“Trees in Morning Light, Granite Dome” — Trees grow on a bit of talus at the base of a Yosemite dome.
Scenes like this are a big part of what characterizes Yosemite, especially the park’s high country: trees growing on granite, domes, forests, and that “range of light” atmosphere. The features are so common that it is possible for a longtime visitor to almost take them for granted.
I have paused at this spot on virtually every visit to the Yosemite high country for decades. The dome rising to the left in the photograph was my original interest — it is a beautiful dome in an especially aesthetic location. But later on the trees became an equal attraction — easy to overlook among millions of other trees, but once you see them you don’t forget.
“Shoreline Forest” — Trees grow along the shoreline of a Yosemite high country lake.
When I plan to spend a morning photographing in an area like this in Yosemite, I figure I have perhaps 3-4 hours of interesting light for morning photography. I typically start with a subject that works well in predawn light, move to one that focuses on the actual sunrise, then move around to find other subjects when their best morning light arrives. A subject like this one typically comes later and is often the final one of the morning.
I made the photograph in full sunlight, though it was slightly muted by some thin haze. I was interested in the interplay between the shapes of the trees and their shadows. In order to create this composition I had to photograph essentially directly into the morning sun light, though I positioned myself so that the shadow of one of the trees blocked the direct light.
“Fog at Forest’s Edge” — Morning fog drifts among forest trees after rain, Yosemite National Park.
There is enough of a story behind this photograph that I will eventually post an article about it in my “A Photograph Exposed” series. It involved an afternoon and evening of heavy rain, a subsequent morning of fog and mist, moisture-enhanced colors, and a subject that I have almost intentionally chosen not to photograph much at all for decades. It is, obviously, a scene where a forest meets a wet meadow, photographed on a morning when fog drifted from that meadow and through the trees.
I was up early — likely around 4:00AM — since I suspected that there might be fog and mist on this morning after heavy rain. As I drove over a pass to get here there were piles of hail everywhere from the previous evening’s storm. Soon I came to a familiar small lake — the one that I almost never photograph — and I saw fog rising from the lake and drifting into the trees.
“Pena Palace” — The Pena Palace, on the summt of a mountain near Sintra, Portugal.
We missed the Pena Palace when we visited Lisbon a few years ago, so this time we made sure to set aside a day for the train ride to Sintra to see it. (It isn’t the only thing there — a remarkable “Moorish castle” is nearby.) The weather was… interesting. We had rain and wind and fog, to the point that it was difficult to be outside on the castle grounds. However, these conditions also made the scene more dramatic than it would have been on another pleasant, blue sky day.
Later I’ll share photographs made on the palace grounds. I made this one while traversing the old walls of the Moorish Castle. It also lies on a ridge, but a lower one than the palace. From there I had a dramatic view looking up to the summit of the ridge where the wildly colorful Pena Palace sits, complete with dark clouds moving past.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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