Tag Archives: foliage

Hiker, Black Oaks, and Meadow

Hiker, Black Oaks, and Meadow
Hiker, Black Oaks, and Meadow

Hiker, Black Oaks, and Meadow. Yosemite Valley, California. October 30, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A hiker crosses a Yosemite Valley meadow beyond black oak trees with autumn foliage

Yes, yet another photograph of autumn oak trees and Yosemite Valley meadows! It is (or was) the season in late October and I’m still sorting through the photographs. When I first arrived here my plan was to photograph the black oaks as a “natural” landscape without people. So I found a composition that I thought would work and settled in to wait for the folks who were (as is inevitable in the Valley) wandering around in the meadow to finish and move out of the frame. It seemed that every time the view was about to be clear yet another person would arrive and walk into the frame. I finally decided that I might have to make two or more photographs and blend the “person-less” sections to create one image without hikers, so I made a few exposures as two or three people walked across. (I also timed some of the shots so that the people would be hidden behind the oak trees.)

As luck would have it, after I decided on this approach there was a point at which no human figures appeared in the scene, so I do have my natural landscape version of this scene. However, after thinking about it a bit more, I actually like the version with a person in it better! While most of my landscapes are “people-free,” every so often I do one that includes the figures in the frame. I’ve learned a few things about this. First, having a person in the frame isn’t always a bad thing. (Yes, file that in the “duh!” file.) The presence of a human figure can both crystallize the composition and it causes us to relate to the scene very differently – perhaps imaging ourselves being there or perhaps considering what the person in the photograph might be thinking and experiencing. Second, the figure can often be quite small and still change the effect of the image in ways that are much bigger than the small figure might suggest. As an exercise, try to just barely cover the person with your finger. Notice how the greatly the effect of this scene changes?

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Early Autumn Snow, Eastern Sierra

Early Autumn Snow, Eastern Sierra
Early Autumn Snow, Eastern Sierra

Early Autumn Snow, Eastern Sierra. Along Highway 395, California. October 9, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

An early autumn snow storm obscures the view of pines, aspens and other fall foliage in the eastern Sierra Nevada

This photograph, like a few others I have posted this fall, was made on an early October day when we drove across the Sierra from west to east during the first “real” snow of the season. Our goal was Bishop, California, since we planned to photograph autumn aspen color on the “east side” for a few days. Since the usual more direct route over Tioga Pass was closed due to snow, we ended up crossing all the way up close to Tahoe over Carson and then Monitor Passes to get to highway 395, which we then followed southwards along the east side of the Sierra.

The snow began before we reached Carson pass, and though it never fell very heavily, it more or less continued for the rest of the drive, only stopping shortly before we got to Bishop. This was quite a contrast to the weather we had been having, which had been up into the low 90s in our part of California only a few days earlier! Since we had the whole day to get to Bishop we made frequent stops and detours along the way, giving us lots of opportunities to photograph scenes that had a distinctly winter-like appearance. One place we paused was along a high point on highway 395 just north of Lee Vining, where huge groves of colorful aspen trees were just visible through the blowing snow. Turning slightly away from the aspen color, I chose to make a few isolated evergreen trees the focus of this photograph.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Merced River, Forest, Autumn

Merced River, Forest, Autumn
Merced River, Forest, Autumn

Merced River, Forest, Autumn. Yosemite Valley, California. October 31, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Colorful autumn trees among burned forest and reflected in the water of the Merced River, Yosemite Valley

This is, in several ways, a “quieter” photograph than some that I have posted recently. The location is along a section of the Merced River in Yosemite Valley that is probably not really seen by more than a handful of people, if that, on any given day.The spot is not special enough, if specialness is definable, to warrant its own particular name. (However, a few people do have a name for it – but it isn’t really to be shared here.) So the scene itself was, objectively speaking, quiet – the only others around were a couple of photographer friends working individually nearby, there was no wind, the river was as calm and quiet as I recall seeing it – barely even flowing, and almost nothing was moving in the forests along its banks.

There was another kind of quiet, too – the mental quiet that I often look for while photographing, especially in places like this. It is easy to let my mind wander – is this the right place to stop? should I check email before leaving the car? is there anything here that will make a great photograph? might it be easier to shoot someplace more predictably beautiful? what if I can’t find anything to shoot? Leaving my car behind and shouldering my tripod and bag of gear, I walked down to the river bank and began looking. My notions about what I might photograph are not so important – being open to what I might find to photograph is. When you first begin to photograph, it can sometimes take a long time to get into the frame of mind that allows you to slow down and become engrossed by what you see, to the point that you lose track of time and even where you are, focusing entirely on the seeing and the photographing. Eventually, I think you can learn to let this happen more quickly – not that it always does – and to avoid the trap of trying too hard to steer the process and to instead be quiet and open to what you see. And so, thinking back on this evening, as I made my last photographs before heading home, I recall the sense of quiet focus as much as the objective features of the scene itself.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Dense Stand of Bare Aspens

Dense Stand of Bare Aspens
Dense Stand of Bare Aspens

Dense Stand of Bare Aspens. Eastern Sierra Nevada, California. October 10, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A dense stand of nearly bare aspen trees, eastern Sierra Nevada

Those who photograph the eastern Sierra fall aspen color over a period years begin to recognize certain patterns which, in retrospect, are probably somewhat obvious. The color transition begins very close to the same time each year, near the end of September, though there are variations that are probably caused by annual differences in the climate. The first trees to change are found at higher elevations, and sometimes a few transitional leaves can be spotted even in mid-September. Once the change begins it works its way down in elevation, with the peak color occurring between the first week of October and perhaps through the third week in a typical year. If you look for color early, you start high. If you visit later, you look low.

This year the color change seemed to begin a bit early, probably due to a sequence of two drought years in the Sierra. By the time we arrived in the mountains in the second week of the month, most of the high elevation trees had completely lost their leaves, the mid-level color was at its peak, and the low elevation trees were more colorful than in a typical year. Even though we knew that the higher trees were mostly spent, we did head high up into some canyons to see the bare aspen trunks. In a few spots, such as this narrow stand of trees that grows in a valley along a creek, there were still a few golden leaves among the otherwise bare trunks.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.