Tag Archives: evening

Alpine Pond, Evening

Alpine Pond, Evening
Evening reflections in a boulder-strewn alpine pond, Sequoia National Park

Alpine Pond, Evening. Sequoia National Park, California. August 6, 2007. © Copyright 2007 G Dan Mitchell – all rights reserved.

Evening reflections in a boulder-strewn alpine pond, Sequoia National Park

This pack trip, now almost a decade behind me, was a different sort of trip in several ways. We began on the east side of the range in a high valley south of Mount Whitney. This was in an area that we had visited in the past, and on one occasions I spent several days going up and down an unmaintained pass until we finally all got together and climbed a nearby 14,000′ peak. On the trip where I made the photograph we started out at the same trailhead but then skirted a bit south to cross the crest on a more popular trail. A bit further along to the west we left the main trail to visit a nearby lake, found a cross-country route out of its cirque, walked up a long valley to another lake, and camped there. I made the photograph on the evening of our arrival, looking back at tall ridges lining the valley we had ascended to get here.

There rest of the trip was unusual and special, too. On the next morning we skirted the lake and then headed up to find an unmarked route over a steep pass, dropping down abruptly from its summit into a long granite valley with several lakes. A day later we arrived at the usual west side route towards Mount Whitney. We stopped for lunch and moved on, heading north on the John Muir Trail. Eventually we crossed one of my favorite high spots along this trail and then descended to the junction with the trail over Shepherds Pass. We hung out in this area for a few days, investigating some more remote areas of the Upper Kern drainage before returning to this spot and then heading out over Shepherd Pass.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Moraine Lake

Moraine Lake
Moraine Lake shoreline in evening, Sequoia National Park

Moraine Lake. Sequoia-Kings Canyon National Parks, California. August 7, 2008. © Copyright 2008 G Dan Mitchell – all rights reserved.

Moraine Lake shoreline in evening, Sequoia National Park

I have only been to this remote lake twice, but as I think back on it now it seems a special place. My two visits were separated by decades. The first was when I was in my twenties and one half of a young couple on our first very long Sierra pack trip, a trip that had us taking two weeks to cross the Sierra from west to east. When I think back to pack trips from so far back, I realize that I have forgotten many details but this lake remains. On the second visit I came here on a trip retracing that earlier trip, though this time with a larger group of friends who had not been here before. It takes me a solid four days of walking to get this place, and the route covers some spectacular country and takes me into and across some very high places.

That route, and the contrast between it and what I found at this lake may account for the special feelings I have for this place. Both times on this route, the first day was a hard one under a heavy, long distance backpack load. The second day is about the same length, but it ends with a moderate climb to a lake. Day three starts right out with a brutal climb up the walls of the cirque above the lake, then crosses a high pass, drops into timberline country, and descends mostly open terrain to a camp where the trees grow thicker. Then on the fourth day things ease up. Much of the trail is though Sierra high country forest, mixed with open views, and then it leaves the main trail and takes a lateral out through more forest to this lake. I recall an expansive area of open forest along the shoreline, a shallow and pretty lake with forest on the other size, and a few peaks in the distance to catch the morning and evening light. From the right spots I could catch my first views of the summit of Mount Whitney, where I would stand a week or more later. And from this second trip I recall a slow and quiet evening with my hiking partners, hanging out in camp and sitting lazily on shoreline logs.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Goose-Filled Sky, Dusk

Goose-Filled Sky, Dusk
Thousands of Ross’s geese fill the dusk sky above California’s San Joaquin Valley

Goose-Filled Sky, Dusk. San Joaquin Valley, California. February 5, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Thousands of Ross’s geese fill the dusk sky above California’s San Joaquin Valley

The light and the photographic subjects pass through a series of stages at the end of the day in these wetlands areas. The nondescript late afternoon light takes on a warmer tone as the sun drops toward the horizon and shadows lengthen, and often clouds in the distant west may momentarily mute the light. There is still plenty of light for traditional bird photography, as the direct sunlight has not yet disappeared. Before long comes the last bit of direct sun, golden in color on the bodies of white geese, and then it is twilight.

At this transitional moment all sort of light magic can happen. As flocks of birds wheel around in the night sky they take on different colors — the gold of reflected sunset, the blue of the eastern sky that is transitioning towards night, and sometimes they simply are black against the sky. And the sky shifts colors, too. Sometimes the effect is wild and gaudy, but more often it is subtle, with tones of pink and blue and purple and more. By the time I made this photograph the light was becoming quite dim, and it was dark enough that I could no longer maintain a shutter speed that would stop the motion of the birds. So I no longer tried! I use a longer shutter speed and pan, watching for the flocks to compose themselves in interesting ways, always in constant motion, and against the colors of the evening sky.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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In Flight, Dusk

In Flight, Dusk
Ross’s geese in flight above San Joaquin Valley wetlands in dusk light

In Flight, Dusk. San Joaquin Valley, California. February 5, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Ross’s geese in flight above San Joaquin Valley wetlands in dusk light

This was a beautiful mid-winter day in the San Joaquin Valley. It began with a two-hour pre-dawn drive from home, starting earlier than a month ago now that the days are beginning to lengthen again. I drove in clear weather and it remained so as the sky began to brighten as I entered the valley, but as I got closer to my destination I was pleased to encounter for — thin at first but within minutes so think that I had to slow and turn on fog lights. I arrived at my destination a half hour before sunrise, and began photographing, working all morning before finally taking a break for lunch.

My friends Claudia and Michael had dropped a hint in an email that they might be out that way later in the day, and I was pleased to find them there when I came back from my break. We greeted one another, took a quick trip around the area to scout the birds for evening photography, and then ended right back were we started. Big groups of sandhill cranes and geese (mostly Ross’s but with a few other interlopers mixed in) were active in newly turned fields nearby, so we found a good vantage point and watched as the evening light came on. Eventually the light became so dim that it was no longer really possible to make sharp stop-motion photographs of birds in flight. This is, in a way, one of my favorite times of day, when I switch over from a more typical kind of bird photography and begin to go with the darkness, using slow shutter speeds and panning along with the motion of flocks, and making photographs that work with the motion blur of low light and slower shutter speeds.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.