Tag Archives: flow

Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Spring Flow

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Spring Flow
Rushing spring water and reflections, Merced River.

Spring Flow. © Copyright 2020 G Dan Mitchell – all rights reserved.

Rushing spring water and reflections, Merced River.

For a place made of stone, the Sierra is a surprising transitory scene. Summer is brief, and wildflowers bloom and are soon gone. Color comes to aspens in the fall and is gone weeks later. Spring is the time of rushing water in the Sierra, from the high country to the lowlands. The water rises as the snow melts, creeks and rivers fill to their banks, and waterfalls appear. I photographed this minor torrent along the Merced River as it passes through Yosemite Valley.

Every landscape photographer I know has tried his or her hand at photographing the moving water this way. No matter what other marvelous landscape features are around, eventually we come back to the water and try to do something with the ever-changing colors and shapes of water. This is one of those “what the camera sees” sorts of photography, since we cannot see the river this way, and these shapes and colors change too quickly without the camera to grab and hold them.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Aspen Cascade

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Aspen Cascade
Autumn aspen trees spill down a small valley in the Eastern Sierran Nevada.

Aspen Cascade. © Copyright 2020 G Dan Mitchell – all rights reserved.

Autumn aspen trees spill down a small valley in the Eastern Sierran Nevada.

There is no escaping the fact that this is an iconic Eastern Sierra fall color subject. Heck, even Apple used it for one of their operating systems! It was a bit of a surprise to me that I ended up here on this year’s abbreviated fall color expedition. I had initially planned to photograph much farther north and perhaps even to the east of the Sierra. However, those plans were derailed after I crossed the Sierra crest via Sonora Pass and dropped into the worst wildfire smoke I think I have experienced. I headed south, thinking it might get clearer as I drove, but it actually got worse. Coming into Lee Vining I could barely make out the near shoreline of Mono Lake in the noxious murk. So I decided that I would just continue south until the air improved.

It wasn’t until Bishop, California that it became tolerable, though it was smoky even there. So I headed into the the Sierra from there and ended up in the drainage in which this is one of the three major forks. I mostly photographed other things, and even when I went here the first time I spent most of my time of photographs of individual aspen leaves. When I returned to my camp after sunset a huge and thick cloud of wildfire smoke descended. I almost packed up and left, but I decided I would see what it looked like in the morning. It was still smoky when I woke up, though some light was getting through, so I chose the sure bet and went to this place. This curving grove of aspens winding its way down a shallow gully to the shore of a lake is a remarkable thing, with quite a lot of color variation from top to bottom.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Sierra Nevada

Mountain Stream

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Mountain Stream
A Sierra Nevada stream cascades over and around rocks

Mountain Stream. © Copyright 2019 G Dan Mitchell – all rights reserved.

A Sierra Nevada stream cascades over and around rocks.

To be honest, photographing moving water like this can easily become addictive, and there are endless variations on how you might do it. Shutter speed variations allow a range of interpretations between stopped motion and motion-suggesting blur. Zoom in close and the water can be the entire subject, or work from a bit more distance and incorporate the surrounding terrain. Choose your time of day and get warm or cool coloration. Photograph at a time when the water reflects light on nearby objects and introduce a wider range of colors into the composition.

During our one-week stay high in the Eastern Sierra we were fortunate to have many opportunities to photograph water, ranging from many nearby alpine lakes to the abundant creeks and cascades that were still flowing despite the rather late date in the season. One evening I wandered a few hundred feet down below our base camp to this area where I had walked this creek a day or two earlier, and I spent a good deal of time photographing it.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Flow Lines, Morning Light

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Flow Lines, Morning Light
Flow Lines, Morning Light

Flow Lines, Morning Light. Death Valley National Park, California. April 3, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Soft early morning light illuminates curving erosion patterns of a desert gully, Death Valley National Park

Today I’m back from my annual spring photography visit to Death Valley National Park. I first visited this place a bit more than 15 years ago, though photography was not the purpose of that first trip. My first view of the Valley was magical. We had arrived the night before and set up camp in the dark at the first camping area we found, a tiny campground near below Towne Pass at the turnoff to Wildrose Canyon. I had little idea where I was nor what my surroundings looked like, as I had literally never been in this place before. Early the next morning I stepped out of my tent and was greeted by an astounding and unexpected view down into the huge and rugged landscape of this Valley, a first sight I will not forget.

Since then I have returned many times — much of that landscape has become familiar to me as I’ve pushed the boundaries of my knowledge of the place outwards in all directions. I’ve been into areas that I didn’t imagine existed on that first visit, and I’ve learned to see past the geology and geography of the place and see the human history of the park and the sometimes-hidden beauties of wildflowers and more. Today when I visit I still look for that astonishing and grand landscape, but I also slow down and stop and look for more subtle things that I surely missed nearly completely on that first visit. This little miniature landscape of curving erosion and stones and first light is one that I would have missed completely on that first visit, but which I now know can be found almost everywhere in this park once I slow down to the pace of the desert and take the time to really look.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.