Tag Archives: five

Five Sandhill Cranes

Five Sandhill Cranes
A chorus of five sandhill cranes in California’s Central Valley.

Five Sandhill Cranes. © Copyright 2021 G Dan Mitchell – all rights reserved.

A chorus of five sandhill cranes in California’s Central Valley.

I have seen a lot of sandhill cranes, but the group behavior seen here was new to me — the entire quintet raising their heads and displaying open beaks. I’m endlessly fascinated by the things that the birds and others do, and I’m often mystified by the purposes of these actions. In fairness, they may also be mystified by people showing up nearby, standing around with large metal and glass objects, and pointing them in their direction.

It is a bit unusual to get very close to sandhill cranes, at least in my experience. They have boundaries, and they are not amenable to having them crossed. I’ve mentioned previously that groups of them flying toward me will almost always divert to one side or the other rather than flying directly over head. When approached — which I always do in a non-aggressive manner, never getting very close — they seem fine up to a point. But once that point is reached, usually while I’m a good distance away, they are clearly uncomfortable with my presence and I don’t get closer. I’ve often had the best luck when photographing from a vehicle, especially when I can approach slowly and silently or, better yet, when I can park and wait for them. That’s what happened here — I was stopped along a rural roadway and they walked parallel to my position, perhaps more securely since my vehicle was on the opposite side of a berm from them.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Double-Five

Double-Five
Stenciled numbers on a weathered wall next to a roll-up door.

Double-Five. © Copyright 2012 G Dan Mitchell – all rights reserved.

Stenciled numbers on a weathered wall next to a roll-up door.

Weathered, decaying subjects and subjects with strong patterns attract me, and this one works on both counts. I photographed it a few years ago while wandering around in San Francisco and poking my camera into odd little corners and alleys. This is in a shoreline area that was once a location of true maritime industry, but which is today much like the rest of San Francisco — in other words a place for small offices, start-ups, restaurants and similar enterprises.

The stenciled numbers did catch my attention when I first saw this little scene. Initially I think that their weathered character may have been responsible. But more recently I have wondered about them. Do they still mean something or are they now remnants divorced from an earlier context? Is the message “5” or is it “55?” And what, if anything, is the relationship between the two different fonts used?


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

“Transitions: Winter Into Spring” — Yosemite Exhibit

This is a reminder that “Transitions: Winter Into Spring — Photographs by Yosemite Renaissance Artist-In-Residence G Dan Mitchell and Friends” continues though this month at Gallery 5 in Oakhurst, on the southern border of Yosemite National Park.

Transitions: Winter Into Spring
Transitions: Winter Into Spring

In addition to more than a dozen of my photographs, the show includes prints from a talented group of photographic artists and friends that I invited to collaborate on the project: Jerry Bosworth, Franka Mlikota Gabler, Charlotte Hamilton Gibb, David Hoffman, Vidya Kane, and Kerby Smith.

From the Yosemite Renaissance website:

Over the past two months,  artist in residence G Dan Mitchell has been photographing Yosemite during the transition from winter into spring.  It is an unpredictable time, rich in imagery for photographers as late winter storms challenge the new growth of spring.  Wildflowers appear first, poppies and many others.  Dogwoods come next, encouraged by warming temperatures and clearing snow.  At the same time temperatures suddenly drop and snow falls in unpredictable ways. Daffodils and irises are suddenly covered in snow.  G Dan and six other photographers have done their best to capture this magical time in and around Yosemite.  The show will include over 40 works documenting the transition.  Proceeds from the exhibit will benefit Yosemite Renaissance. Please join us!

Gallery 5
40982 Hwy 41, Suite 5, Oakhurst CA
559-683-5551

Five Cranes, Morning Sky

Five Cranes, Morning Sky
Five sandhill cranes pass overhead against blue morning sky

Five Cranes, Morning Sky. © Copyright 2018 G Dan Mitchell – all rights reserved.

Five sandhill cranes pass overhead against blue morning sky

Cranes just might be on my mind this week due to a little snippet on a television program I saw last week. In it a couple of people, a photographer and a wildlife proponent, we sitting along the edge of a watery area in, if memory serves, the state of Nebraska. All it took in this brief clip was the sound of these birds, the site of them in flight and on the ground, and all of the associations with being in their ancient presence came back. If you’ve experienced it, you know — the moist air, the cold, the short winter days, and then the sound and sight of these birds.

There are lots of ways to photograph these birds. I often place them in the landscape, but here I wanted to focus on the birds themselves, as a group of them flew overhead in late-day light. Compared to certain other birds you might see in the same places and at the same times, the cranes have a more “stately” pattern of flight. They takeoff at a relatively low angle, and they often fly horizontally for a good distance before they gain much elevation. In smaller groups they fly beak-to-tail in undulating lines. Their wing motion is slower than that of, say, geese. Oddly, however, for birds that often seem so low-key, there are exceptions. One is the familiar “dance” that they do during mating season, when individuals extend their winds and jump into the air. In addition, I’ve sometimes caught then doing very strange things in flight — sudden twists and turns, beak pointed up toward the sky, and more.


See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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