Tag Archives: first light

Photographs: Nature, Photographs: Sierra Nevada

Peaks and Lake Shore

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Peaks and Lake ShorePeaks and Lake Shore
Sierra Nevada peaks tower about a rock-line alpine lake.

Peaks and Lake Shore. © Copyright 2019 G Dan Mitchell – all rights reserved.

Sierra Nevada peaks tower about a rock-line alpine lake.

True confession time — my “photographic core” is and probably always has been black and white photography. Today the majority of my photographs are in color, and I love working whit color images. But I began with black and white, way back when I was just a kid using a cheapie camera on family vacations. Later my father took me into his home darkroom and I learned to make prints, black and white essentially by necessity in those days. My early photographic heroes were almost all black and white photographers.

All of that is by way of explaining the inclusion of this black and white photograph among all of the other color photographs from this trip, a one-week backcountry visit in the Eastern Sierra Nevada. We looked at this scene daily — it was only steps from my tent — and over the week we got to know its details and its moods well. I made this photograph late in the day, as shadows lengthened across the low, rocky saddle, and the more distant peaks lost most of their sunlight.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Nature, Photographs: Sierra Nevada

Last Light And Sunset Clouds

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Last Light And Sunset Clouds
Colorful sunset clouds as the last light touches the summits of the Sierra Nevada crest

Last Light And Sunset Clouds. © Copyright 2019 G Dan Mitchell – all rights reserved.

Colorful sunset clouds as the last light touches the summits of the Sierra Nevada crest.

I think of this as the “night of miracle light.” Sierra Nevada folks know that the predominant condition in the summer months is clear, blue skies… which many people regard as a virtue but which photographers often lament. It probably seems very strange to non-photographers to hear us exclaim things like, “Darn! I had seven days of boring perfect blue skies!” We want some clouds! The come from time to time, but they are the exception rather than the rule.

During our weeklong stay in the Eastern Sierra high country we also had mostly blue sky weather. We did get a bit of rain on the day we hiked in and, surprisingly, again on the day we hiked out. But in between, with one notable exception, the weather was what normal people might call “perfect.” But then, there was this evening, the final one of the trip. Very late in the day, we began to see lovely, puffy clouds starting to assemble above our valley and especially above the higher peaks the surrounded the upper end at the Sierra crest. At sunset the clouds became spectacularly beautiful as they were illuminated by sunset light coming from below and to the west. All of us stopped what we were doing and assembled in a group near our camp to watch this lovely luminous benediction to our trip.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Sierra Nevada

Reflections, Rocky Shoreline*

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Reflections, Rocky Shoreline
“Reflections, Rocky Shoreline” — Huge rocky slabs meet the shoreline of a subalpine Sierra Nevada lake

* This is the second of two photographs that I’m posting for an unusual reason — after the original post I rethought the aspect ratio of the photograph and decided that I like it in the (unusual for me!) square format. The text below is the same as that used in the original post.

A group of us recently spent a week camped at 11,000′ in a landscape of water, glaciated rocks, meadows, and high peaks. AS the week went on we gradually pushed out the boundaries of our photographic explorations. My first view of this formation was on my initial scouting trip to this lake — I did not photograph it on that visit, but I made a mental note to return when the light would be more ideal. In this case, “ideal” meant “not in full sun,” so my plan was to come back in the early morning and evening hours. Early morning turned out to be best since the air was still at that hour, leaving the water still enough to produce coherent reflections.

I returned a few mornings later. Demonstrating once again the importance of what I might term “attentive serendipity” in photography, even though I got distracted and arrived at the lake later than planned, the timing turned out to be nearly perfect. I had a few minutes to photograph the larger landscape in the pre-sunlight “quiet light” before moving on to photograph this still-shaded scene. And once I finished here, the sunlight cooperated by arriving at a nearby rocky peninsula and both backlighting a tree and turning the water a lovely deep blue color.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Nature, Photographs: Sierra Nevada

Rocks, Water, Reflection*

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Rocks, Water, Reflection
Granite slabs and submerged rocks at the edge of an alpine Sierra Nevada lake

* This is the first of two photographs that I’m posting for an unusual reason — after the original post I rethought the aspect ratio of the photograph and decided that I like it in the (unusual for me!) square format. The text below is the same as that used in the original post.

Rocks, Water, Reflection. © Copyright 2019 G Dan Mitchell – all rights reserved.

Granite slabs and submerged rocks at the edge of an alpine Sierra Nevada lake.

One advantage of photographing for a long time in one small area is that you may begin to see things that you initially overlooked. I’m often immediately attracted to the large scale landscape — lakes, peaks, forests, sky — and it takes more time, patience, and attention to start to start to see subtler, smaller subjects. These often constitute what has been called the “intimate landscape,” made up of distinctly non-iconic elements, and frequently offering and almost abstract quality of shape, color, and texture.

To find these things I have to slow down a lot. It is easy to become anxious about finding that Great Photograph that will knock viewers over. But those don’t come every day or even every week. Sometimes, in fact, there are long gaps between them. At one point on this trip one of my fellow photographers mentioned that he had seen me from where he was working, and that I seemed to be doing a lot of “contemplation.” Guilty as charged! In a sense, most of the work of photography may be done without the camera. Sure, the camera is in my bag or attached to my tripod, but I’m looking and considering and thinking more than I’m actually making photographs. This photograph comes from one of those moments — I had simply been walking along the edge of “our” lake, spending a lot of time just looking, when I noticed this pattern of granite and still water than I had walked past quite a few times before.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.