Tag Archives: evening

Dusk Dunes

Dusk Dunes
Soft evening light on low sand dunes

Dusk Dunes. © Copyright 2019 G Dan Mitchell – all rights reserved.

Soft evening light on low sand dunes.

Sand dunes are perhaps the most classic “desert” photography subject. For most people, they are their first association with these places, and their dry, bare (or so it seems), and utterly dry features are some combination of beautiful, intriguing, and dangerous. I am certainly not immune to their appeal, and photographing them can be an endlessly challenging activity. One reason is that as photographic subjects they are much more varied than you might initially imagine. While they have their own shapes and colors, these are changed radically by wind, color and intensity of light, and more. They provide one other challenge, too — when I first look at them it always seems like they will be easy to photograph, but they always end up presenting more challenges than I expected.

I love photographing dunes in the marginal light at the start and end of the day, and especially the time right around and just after sunset. At these times the dunes undergo sometimes-astonishing color transformations. The warmer tones, which are sometimes sun-blasted into neutrality during the day, begin to emerge in the softer light. And the dunes pick and reflect a wide variety of colors — blue from darker sky; reds, yellows, and even purple from sunset clouds. I photographed these smaller dune formations from a distance in the early evening.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Dunes and Desert Hills, Evening

Dunes and Desert Hills, Evening
Evening light on dunes and eroded desert hills in Death Valley National Park

Dunes and Desert Hills, Evening. © Copyright 2019 G Dan Mitchell – all rights reserved.

Evening light on dunes and eroded desert hills in Death Valley National Park.

This view is probably at least somewhat familiar to most who have visited Death Valley, though some may have overlooked it while paying more attention to a more famous nearby feature. The scene incorporates several elements that are “classic” Death Valley: the low dunes in the foreground, the large expanse of low-angle on the other side of the dunes, and the denuded desert hills and mountains ascending beyond that.

I found myself in the particular location from which I made the photograph as the result of some last-minute scrambling to deal with problematic light. Originally I was planning to photograph in sand dunes in the late-day and evening light. However, when I arrived I found that a large cloud had “turned out the lights” on that scene, and I wasn’t sure if it would move in time. So I tried a different strategy — rather than focus on one small subject I found a place from which I could see the vast expanse of the entire upper valley, and then I waited for various areas to be spotlighted by beams of light breaking through the clouds. A brief moment of light slanted across the low dunes and onto the hills across the valley just before the sun dropped behind mountains to my west.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Dunes Meet Playa

Dunes Meet Playa
Desert sand dunes meet the edge of a playa in evening light

Dunes Meet Playa. © Copyright 2019 G Dan Mitchell – all rights reserved.

Desert sand dunes meet the edge of a playa in evening light.

A late-winter or early-spring visit to Death Valley is always on my photographic agenda. This year I visited in early March, shortly after a big atmospheric river weather system had dumped tremendous amounts of rainfall all over Southern California. Years ago I became aware of the seeming irony that the effects of water are nowhere more visible than in Death Valley, and on this visit they were even more obvious. Playas were flooded, roads were washed out and closed, mud flows were everywhere, and the colors of the dunes were intensified by the remaining moisture.

I made this photograph in the evening of my final full day in the park. The light was challenging — late in the afternoon clouds began to arrive, and as the golden hour approached most of the color was drained from the light. I had traveled to this area of dunes hoping to find some interesting light — and a small group of photographer friends — but when I got there it did not look promising. I decided that instead of going directly to specific dune subjects I would find a high place with a wide panorama. From there I could see the entirety of the upper Valley and be ready to use a long lens to take advantage of any good light that might briefly appear, even if it should be at a distance. As dusk came on the sky opened a bit and glowing light from the west softly lit the boundary between playa and dunes.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Evening Clouds, Winter Wetlands

Evening Clouds, Winter Wetlands
“Evening Clouds, Winter Wetlands” — Dissipating rain clouds at dusk above winter wetland landscape

This past weekend I was doing the long drive back from Death Valley National Park to the San Francisco Bay Areas. This is quite a drive — a long one that takes the better part of a full day, and a route that begins in one of the most arid locations in North America and ends in the cool and moist Bay Area. I have various ways to break up the long drive, and one of them is often to make a final stop at one of the great Central Valley wetland areas a couple of hours from my destination.

In fact, that was my plan on this trip. I wasn’t sure of the weather of my timing, but as I came to the base of Tehachapi Pass in Bakersfield it looked more like my schedule and the weather might cooperate, so I eschewed the usual I-5 homebound route and instead headed up Route 99, with a plan to cut over to wetland further up the Valley. I arrived to find… not too many birds (it was, after all, late in the season) but ponds full of welcome water reflecting a sky filled with dissipating rain clouds.


G Dan Mitchell is a California photographer


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


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