Tag Archives: face

Cliff Face, Detail

Cliff Face, Detail
Abstract forms and colors of a weathered and stained Sierra Nevada cliff

Cliff Face, Detail. © Copyright 2018 G Dan Mitchell – all rights reserved.

Abstract forms and colors of a weathered and stained Sierra Nevada cliff

As I do almost every summer, I headed into the Sierra Nevada backcountry with a group of friends and photographers over the past week and a half of so. The group has been doing this since about 2001, and I began to work with them nearly a decade ago, eventually moving from showing up as a solo backpacker for a few days to participating fully in the visits. Typically we get packed in to a location with lots of photographic possibilities — a pack string brings in a lot of the gear, while we typically carry in our camera equipment. Once set up we can “work” the surroundings intensively, looking more deeply into the landscape and viewing it in various conditions and light. This provides us with special opportunities to learn the nearby landscape more intimately than if we were just passing through or hiking in and out each day. Equally important, as we live and work together for a week we form a very special little photographic community.

This year we were (again) in the John Muir Wilderness of the Eastern Sierra Nevada. Every place has its own visual personality. In this location high mountains surrounded us and produced several hours of soft, shaded light in the morning and evening, with fill light reflected from surrounding peaks rising into the sunlight…

Light on Granite

Light on Granite
A gesture of light falls across an irregularity in the granite face of a Yosemite cliff.

Light on Granite. © Copyright 2018 G Dan Mitchell – all rights reserved.

A gesture of light falls across an irregularity in the granite face of a Yosemite cliff.

There is a tendency for people to regard the landscape as a fixed and even a permanent thing. The mountain will be there when you go back to it in a year or ten or a hundred, so the photograph “captures” a thing that is unchanging. This is, of course, incorrect, and on multiple levels. Supposedly permanent things change constantly — in fact, the forms by which we know them today are the result of profound forces of change that are ongoing. (One reason that climbers wear helmets is that rocks fall…) But changes on much shorter scales are of tremendous interest to those who photograph (or just like to view) than landscape. They range from annual (what is it like [i]this[/i] year?) to seasonal. Some of them obviously occur on a daily basis — and photographers think about those a lot. Light and atmosphere vary in profound and often remarkable ways.

In so many cases, timing is everything. For some, calculating that timing is a key. I just read a friend’s report on a night photograph that he had “figured out” over a year ago — it required him to be in a certain place during a narrow window of time with conditions that were just right. I am impressed! For others — including my friend — even more critical is being attuned to what is happening right now or in the next few minutes or hours and then being ready to respond. I share all of this here with this photograph as the effect of light on this granite face was tremendously transitory. The time between the bulk of the face falling into shadow (and leaving the thin strip in sun) and the complete loss of light was perhaps measured in seconds, and certainly little more than a minute. (This is another photograph from my artist-in-residency sponsored by Yosemite Renaissance this past winter and spring.)


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Morning Light, Haze, El Capitan

Morning Light, Haze, El Capitan
Beams of early morning sunlight pass through haze to illuminate El Capitan

Morning Light, Haze, El Capitan. © Copyright 2018 G Dan Mitchell – all rights reserved.

Beams of early morning sunlight pass through haze to illuminate El Capitan

I’m coming to think of the start of this particular day in lower Yosemite Valley as being “Bierstadt Day.” Albert Bierstadt was a landscape painter who made several notable renderings of Yosemite subjects in the 1800s, paintings that perhaps formed the image for the park for many who saw them. They are not “realistic” in a photographic sense, but tend toward exaggerating features and using dramatic effects of perspective, atmosphere, and light. When I see Bierstadt paintings I often think both of how they evoked the wonder of seeing remarkable places like Yosemite Valley and of how flexibly and subjectively he treated these subjects. I also think about how little they look like the literal place, as least in objective sense.

However, at certain moments, the quality of light and atmosphere came close on this morning. The morning began inauspiciously, and in the pre-dawn light I could tell that it was cloudy and gray. However, as I approached the Valley from Wawona there were breaks in the clouds. Arriving at my first clear viewpoint, the iconic tunnel view (where I usually wouldn’t stop on my way into the Valley), the view included the usual Valley features, layers of drifting clouds and mist, and beams of colorful light playing across this landscape. I put a long lens on my camera and began to follow the changing conditions, picking out small sections of the grand view that seemed most interesting. At the moment of this photograph (and, indeed, the light lasted only a moment) sun beams broke through the clouds and moved in front of the face of El Capitan.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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El Capitan, Morning Light and Clouds

El Capitan, Morning Light and Clouds
Clouds and mist shroud El Capitan shortly after sunrise

El Capitan, Morning Light and Clouds. © Copyright 2018 G Dan Mitchell – all rights reserved.

Clouds and mist shroud El Capitan shortly after sunrise

This morning was (yet another) lesson about not making assumptions too quickly, and about being ready to react quickly to changing conditions. I was up well before dawn and after coffee I quickly packed and headed out the door to my vehicle, ready to start the drive from Wawona to The Valley. There was enough light to get some idea of the conditions, and they did not warrant much optimism — the sky was completely covered by clouds, and as I drove they seemed to be getting thicker to the west, suggesting that they were increasing rather than thinning. As I continued to drive, crossing the road’s high point before descending toward Yosemite Valley, the light began to suggest the possibility of breaks in the clouds to the east. Sure enough, as I got my first long view of The Valley, there was open sky in that direction. What had promised to be dull and gray was starting to look more like their could be potential for special atmospheric conditions.

I made a few quick photographs at this first viewpoint and quickly moved on, driving through Wawona Tunnel and existing to the famous view of the Valley. Typically there are very few photographers here in the early morning — the opposite of the typical evening crowd — but the unfolding light show caused some of us to pull up short here and make some photographs. At this point I rarely do “the shot” of the full Valley scene in anything short of astounding conditions, preferring instead to focus on smaller components of the grand scene. As I photographed with a long lens, light appeared and disappeared, clouds drifted, beams struck isolated elements of the landscape, and there were bits of visual drama everywhere.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.