Tag Archives: evening

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Ice and Snow on Tioga Pass and Tioga Lake

June 6, 2010 G Dan Mitchell 5 Comments

Late afternoon shadows fall across the frozen surface of Tioga Lake with Tioga Pass and the snow-covered peaks of Kuna Crest beyond.

On June 5 I made my first “summer season” visit to the Sierra of the year. Usually I mark the start of the post-winter part of the year by heading to Yosemite Valley to experience the waterfalls close up during the peak flow of the meltwater-filled rivers. This year I had time for a one-day trip and I did, indeed, start in the Valley. The waterfalls are close to as big as they get right now, and the Merced River is close to reaching flood stage, with large meadow areas of the Valley already under water. (The latter is actually a normal condition at the peak of the runoff cycle.) However, after shooting in the Valley into mid-morning, I decided to head elsewhere because the crowds were oppressive and because tran-Sierra Tioga Pass Road had opened this very morning.

I’ve been over Tioga Pass Road before on or close to the first day that the route is open, but I haven’t seen conditions like these up there since the mid-1990s. (In 1996, IIRC, the pass didn’t open until July 1 after a very heavy and late winter.) There was still snow almost everywhere along the road. It would be possible to ski or snow-shoe in many areas and, in fact, there were people engaged in just those activities. Melting water was everywhere. In places where I have never seen water before there were roaring creeks, often pouring down next to or even onto the roadway. All lakes and ponds are nearly or completely frozen still. Tuolumne Meadows itself is still completely covered by snow… except where the flooding Tuolumne River has created a giant, fast-moving lake.

I made this photograph at Tioga Lake late in the afternoon after making a traditional visit to the “Who Nellie Deli” in Lee Vining for the ritual fish tacos. Long shadows from nearby peaks and clouds fall across the frozen surface of the lake, the saddle of Tioga Pass is beyond, and in the farthest distance it is still winter on the peaks of Kuna Crest.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Technical Data:
Canon EOS 5D Mark II
Canon EF 24-105mm f/4 L IS USM at 90mm
ISO 200, f/9, 1/1000 second

keywords: yosemite, national, park, sierra, nevada, mountain, spring, nature, tioga, lake, pass, mammoth, peak, kuna, crest, ridge, winter, conditions, spring, early, season, june, 2010, snow, ice, frozen, shadow, rock, boulder, reflection, melt, forest, sky, cloud, evening, road, eastern, landscape, winter, nature, stock

Photographs: Nature, Photographs: Northern California, Photographs: Structures and Objects, Photographs: Textures, Photographs: Urban/Street

Bunker Walls, Mare Island

June 3, 2010 G Dan Mitchell Leave a comment

Concrete bunker walls with painted sheet metal panels in evening light – Mare Island Naval Ship Yard.

I think I’ll go ahead and classify this as a night photograph, though it is on the margin of what qualifies. If you notice from the technical data that it is a 30 second exposure, you may be more convinced. Almost every time I do night photography at the historic Mare Island Naval Ship Yard across the water from Vallejo, California I start near this collection of concrete bunkers near the so-called “historic core” of the ship yard. I’ve long been intrigued by these mysterious looking structures and the foliage that now is beginning to grow around and top of them, but it has been difficult to figure out the right light for shooting them. On this visit we gathered at about 8:00 p.m. which happened to be a few minutes before sunset. As twilight came on it seemed like I might get an interesting combination of fading light from the dusk sky and some artificial light, so I wandered off among the bunkers and shot for a while. The painted-out grafitti was something that I hadn’t see here previously, but the paint patterns in tones of blue – augmented by the blue-ish evening light – seemed to make an interesting contrast with the rough and weathered texture of the concrete walls.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Technical Data:
Canon EOS 5D Mark II
Canon EF 24-105mm f/4 L IS USM at 65mm
ISO 200, f/16, 30 seconds

keywords: mare, island, naval, ship, yard, vallejo, california, usa, north america, historic, night, photography, minsy, bunker, wall, concrete, cement, metal, plate, sheet, paint, blue, gray, texture, weathered, dilapidated, worn, old, historic, panorama, grafitti, evening, light, stock, industrial, urban, stock

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Clouds at Last Light – Badwater Basin and Panamint Range

May 2, 2010 G Dan Mitchell 1 Comment

Last light of the day over the Panamint Range casts its glow on Badwater Basin salt flats and clouds.

In what may be the last gasp of my obvious attempt to extract as many photographs as possible from this late March evening in Badwater Basin, here is yet another. This one was photographed well after the sun had set, and I had turned my camera away from the expansive view north into Death Valley and to the east towards the Panamint Range and Telescope Peak over which I saw this wing-shaped cloud. While there was a thin band of relatively bright sky above the Panamint Range, everything else was heading quickly toward twilight. (The longer exposures listed in the “technical data” below will confirm the light levels.)

I’ve previously mentioned the subjective issue of how to handle the very blue tone of the “white” salt formations here. The salt is, no doubt, really white – but after the sun dips below the Panamint Range the only light is that of the very blue sky, and the salt picks this up. If you think about it you can see it on the scene, but when you look at the photographs later it is absolutely clear. I’ve been thinking for several weeks about how I’d handle this one, and I decided over a week ago that I’d “go for the blue” with this rendition.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Technical Data:
Canon EOS 5D Mark II
Canon EF 17-40mm f/4 L USM at 17mm
ISO 100, f/16, composite of .8 second and 1.3 second exposures

keywords: panamint, mountain, range, badwater, basin, salt, flats, polygons, desert, death valley, national, park, california, usa, north america, landscape, travel, scenic, dusk, twilight, sunset, cloud, large, dark, sky, nature, blue, evening, pink, stock, pattern

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Dusk Clouds, Badwater Basin Salt Flats

April 28, 2010 G Dan Mitchell Leave a comment

Late light illuminates dusk clouds above the salt flats of Badwater Basin, Death Valley National Park, California.

First, my disclaimer: I really am getting very near the end of the photographs of Badwater Basin shot on this late March evening. Really, I am. I’ve posted a number already, but I don’t see how there could be possibly be more than two additional images at this point. :-)

To recap, for anyone who didn’t catch the earlier posts, I visited this spot near Badwater Basin on an evening that turned out to have a wonderful combination of somewhat unusual salt flat conditions and interesting evening clouds. The “unusual conditions” were due to recent heavy rains in Death Valley that had flooded this section of the the salt flats a few weeks earlier. The flooding had subsided – at this point there was some water below the salt crust but the surface was mostly dry – but the character of the salt “polygons” had been “reset to zero” by the water. What had been very jagged and worn and cracked material had been flattened and smoothed. While the joints between the sections of the salt are clearly still visible, they were almost flush with the surface of the flat at this time.

On top of this somewhat rare condition, I was very fortunate to be there on an evening when there were clouds and, in addition, the cloud conditions evolved beautifully as the evening progressed. I saw this possibility earlier in the afternoon, which was one reason that I chose to shoot here, but you can never really know for sure what will happen… until it happens. The clouds started out thicker than what is seen in this photograph but as the day came to an end they began to thin and separate – enough that the colorful light from the evening sun began to light the clouds during the last moments of the day.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Technical Data:
Canon EOS 5D Mark II
Canon EF 17-40mm f/4 L USM at 17mm
ISO 100, f/16, composite of two photographs at .4 and .8 second exposure time

keywords: late, evening, sunset, dusk, clouds, sky, light, orange, blue, pink, badwater, basin, salt, flat, polygon, white, death valley, national, park, california, usa, north america, landscape, nature, scenic, travel, mountain, amargosa, panamint, range, horizon, stock

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