On this late-August evening I headed to a spot along the Tuolumne River that I had scouted earlier that afternoon. I’ve previously photographed from this location at sunset, so I had a general idea of what I would be working with. The photograph I had in mind was not this one — it fact, the planned photograph had me pointing the camera in exactly the opposite direction, toward the Sierra Nevada crest.
Continue reading Tuolumne Sunset
The camera position for this photograph was a high point in the Panamint Range of Death Valley National Park. We arrived before sunrise, when the sky was just beginning to take on dawn colors, and the clouds were becoming blood red. There are few colors in nature that are as intense… and as difficult to photograph, at least if you want the photograph to suggest what you saw when you were there.
To my way of thinking, after a few decades of visiting and photographing the place, the most interesting locations in this park are not the most popular ones. They are off in odd, sometimes distant corners of the region. You may have to deal with a few adversities getting to them. (One winter I was turned back from this location by snow.) But the rewards are worth it.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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This photograph is the result of an unexpected and disappointing happenstance… that turned out fine in the end. I had driven a couple of hours before dawn to photograph in the Central Valley. But when I arrived I found a small group of people waiting outside a locked gate. That happens sometimes, and sooner or later the gate opens automatically. But this time it did not, and we could not find a way to open it. Rather than sit around and wait — and miss the sunrise — I headed off to look for alternatives.
A few miles away I came upon a creek and some surrounding wetlands where trees grow. I quickly found a few potential compositions in the rapidly arriving sunrise light. One of the first was this lone tree, silhouetted against ann intensely colorful sky. (Eventually I returned to that locked gate. Someone did finally show up annd open it.)
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
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There is a lot going on in this photograph. Of course, the most obvious first impression is likely to be the wild light. It was a cloudy dawn, and in the gap between the edge of a weather front and the distant Sierra Nevada the sky colors were very intense. And, yes, those mountains are the crest of the Sierra Nevada as viewed from the farmlands of the Central Valley.
It was also hazy, and that made the atmosphere between me and the mountains glow orange For a moment as the sky lit up. Closer, out there among the trees dotting the landscape, tule fog hugged the ground and drifted, occasionally rising over obstructions.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
Blog | About | Instagram | Flickr | Facebook | Threads | Post | Email
Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.
Scroll down to share comments or questions. (Click post title first if viewing on the home page.)
All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.