Tag Archives: flight

Geese, Sunset Sky

Geese, Sunset Sky Thousands of migratory geese fly into the sunset sky above the San Joaquin Valley

Geese, Sunset Sky. San Joaquin Valley, California. December 6, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Thousands of migratory geese fly into the sunset sky above the San Joaquin Valley

My pattern when photographing migratory birds is generally to arrive early, photograph until I’m too tired or the light becomes less interesting, take a midday lunch break, and then return to make more photographs. Late in the day, as evening approached, I returned to this area to see what I could find. Geese were around — one large flock near the entrance to this refuge and another visible in the distance on the far side. I made my way slowly around the perimeter, eventually arriving at the spot where that more distant group had settled in.

For a while I photographed them settled in shallow water among plants, thinking that perhaps this was where they would spend the night, in which case I might just continue to photograph here until dusk. But before long I began to sense that familiar restless in the flock, and a few small groups of geese took to the air from moment to moment, leaving the rest of the noisy flock behind. Then, suddenly and for no apparent specific reason, the birds suddenly lifted off, with virtually the entire flock taking to the air at once and heading off to the southwest. I quickly photographed as they passed directly overhead, then continued to follow them as the group stretched out toward the western hills and sunset clouds.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Dawn Flight of White Pelicans

Dawn Flight of White Pelicans
A dawn flight of white pelicans above San Joaquin Valley wetlands

Dawn Flight of White Pelicans. San Joaquin Valley, California. December 6, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A dawn flight of white pelicans above San Joaquin Valley wetlands

I’m going with a bit of mystery and mood in this photograph — I could probably lighten things if I wanted to, but I prefer the darker rendition. I made the photograph very early on a late-fall morning, when thin fog had settled above the wetlands and high clouds partially obscured the sky above the summit of the Sierra Nevada far to my east. As soon as there is any light the birds begin to take to the air. These very early moments are probably my favorite of almost any day in these wetlands.

This photograph and the series like it posed some interesting technical and aesthetic challenges. The general light level was quite low, especially with the thin fog, and because I was handholding a long lens I had to keep my ISO somewhat high. As the birds passed from left to right in front of me they passed from near obscurity in dark sky and fog through brilliant light as they crossed in front of clouds lit by the first light of the sun.  I panned with the birds as I kept watch for landscape elements that might give some definition to a composition and kept an eye on the birds, waiting for a group to stretch out in a beautiful line and to pass in just the right area of illuminated sky.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

The Landing

The Landing
“The Landing” — A brown pelican joins the flock on a rock along the Pacific coast of California

This photograph has appeared here at my website and in subsequent social media posts already, but merely as an example in a post I shared about some slightly technical matters related to a camera I use. (More on that in a moment.) Since I feel like the photograph stands not only as an example of how a lens and a camera work, but also as a photograph, this time I’m sharing it for the latter reason. We had spent a couple of days in the Monterey and Big Sur area, photographing along that spectacular coastline, and now we were headed home. We decided to work our say north along the coast, eventually turning inland just south of San Francisco.

Just before that homeward turn we passed a small, rocky island just a few yards off the actual coast, and I realized that it was covered with many scores of brown pelicans. I love photographing these birds, and it is somewhat unusual to see so many in one place, so we stopped and walked out to the bluff to make some photographs. The light was challenging since it was coming from almost directly behind the birds — but in this case that worked well as there is a light fringe around the bird, some light comes through its wing feathers, and additional light reflects back up from surf and rocks as this pelican lands. Oh, and that technical article? I made this photograph with a pretty unusual “birding” setup — the 50.6MP Canon EOS 5Ds R with a 100-400mm zoom lens with a 1.4x teleconverter attached!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

The Landing

The Landing
“The Landing” — A brown pelican joins the flock on a rock along the Pacific coast of California

California’s brown pelicans are probably my favorite coastal birds, and I love to photograph them — from bluff tops which they pass as the coast along on Pacific winds, to the ocean as they skim just above the water, to places where they can be found resting between flights. These are large birds, with an almost prehistoric appearance, especially when a group of them floats by in a row, sometimes hardly moving at all. We spent a couple of days on the coast in mid-July, and on the last day as we headed home we passed a small, rocky island just of the shoreline. When we saw that it was covered with scores of these birds, so many that some had to land nearby instead of on the island, we grabbed our equipment and spent some time photographing them. I had tracked this pelican on its inbound flight. Most of them came from my right, passed the island, then turned to face into the wind before landing.

This photo also serves as a bit of a technical test, too. I made the photograph with my new Canon 5Ds R, using the EF 100-400mm f/4.5-f/5.6L IS II lens. To get a bit more “reach,” I added a 1.4x tele-extender, which made the longest focal length 560mm. Since this wasn’t possible on my previous camera (which could only autofocus at f/5.6, not the f/8 aperture produced by using the converter), I was interested to see how well this would work — would image quality be sharp enough and would the lens/extender combination focus quickly and accurately enough. In fact, it did work. Quite well, actually.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.