Tag Archives: forest

Photographs: Central California, Photographs: Nature, Photographs: Ocean & Coast

Cliffside Trees, Fog

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Cliffside Trees, Fog, Point Lobos
“Cliffside Trees, Fog” — Monterey cypress trees line the rocky edges of the north shore of Point Lobos on a foggy morning.

This is another in this week’s series of photographs from a recent foggy morning at Point Lobos State Reserve, a favorite location where I have photographed for decades. I live a bit more than an hour away, so I can watch the weather and head over there almost at the spur of the moment when conditions look good. And the conditions on this morning were excellent, with the fog being both persistent and often translucent.

Tall cliffs tower above rugged peninsulas, rocky promontories, and coves along the north shore. This is one of the best locations to see Monterey cypress trees that have been challenged and bent by the rocky terrain and the wind. Many of the trees in this photograph grow at the edge of the land and subsist on little more than the thin soil collected in cracks in the rock.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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Photographs: Central California, Photographs: Nature, Photographs: Ocean & Coast

The Old Cypress

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The Old Cypress
A gnarled old Monterey cypress, Point Lobos State Reserve.

The Old Cypress. © Copyright 2022 G Dan Mitchell.

A gnarled old Monterey cypress, Point Lobos State Reserve.

After sufficient decades wandering about in favorite parts of the natural world, I have become personal friends with a few rocks, trees, creeks, and other features in various places. I’m not sure that there’s much logic to which ones caught my attention, and you might pass by quite a few of them without noticing. They could be spots where I first saw something in a particular way, a tree that sheltered me as I waited out a rain shower, a place where I spread out my sleeping bag, a scene where I have paused for years, or almost anything.

This Monterey cypress tree is on that list. It is visible from a short, dead-end spur trail at Point Lobos, and these days you have to duck under low trees and watch out for poison oak as you approach. The tree is on the other side of a little valley at the end of a small cove, and it clings to rocks near the top of a cliff. It teases me by being a bit difficult to photograph. In the best location there isn’t really enough space to set up a tripod, at least not if you want to avoid the poison oak. And just beyond the tree lies a trail, and inevitably a large party passes by at just the moment when I want to make an exposure.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: Sierra Nevada

Junipers, Sierra Crest Before Sunrise

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Junipers, Sierra Crest Before Sunrise
Soft pre-sunrise light on a pair of junipers and the peaks of the Sierra crest, topped by Mount Humphreys.

Junipers, Sierra Crest Before Sunrise. © Copyright 2021 G Dan Mitchell – all rights reserved.

Soft pre-sunrise light on a pair of junipers and the peaks of the Sierra crest, topped by Mount Humphreys.

The Sierra Nevada has many faces, and the east and west sides almost look like two different ranges. The west side is approached via the flat, agricultural Great Central Valley, and it begins with almost imperceptible hills that gradually rise to foothills, then to forested mountains, and many miles later finally culminate in high, rocky peaks and ridges. The personality of the east side is entirely different. You regard it from what is essentially high desert, hot and dry country, and in many place the entire upward thrust of the eastern escarpment is visible at once, rising as much as 10,000 feet from valley to peaks.

I made this photography early on an autumn morning, from a place high on the gigantic hills rising toward the eastern face of the range. In the foreground are a couple of juniper trees, one of the common trees of the dry Southwest terrain. Further above, open and sparse forest dot the rising slopes. Above it all are the high, alpine peaks of the Sierra crest, here topped by the recognizable profile of Mount Humphreys.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Desert Meets Forest, Autumn

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Desert Meets Forest, Autumn
An autumn conjunction of sagebrush, rabbitbrush, conifers, and aspens in the Eastern Sierra.

Desert Meets Forest, Autumn. © Copyright 2021 G Dan Mitchell – all rights reserved.

An autumn conjunction of sagebrush, rabbitbrush, conifers, and aspens in the Eastern Sierra.

This is another autumn photograph from that wonderful Eastern Sierra transition zone, where the high desert country of sagebrush meets the mountain country of conifers and aspens. Many years ago I regarded the two environments as being completely exclusive, but eventually it sank into my thick skull that this perception did not align with reality. In particular I recall one autumn visit to a very dry region east of the Sierra where I saw some of the most colorful aspens growing in a small desert valley.

A photograph like this one presents some technical challenges to the photographer. I think it looks pretty simple, but it wasn’t. The first issue was the the scene was lit by fairly intense backlight. I love backlight, but it creates some extremely bright highlights — and underexposing the shot is necessary to protect them from blowing out. In addition, because the sun was low and almost directly in front of the camera there was a great potential for flare. To make this photograph I actually stood in front of the camera and carefully used my hand to cast a shadow on the lens. Finally, with all of these elements of very bright light and the need to underexpose a bit, some of the shaded areas ended up darker than they seemed “in the flesh,” necessitating some post-production work with curves to bring back some of those shadow details.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.