Tag Archives: foggy

Fog, Headlands, Pacific Ocean

Fog, Headlands, Pacific Ocean
“Fog, Headlands, Pacific Ocean” — Headlands drop to the edge of the foggy Pacific Ocean coastline at Point Lobos.

This photograph captures several characteristic features of Point Lobos State Reserve and perhaps a bit of the experience of visiting. I photographed from a trail along the north shore of the reserve on a very foggy morning. At times the fog was low enough to partially obscure the view, but here it had risen along the shoreline to offer a clear view of headlands, a cove, a small island, Monterey cypress trees, and the Pacific Ocean disappearing into distant fog.

I learn or discover new things on every visit to Point Lobos, despite having gone there for decades. Each time I find different ways to photograph it, and new perspectives that I had somehow missed in the past. I also learn new things, including some I’m astonished to realize that I didn’t know. In another post of a photograph from this visit I shared that it wasn’t until this summer that I realized that these familiar coves all have names! The one in the center of this photograph is “Cypress Cove.”


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Hikers, Great Glen Way

Hikers, Great Glen Way
“Hikers, Great Glen Way” — Two hikers at treeline on. a foggy morning along the Great Glen Way, Scotland.

This photograph comes from a section of Scotland’s Great Glen Way between Fort Augustus and Invermoriston This segment includes one of the two highest points on the walk, and is also known for including the “View Catcher” structure. I made the photograph close to that actual high point, on a morning when it was trying to rain and fog was drifting around the peaks and the valley, occasionally blocking the view entirely. As we paused to make photographs — and catch our breath! — another pair of hikers walked by.

The Scottish weather on our trip was actually quite varied. At the start it was, or so we were told, unusually warm and sunny with highs around the 70 degree mark at times. The Scots seemed pleased, if a bit surprised. But things changed a few days into our trek, and there was a fair amount of walking in full rain gear. We hear that this is more typical weather in this part of Scotland.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Sunrise Trees

There are birds in this photograph, but it is really (mostly) about these sunrise trees. I went to this spot early this winter morning because it has been a reliable place to find sandhill cranes as they fly out in the morning. There were cranes, though not that many. But as I waited for them the nearby fog began to thin, and the light of the rising sun turning eastern clouds blood-red illuminated the trees with intensely colorful light.

This photograph is in a category that I sometimes think of as “unreal light” images. We all understand that photographs are not objectively accurate “recordings” of the real world. They are subjective, personal views of how the photographer sees things. An aspect of this is that we “work” the colors in photographs in pleasing ways… and sometimes they get worked to excess, producing unbelievable results. Against that background, when nature produces such intense and saturated light, it is easy to chalk it up to something the photographer did. Sometimes that’s the case — but not here!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Into The Air

Into The Air
Lesser sandhill cranes rise from a wetland pond into foggy Central Valley winter sky.

Into The Air. © Copyright 2022 G Dan Mitchell.

Lesser sandhill cranes rise from a wetland pond into foggy Central Valley winter sky.

Although this isn’t glorious dawn light, it is rather typical of what you’ll find in places like this one on a late-winter morning around sunrise — some combination of fog, a bit of haze, and (on this morning) some high clouds. All of this combines to produce an atmosphere suggesting cold, damp, stillness, and quiet. (Though the cries of a few thousand birds may interfere with the “quiet” part of that.)

As the first light begins, the sandhill cranes are mostly standing in shallow wet areas, presumably for protection from predators. As sunrise approaches they begin to become more active, and gradually small groups begin to take to the sky and fly off to distant locations. Unlike geese, who often take off by the thousands, the cranes tend to depart in groups of two or three, and rarely more than a dozen. The hints of their imminent departure can be subtle, and I often get barely any warning before they take off. Among the birds in this photograph you can spot individuals at almost every stage of departure, from standing and waiting through fully airborne.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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