Tag Archives: flock

Taking Flight, Sandhill Cranes

Taking Flight, Sandhill Cranes
A group of sandhill cranes takes to the morning sky above foggy marshland

Taking Flight, Sandhill Cranes. © Copyright 2018 G Dan Mitchell – all rights reserved.

A group of sandhill cranes takes to the morning sky above foggy marshland.

This photograph continues the theme for the next week or so, leading up to the opening on February 16 of “Birdscapes,” my joint show with David Hoffman at Stellar Gallery in Oakhurst. Today’s photograph comes from rather early in the Pacific Flyway season, way back in November. At this point the earliest winter birds are just arriving and others are still in transit from their summer breeding grounds. On this morning the main show was sandhill cranes, though a few other individual birds showed up, too — egrets, perhaps a few ibises, and lots of “little brown birds.”

The more I am around birds the more I realize that they spend a lot of time doing… not much, or at least not much that seems very active. But interjected into these mostly slow periods are some very active and dynamic moments. Among them are take-offs and landings. These birds are somewhat large, and getting airborne is no simple thing — there is a lot of initial jumping and flapping and perhaps even a bit of footwork to get things moving. This group was just taking flight from a shallow bond on a morning of thin and clearing fog.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Sunset Flight

Sunset Flight
Geese in flight above fields at sunset

Sunset Flight. © Copyright 2019 G Dan Mitchell – all rights reserved.

Geese in flight above fields at sunset.

Expect to see quite a few bird photographs during the next week or so. David Hoffman and I are featured in “Birdscapes,” an exhibition of our bird photography at the Stellar Gallery in Oakhurst, located near the southern entrance to Yosemite National Park. The two of us photograph birds and the landscapes they inhabit all along the Pacific Flyway. There is a lot more information about the show including details of location and dates at this web page. The show opens next week and we’d love to see you at the artist reception on Saturday, February 16 at 5:00-8:00pm at the gallery. If you are heading to Yosemite to see the recent snows or to try your luck at photographing Horsetail Fall, why don’t you swing by and see us?

I made this photograph on a winter evening, as a slight foggy haze filled the atmosphere and the western sky turned a lovely shade of pink. A large flock of geese was alternately feeding on pastureland and erupting into the sky en masse. I made this photograph at the very end of the day as the last faint sunlight illuminated the birds on the ground as other birds arrived to join them.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Cranes, Dawn Clouds

Cranes, Dawn Clouds
A flock of sandhill cranes flies beneath dawn clouds

Cranes, Dawn Clouds. © Copyright 2018 G Dan Mitchell – all rights reserved.

A flock of sandhill cranes flies beneath dawn clouds.

When I began photographing (mostly) migratory birds in the Western United States I was largely ignorant about what I was seeing. One of my first bird photography forays was essentially an accident. I happened to run into a friend in a coffee stand line one morning and she (who is a true “birder”) happened to say, more or less, “I think you might like to go visit this place I know of.” Given the way I sometimes work, that serendipitous nudge was sufficient to get me to drive a few hours before dawn the following weekend to visit this place I’d never heard of before. I arrived. There were tons of birds. (And I discovered the power of the sound of the birds, too!) I had no idea what I was seeing, but I liked it and I made photographs. I was hooked.

As I started to edge over toward an active compulsion to photograph birds more seriously I began to recall a earlier hints about this world that I had ignored. One was all the way back in a college “natural science” short course, where the prof (who seemed a bit “odd” to me then) went on about snowy egrets (which I mostly ignored) and made us read Aldo Leopold’s “A Sand County Almanac.” I didn’t fully “get” Leopold’s book at the time, but it planted a seed. (Re-reading it years later I understood more fully the power of Leopold’s vision and his writing, and I recommend the book.) One thing that I DID retain from reading that book was an idea that there was something special about sandhill cranes, which were among the birds that I finally discovered in the real world on that first morning when I acted on my friend’s coffee line suggestion. The birds in this photograph are sandhill cranes, which seem to me increasingly to be magical birds. In fact it is their characteristic cry that is my strongest audio association with the places where wild birds are found. I photographed this group very early in the morning as their trajectory took them below the edge of dawn-tinged clouds.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Snow Geese in Twilight Flight

A flock of snow geese in flight at twilight

Snow Geese in Twilight Flight. © Copyright 2018 G Dan Mitchell – all rights reserved.

A flock of snow geese in flight at twilight,

This post is partially about this photograph, partially about birds, and partially about an upcoming event. Stick with me for a moment, and I’ll explain. I came a bit late to photographing birds, having photographed landscapes and other subjects for many years before thinking to approach this subject. For a long time I didn’t regard myself as a “birder” type, but I had a few bird encounters that started me steering in this direction roughly a decade ago. Two of them involved the Pacific Northwest. Back then I did the long drive from the San Francisco Bay Area up to Seattle over two days, starting in the afternoon and passing through the upper Sacramento Valley around dusk. I was amazed to see tens or thousands of birds in the beautiful evening sky, and my interest was piqued. On another visit to Seattle I found myself with a free day and I headed up to the Skagit Valley, not really knowing what I’d see. Soon after arriving I pulled over at a bend in the road near the crossing of the river, and to my astonishment tens of thousands of snow geese descended into the field next to where I had parked.

Since that time photographing birds has become important to me. I’ve come to think of it largely as “birdscape” photography, more about the place of the birds in their landscape and generally not so much about individual birds. I often (though not exclusively) photograph them in flocks, and I work to position them as part of their environment.

And, there is a show coming up! My friend David Hoffman and I are doing a joint exhibit at Stellar Gallery — in Oakhurst at the southern entrance to Yosemite National Park. The opening reception will be on February 16 at the Gallery — I’ll share more information soon, and I hope to see you there!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.