Tag Archives: evening

Last Light, Sand Dunes

Last Light, Sand Dunes
Desert winds blow sand across the lip of sand dunes in sunset light.

Last Light, Sand Dunes. © Copyright 2022 G Dan Mitchell – all rights reserved.

Desert winds blow sand across the lip of sand dunes in sunset light.

Some things are only at their best for a brief moment. Think of a fresh espresso, a soufflé, or perhaps the half hour of beautiful spring snow between ice and slush. The light in the moment when shadows from distant hills arrive at the edge of sunset light (or its inversion at sunrise) is another such thing. This light does things to the landscape that aren’t seen at any other time of day, but the event may last barely a few minutes.

Near the end of my shoot at this location I turned and saw the colorful, low-angle light coloring the sand and bringing relief to its features. I quickly went to work photographing it, working quickly and instinctively, as I knew that the moment would be brief. In fact, along the left side of this photograph is the the shadow marking the edge of light. A moment after I made this photograph, the light was gone.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Layers, Sunset Dunes

Layers, Sunset Dunes
“Layers, Sunset Dunes” — layers of desert sand dune formations in the last sunset light of the day.

When photographing dunes that are new to me, I have little to go on when I first venture into them. I typically start walking toward them when the light is still somewhat flat and harsh, or before dawn when it is dark. It is difficult to imagine the details of how the light will evolve. I make some guesses based on the direction of the sun, how I think distant ridges may affect the arrival of shadows, and what I can see of the dunes’ features in the less-than-ideal light. In the end, I’m almost always surprised by how these first visits play out.

I approached these dunes in the late afternoon in preparation for sunset and evening light. I picked out a destination along the base of a particular dune where I saw some potentially interesting plants. Because the ridges to the west are quite low here, I guessed that I’d have a bit longer period of colorful light and longer shadows later on. Initially I walked past the location of this photograph because the textures of the successive ridges had little contrast in the daytime light. Later, as I finished photographing other nearby features that fell into shadow, I happened to look back in this direction, where the very last bit of colorful light was now delineating these shapes as evening shadows approached.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Evening Sand

Evening Sand
Warm evening light on sand dunes, Death Valley National Park.

Evening Sand. © Copyright 2022 G Dan Mitchell – all rights reserved.

Warm evening light on sand dunes, Death Valley National Park.

I photographed this scene on my first visit to this location. Going to a new location for the first time can be a complex experience. There is, of course, the excitement of photographing something new. But there are other feelings, too — uncertainty about where to start, a bit of confusion and guesswork about how the light will evolve and about where to find the most interesting subjects. While sometimes the new simply seems exciting, other times it is almost overwhelming. For the most part I think I’ve learned to go with the flow, knowing that I’m going to make some wrong choices, that I’m acquiring knowledge that I can use when I come back, and that most likely I will at least come away with something interesting.

Approaching this spot, at first I wasn’t quite sure where to begin. I had an idea of how the light might evolve as the day ended, but when I arrived the light was less than spectacular. Another thing I have learned is that it is often better to just start making photographs rather than waiting for the perfect to reveal itself. Setting up, looking, and making exposures often primes the pump, and soon I start to see things more clearly. It is also good to be flexible and ready to be surprised. This photograph is built around one of those surprises. At first these patterns of windblown sand seemed uninteresting and I went on to photograph something else. But in the very last direct sun (you can see the edge of approaching shadows at lower left) the low light revealed shadows and textures that had been hidden earlier, and the color of the light became momentarily intense.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Creosote and Blowing Sand

Creosote and Blowing Sand
High winds blow streamers of sand across dunes and past a lone clump of creosote in evening light.

Creosote and Blowing Sand. © Copyright 2022 G Dan Mitchell – all rights reserved.

High winds blow streamers of sand across dunes and past a lone clump of creosote in evening light.

There are certain things we do not mention when in the field, things that we hope stay away and do not show up to interfere with photography. Since I’m not in the field at the moment — instead, sitting at my computer in my studio — I can go ahead and name one of them: wind. Some years back I was photographing canyons in Utah with some friends, and I was informed that I should never mention the name of this phenomenon while in the field, and if it was necessary to refer to it, the thing could only be called “W.”

“W” is often an issue in Death Valley and similar landscapes. It both creates challenges to photography (dust, camera stability, and more) and opportunities (flying dust can look spectacular!). We learn to deal with it. Sometimes this means heading off to a spot that is sheltered from the worst of it. It might mean photographing the effects of the wind (for example, a dust storm) from just outside its boundaries. Sometimes it means cautiously wading right into the maelstrom if the conditions appear to be spectacular enough, even at risk to equipment and health. Truth be told, the wind whipping up the flying sand in this photograph wasn’t that bad, especially since I could keep it mostly at my back.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.