Tag Archives: evening

Death Valley and Black Mountains, Evening

Early morning and evening are often the times of best light for photography in Death Valley. It isn’t that you cannot photograph throughout the day, especially if you get into the right kinds of canyons. But then the light can be harsh, the atmosphere hazy, and the colors and details washed out. So I usually follow a strange schedule when I go there to photograph — up well before dawn, back in camp by late morning, breakfast at 11:00AM, then off to photograph again in the late afternoon before I come back to camp after dark.

On this afternoon I had made a long drive up into the mountains, with my plan being to return this direction for the evening light. My timing worked out, and I got here just before the best colors appeared, found a good location, and was set up as the shadows stretched across the valley toward the Black Mountains.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Evening Sky and Haze, Death Valley

Death Valley National Park is a huge place — not just as measured by its total area but also by the immense spaces we view there. In many places we look across dozens of miles toward objects so far away that they are obscured by the atmosphere even on clear days. We might look at a “nearby” destination and think, “I’ll walk there.” If we try, hours later our intended destination will still be in the distance.

This photograph, made at sunset in the central part of the great valley, is an example. If I had gotten in my car and started driving, it would have taken me an hour and a half or longer to reach the base of those mountains in the distance. In this scene the valley has already fallen into the shadows of the Panamint range and a final bit of soft side-light glances across the large wash in the foreground.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Cranes at Dusk

Cranes at Dusk
“Cranes at Dusk” — The evening fly-in of lesser sandhill cranes at dusk.

We spent New Year’s Day with friends, after getting up early to greet the literal dawn of the new year. OK, it was kind of cloudy and we didn’t see the sun until later. But still, it was a great day and a fine group to share it with. We photographed birds and landscape, and we shared food and drink that each of us had brought for the occasion. The day culminated with the evening fly-in of sandhill cranes.

The sandhill cranes stay in nearby ponds overnight, and around dawn many of them get up and fly away for the day. Typically they return at dusk, when there’s barely enough light left for photography, and their characteristic cries mark the end of the day. This small group was cooperative enough to pass through a patch of beautiful, colorful twilight sky just before landing.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Aspens, Peaks, and Evening Shadows II

Aspens, Peaks, and Evening Shadows II
Autumn aspen groves, lengthening early evening shadows, and snow-dusted peaks in the Eastern Sierra Nevada.

Aspens, Peaks, and Evening Shadows II. © Copyright 2023 G Dan Mitchell.

Autumn aspen groves, lengthening early evening shadows, and snow-dusted peaks in the Eastern Sierra Nevada.

Seeing a photograph here with the Roman numeral “II” attached you may wonder if there is a version “I.” There is, of course, and the first of the pair was posted a few days ago. In this case, the only significant difference is that this is a “landscape” orientation view of the scene and the other version used the “portrait” orientation. When the subject allows it I often photograph in both orientations — partly for practical reasons and partly because they both seem to work!

The scene is a type that I like a lot, at the elevation where the forests we expect in the high country meet high desert sagebrush country. The aspen trees seem to like both, and they are frequently a bridge between the two types of terrain. Here it is late in the afternoon (or perhaps early in the evening?) and long shadows are starting to stretch across the landscape.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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