Tag Archives: europe

Graffiti and Barred Window

Graffiti and Barred Window
“Graffiti and Barred Window” — Colorful wall, window, and metal grate in Ghent’s “graffiti alley.”

An alley in Ghent, Belgium is called the “graffiti street” or the “graffiti alley.” (The latter is more apt, since it is a very narrow walkway.) The walls (and sometimes the pavement) are covered with a wild mix of tags, graffiti, and street art. New imagery is continuously added on top of the old, and the intersections of these old and new images can be fascinating.

I have mixed feelings about photographing graffiti and street art, at least when it isn’t just an unavoidable element of the scene or an embellishment on other subjects. But here, the individual work is subsumed by the sum of it all, and in ways that hardly could have been anticipated by those who produced the deeper layers.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Eglise de Notre-Dame Des Victoire Interior

Eglise de Notre-Dame Des Victoire Interior
“Eglise de Notre-Dame Des Victoire” — The interior of the Eglise de Notre-Dame Des Victoire, Brussels.

During our visit to Brussels near the beginning of June, we stayed near the old central part of the city, an area of remarkable architecture, many places to eat… and a whole lot of tourists. In many ways it was a good location — we could easily walk there from the train station, and food options were abundant. But eventually we decided to take a very long walk out of this area.

That eventually took us to quieter neighborhoods and districts and past the Eglise de Notre-Dame Des Victoire, a beautiful older church. Like so many similar European churches, it is architecturally impressive, and I enjoyed photographing it. The light is often beautiful — soft and diffused, with spots of color and direct light coming through stained glass windows.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

A Riquewihr Christmas Tree

A Riquewihr Christmas Tree
“A Riquewihr Christmas Tree” — A small Christmas display beneath a towering bare tree at dusk, Riquewihr.

Riquewihr, in the Alsace region of France, is one of those “too-cute-to-believe” villages, made extra so around Christmas, which is when we visited. Like many of the old villages here, it fits the expected profile of cute old villages, with an entrance through an old arch and many half-timbered old buildings lining a cobblestone street. Add holiday lights and it is almost a holiday sensory overload.

We stayed on the edge of the town for several days, so we could simply walk into the village. That’s what we did on this evening, when we took a stroll up and down the main street. I saw this walkway, with its great old bare tree and Christmas decorations beneath.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others.

Graffiti Wall and Bars

Graffiti Wall and Bars
“Graffiti Wall and Bars” — Complex paint patterns on a graffiti wall with metal bars, Ghent.

This is another photograph from the “graffiti alley” in Ghent, Belgium. This short, narrow walkway connecting two streets is covered with street art, tags, and graffiti of all sorts. The imagery covers the walls higher than you can reach and even extends to the sidewalk beneath your feet. If you are lucky you might find someone creating new work when you visit.

A lot of the work is text-based and/or representational. That’s interesting stuff, but I like to take a step back from the individual pieces and consider the layers and colors that build up over time. Older work is partly obscured by newer stuff, and eventually it seems that a lot of the old material simply disappears beneath the new. Here, as in some of my other photographs of this site, I decided to move close and focus on the abstract components — the broad strokes, the colors, and the surfaces to which the paint is applied.


Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.