Tag Archives: face

Photographs: Urban/Street

Morning After

Image 2 Comments
Morning After
Sad pumpkin, the day after Halloween.

Morning After. © Copyright 2021 G Dan Mitchell – all rights reserved.

Sad pumpkin, the day after Halloween.

And you thought we’d get through this season without me sharing a pumpkin picture. No such luck! A couple of weeks ago someone suggested making photographs of orange things. Pumpkins seemed kind of too obvious, but in the end I could not entirely resist. Mostly I kept my eyes open for anything that was orange — signs, paint, vehicles, lights — but somehow these gourds kept jumping into the frame. (If you have never tried it, going out and constraining your photography to a color or a shape or something similar is a great exercise.) One thing I learned from the process is that “orange” is much more nebulous concept than I had thought — the “edges” of this color bleed over into red, yellow, and brown.

This sad fellow was sitting at the edge of a driveway in a pile of leaves on the morning after Halloween. The expression seemed like the ultimate “meh” look to me. Finally, in case you are wondering… yes, there is still one more pumpkin photograph to come. I know you are thrilled!

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Sandstone Columns

Image Leave a comment
Sandstone Columns
Columns on eroded sandstone, Zion National Park.

Sandstone Columns. © Copyright 2021 G Dan Mitchell – all rights reserved.

Columns on eroded sandstone, Zion National Park.

While the entirely of the Utah landscape (and similar landscapes in the American Southwest) is compelling, for me the main defining feature always seems to be the red sandstone formations. Yes, I know there are other geological wonders, but in so many cases I see those relative to the massive layers of sandstone. Those lovely white strata? Much more powerful juxtaposed with the red sandstone? The beautiful forests? That red is a powerful complement to their color. And on it goes.

So it shouldn’t be surprising that my photographs of the regions from time to time distill down to photographs of that rock itself. It is a remarkable material. Sometimes it is fractured and broken, but it can also appear to be as smooth and unbroken as butter. We say it is “red,” but the truth is much more complicated, and the light affects our perception of its color a great deal. I photographed this small section of a Zion Canyon wall from below using a long focal length that allowed me to constrain the view to a few columns in the diffused and reflected light.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Red Wall Sunrise

Image Leave a comment
Red Wall Sunrise
Saturated sunrise light on sandstone cliffs and ledges, Zion National Park.

Red Wall Sunrise. © Copyright 2021 G Dan Mitchell – all rights reserved.

Saturated sunrise light on sandstone cliffs and ledges, Zion National Park.

If you have been reading my posts about Utah recently, you may recall that I mentioned the striking contrast between my home range, the Sierra Nevada, and the far more colorful landscapes of Utah. Every time I return from red rock country the California landscape seems so… gray. (Don’t worry. I get over this quickly, and there’s plenty to photograph here, too!) But in many places in Utah the combination of blue sky, red rock, and green foliage — often with a few other colorations mixed in — produces a landscape of remarkably varied coloration.

But sometimes things go just a bit over the top. I have a few photographers here and there in my archives where the colors were so intense or so unusual that I hesitate the share them, as I know that someone will inevitably doubt that the photograph represents something close to what happened. (To be sure, photographs do not simply “capture” what the camera saw, and most good photography involves some level of post processing… just like good writing involves some degree of editing.) This sunrise light in Zion Canyon produced something that seems, at least in a photograph, to be unbelievable and even impossible. But red dawn light on red rock walls actually can look like this, at least for a brief interval. The truth of the matter here is that I had to reduce the color saturation!

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Tree and Shadow’s Edge

Image 2 Comments
Tree and Shadow's Edge
A border between light and shadow moves across a tree at the base of a sandstone cliff, Zion National Park.

Tree and Shadow’s Edge. © Copyright 2021 G Dan Mitchell – all rights reserved.

A border between light and shadow moves across a tree at the base of a sandstone cliff, Zion National Park.

Sometimes (oh, heck, often) photographs come about in somewhat unsuspected ways, and this is such a photograph. In October we were in Southern Utah and we had previously spent a day photographing in Zion Canyon. The general plan on this day was to photograph along Mt. Carmel Highway in the morning (which we did), grab some coffee and food beyond the park, and then, well, we weren’t quite sure. The day evolved organically and we ended up on some interesting Utah backroads crossing some surprisingly snowy highland before we eventually ended up in Cedar City. We gassed up the vehicle and realized that we had time for a quick side trip into Kolob Canyon on our way back toward our eventual destination.

I’ve been in the less-visited and less-developed section of Zion National Park several times. In addition to being a jumping off point for lots of interesting trails, it presents some landscapes opportunities that are quite different from those of the more familiar Zion Canyon. I’ve usually been there earlier in the day, so it was fascinating to observe the place in late-day light. Much of this landscape is huge, even “epic” in scale, but as I scanned it I started to see smaller vignettes that seemed interesting. In particular, I noticed that this shadow was moving from left to right and gradually lighting the prominent tree in the center of the scene, casting its shadow on the brightly-lit sandstone behind it.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.