Tag Archives: face

Photographs: Nature, Photographs: Sierra Nevada

Stained and Fractured Rock

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Stained and Fractured Rock
A stained and fractured rock face in the Sierra Nevada backcountry

Stained and Fractured Rock. © Copyright 2018 G Dan Mitchell – all rights reserved.

A stained and fractured rock face in the Sierra Nevada backcountry

I have one more of these “abstract” photographs of Sierra Nevada rocks. While I used the term “abstract,” these subjects are real rock faces, photographed in shadow light with fill reflected from sun-lit rocks across the valley behind my camera position. The rocks here were remarkable — dark slate-like material, covered with water and mineral stains, and cut through by cracks and small ledges.

Most often I think we are drawn to the big, beautiful landscape of trees and water and peaks in the Sierra. Those are, indeed, worthy subjects, and I photograph them frequently. But there are other things to see, some of them not so obvious. This face was one of those other things. I had missed it entirely the first time I passed by, and it was only after one of my friends suggested that it was worth another look that I decided to go back.

See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Yellow Trees, Red Brush

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Yellow Trees, Red Brush
A few yellow aspen trees, surrounded by red undergrowth, cling to a rocky face

Yellow Trees, Red Brush. © Copyright 2018 G Dan Mitchell – all rights reserved.

A few yellow aspen trees, surrounded by red undergrowth, cling to a rocky face

I’m far from the first person to photograph this little group of trees, backed by a rough granite and standing among smaller plants that turn a deep reddish color in the fall. Given that these trees are just a few of many thousands standing near this spot, it still surprises me to see them photographed — and recognizable! — among so many other trees. They aren’t hard to see, but they aren’t exactly obvious either, and there are a few factors that might lead to them being passed without stopping.

If anything, it is probably the short, reddish undergrowth that contributes to their visibility — there are trees like these all over the Sierra, but most are not set against rocks and the red plants like this. I photographed the little scene when the area was in shadow — often my favorite light for aspen photography. This light is softer and it tends to fill the shadows, making the effect less stark.

See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Sierra Nevada

Cliff Face, Detail

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Cliff Face, Detail
Abstract forms and colors of a weathered and stained Sierra Nevada cliff

Cliff Face, Detail. © Copyright 2018 G Dan Mitchell – all rights reserved.

Abstract forms and colors of a weathered and stained Sierra Nevada cliff

As I do almost every summer, I headed into the Sierra Nevada backcountry with a group of friends and photographers over the past week and a half of so. The group has been doing this since about 2001, and I began to work with them nearly a decade ago, eventually moving from showing up as a solo backpacker for a few days to participating fully in the visits. Typically we get packed in to a location with lots of photographic possibilities — a pack string brings in a lot of the gear, while we typically carry in our camera equipment. Once set up we can “work” the surroundings intensively, looking more deeply into the landscape and viewing it in various conditions and light. This provides us with special opportunities to learn the nearby landscape more intimately than if we were just passing through or hiking in and out each day. Equally important, as we live and work together for a week we form a very special little photographic community.

This year we were (again) in the John Muir Wilderness of the Eastern Sierra Nevada. Every place has its own visual personality. In this location high mountains surrounded us and produced several hours of soft, shaded light in the morning and evening, with fill light reflected from surrounding peaks rising into the sunlight…

Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Light on Granite

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Light on Granite
A gesture of light falls across an irregularity in the granite face of a Yosemite cliff.

Light on Granite. © Copyright 2018 G Dan Mitchell – all rights reserved.

A gesture of light falls across an irregularity in the granite face of a Yosemite cliff.

There is a tendency for people to regard the landscape as a fixed and even a permanent thing. The mountain will be there when you go back to it in a year or ten or a hundred, so the photograph “captures” a thing that is unchanging. This is, of course, incorrect, and on multiple levels. Supposedly permanent things change constantly — in fact, the forms by which we know them today are the result of profound forces of change that are ongoing. (One reason that climbers wear helmets is that rocks fall…) But changes on much shorter scales are of tremendous interest to those who photograph (or just like to view) than landscape. They range from annual (what is it like [i]this[/i] year?) to seasonal. Some of them obviously occur on a daily basis — and photographers think about those a lot. Light and atmosphere vary in profound and often remarkable ways.

In so many cases, timing is everything. For some, calculating that timing is a key. I just read a friend’s report on a night photograph that he had “figured out” over a year ago — it required him to be in a certain place during a narrow window of time with conditions that were just right. I am impressed! For others — including my friend — even more critical is being attuned to what is happening right now or in the next few minutes or hours and then being ready to respond. I share all of this here with this photograph as the effect of light on this granite face was tremendously transitory. The time between the bulk of the face falling into shadow (and leaving the thin strip in sun) and the complete loss of light was perhaps measured in seconds, and certainly little more than a minute. (This is another photograph from my artist-in-residency sponsored by Yosemite Renaissance this past winter and spring.)

See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.