires toward abstraction. I like that idea a lot. I feel there should be more to a landscape photograph than an ostensible “record” of things in front of the camera. Ideally photographs can be viewed on multiple levels simultaneously — our relationship to the place and the way we see it, the sum of compositional elements, some level of mystery, suggestions of things not contained in the frame, emotional implications, and more.

This feels like one of those photographs to me. You could respond to the remarkable nature of the landscape that was in front of the camera. You could also consider the visual forms from an abstract perspective — the complex patterns of elements in contrary and parallel motion. You are free to ponder where this portrayal of the landscape fits into the larger scheme of landscape art. And who am I to try to stop you from looking for relations to other, larger things?

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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