Tag Archives: forest

Morning Light, Forest and Granite

Morning Light, Forest and Granite
Morning Light, Forest and Granite

Morning Light, Forest and Granite. Yosemite National Park, California. September 8, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Morning light on forests and granite terrain along the Tuolumne River on a day of rain and wildfire smoke

After about five days of beautiful late-summer conditions high in the northern Yosemite backcountry we descended to a lower elevation, partly in preparation for our departure a few days later and partly (OK, mostly) so that we could photograph in a different location for a few days. On the morning of our move to the new spot we saw a small bit of smoke in the far distance, over the shoulder of Clouds Rest, but it didn’t seem much different from the other small bits of smoke coming from the usual late-season managed fires. However, as we began our cross-country route down a steep canyon we saw that the smoke had grown and that the plume was now extending over our position. Not long after this, as we neared the bottom of the canyon, the smoke became very thick, blotting out the sun and dropping ash on us. We knew that the fire, no doubt whipped by winds that we experience in our location, had taken off — this was the start of the big “Meadow Fire” that burned in Little Yosemite Valley and which forced a number of back-country visitors to evacuate.

Fortunately, that night it rained — what perfect timing! The next morning we were up to make photographs, and for most of the day we shot between the periodic showers that swept through. Early in the morning I went to a high place to photograph this view down the canyon as light, somewhat obscured by clouds and lingering smoke, broke through gaps in the clouds to strike the forest along the river banks. But further down the canyon another shower was on its way, and before long I had to leave my position here and scramble back to my tent to wait out the next bout of rain.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Morning Light, Forest and Granite

Shoreline Boulder and Meadow, Subalpine Lake

Shoreline Boulder and Meadow, Subalpine Lake
Shoreline Boulder and Meadow, Subalpine Lake

Shoreline Boulder and Meadow, Subalpine Lake. Yosemite National Park, California. September 3, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Boulders, grasses, and trees along the shoreline of a subalpine lake, Yosemite National Park

Some aspects of landscape photography remind me, perhaps in a strange way, of spring skiing. In the spring there is still often plenty of snow, but the temperature swings between sub-freezing nights and warm days have some big effects on the snow. In the morning the re-frozen snow can be so hard that it is almost like trying to ski on a tilting ice rink, and you can easily find yourself skittering across the surface out of control. By late afternoon the warm temperatures melt the snow and can turn it into a slippery slush, and it can be like skiing on oatmeal. But at just the right moment, as the surface of the snow begins to soften but the lower layers are still firm, some of the best skiing possible can occur for a short period each day.

When photography in early or late light, I encounter something very similar — though with a bit of creativity it is possible to stretch things just a bit. Let’s take the afternoon, the time of day when I made this photograph of a simple scene near the outlet stream of a subalpine lake. I began my work a couple of hours before sunset, when the light was still clearly “daytime light.” The sun’s angle is higher, the shadows are more start, the light has a blue quality. As the evening approaches, there is a point at which the light seems to mellow and warm, the shadows lengthen and fill with a bit of reflected light… and almost everything begins to look beautiful. But at this point things change very quickly. I might find myself spotting a bit of light on a branch or a rock, and by the time I’m set up it has moved. While this time seems conducive to looking and contemplating, it is actually a time when I often have to work quickly before the “good light” is gone. This little scene, which is nothing all that special in objective term, was such a scene — a brief moment of warm light slanting through shoreline trees and across meadow grasses, and a few moments later the day ended.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Lake, Ridges, Evening Light

Lake, Ridges, Evening Light
Lake, Ridges, Evening Light

Lake, Ridges, Evening Light. Yosemite National Park, California. September 4, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Mountaintop trees stand above a sub-alpine lake, dome, and ridge in evening light, Yosemite National Park

In early September — before the big fire not far from here — I was among a group of photographers who spent a bit more than a week in the Yosemite back-country chasing late summer subjects in the Range of Light. The rough outline of the adventure was that the group packed in to a remote lake with expansive views, stayed there for about five days, then adjourned to a nearby area at a lower elevation for a few more days before heading back out. The “Meadow Fire” between Clouds Rest and Mount Starr King started late in our trip, but this photograph was made a few days earlier when skies were still beautifully clear.

Days on this kind of trip revolve almost completely around photographic opportunities. By staying on one place for a few days we are able to explore our surroundings more extensively and get a better idea of the prospects for photographs and the best times to make them. A typical day begins very early in the morning, when we arise quietly before sunrise and head out in various directions, goals in mind. After a few hours of photography the light becomes a bit less interesting and we reassemble in camp for breakfast. After that we have a few hours of mostly non-photographic time — for lunch, for camp chores, reading, and even a nap. Dinner comes early, with preparations starting around 3:00, and a few hours before sunset we head out once again. On this evening I chose to climb a nearby ridge of granite slabs and glacial erratics where stubborn trees find a living in cracks in the rock overlooking a nearby lake and one of the main ridges of the Yosemite back-country.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Red, White, and Blue Hour

Red, White, and Blue Hour
Red, White, and Blue Hour

Red, White, and Blue Hour. Yosemite National Park, California. March 1, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

The last red sunset light falls on a forested ridge in front of snow topped Half Dome in blue dusk light

This past winter I was in Yosemite Valley for a few days for the opening of the Yosemite Renaissance Exhibit, and I had many opportunities to head out and photograph the Valley in beautiful foggy, cloudy conditions, with a bit of snow still remaining from earlier storms. (I also had a great time meeting up with plenty of other friends and photographers who were also there for this event and a simultaneous film festival.)

Sometimes I know what I want to photograph in the Valley, and I simply to look for that thing, often knowing exactly where to go find it. But in conditions such as those of this weekend, which included a lot of clouds and changing light, sometimes it was impossible to know for sure what the conditions were going to do. See fog developing? Head for a high place or a meadow. Possibility of sunset color? Perhaps one of the well-known Valley views. Clouds swirling around the upper ridges? Get out a long lens and shoot from innumerable locations. Soft sunlight? Perhaps time to photograph trees and granite. On this evening a number of us ended up at that most iconic of iconic Yosemite locations, Tunnel View. For the last few years, I’ve been playing a slightly different game at Tunnel View when I end up there, often shooting with very long focal lengths and trying to pick out small bits and pieces of the larger scene. I had been doing that and had pretty much wrapped up for the evening, since the light seemed to be dying behind clouds to the west, and in fact I was loading equipment into the car when my wife said, more or less, “Look at that!” A band of intensely red end-of-sunset light had found its way through a gap in the clouds to the west and suddenly cast an intense glow across this ridge standing between me and Half Dome. So we have red (of sun on ridge), white (of snow) and blue (of the blue hour light on Half Dome and the clouds above).

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.