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Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Yellow Trees, Red Brush

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Yellow Trees, Red Brush
A few yellow aspen trees, surrounded by red undergrowth, cling to a rocky face

Yellow Trees, Red Brush. © Copyright 2018 G Dan Mitchell – all rights reserved.

A few yellow aspen trees, surrounded by red undergrowth, cling to a rocky face

I’m far from the first person to photograph this little group of trees, backed by a rough granite and standing among smaller plants that turn a deep reddish color in the fall. Given that these trees are just a few of many thousands standing near this spot, it still surprises me to see them photographed — and recognizable! — among so many other trees. They aren’t hard to see, but they aren’t exactly obvious either, and there are a few factors that might lead to them being passed without stopping.

If anything, it is probably the short, reddish undergrowth that contributes to their visibility — there are trees like these all over the Sierra, but most are not set against rocks and the red plants like this. I photographed the little scene when the area was in shadow — often my favorite light for aspen photography. This light is softer and it tends to fill the shadows, making the effect less stark.

See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Bare Aspen Grove

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Bare Aspen Grove
A dense grove of slender white aspen trees after most leaves have fallen

Bare Aspen Grove. © Copyright 2018 G Dan Mitchell – all rights reserved.

A dense grove of slender white aspen trees after most leaves have fallen

Quite naturally, in autumn our attention turns to the fall color transition, which in the Eastern Sierra Nevada and nearby areas mostly means aspen trees. And this transition can be quite spectacular if you are in the right place on the right day and in the right conditions. The colors — ranging from yellow through orange to red — are often intense, and the biggest groves cover whole hillsides, snake up and down the mountains, and may be reflected in subalpine lakes. But this show is brief, and it ends before the month of October is over.

Fortunately, this isn’t the only condition in which aspens are a worthy photographic subject! In fact, as the last colorful leaves drop my feelings are often mixed — I hate to see the show end, but I also can start to look at the trees in other interesting ways. Bare aspen trees are an interesting subject on their own, suggesting both winter and the end of the warm season… and the prospect of the spring rebirth a few months from now. I know this particular little grove quite well, and I make it a point to visit every season, sometimes more than once. This year I passed by when almost all of the leaves had fallen, revealing the start, nearly white trunks and their fascinating combination of order and complexity.

See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Forest, Early Evening Light

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Forest, Early Evening Light
Soft, early evening light on forest trees in the Tuolumne River Dana Fork drainage

Forest, Early Evening Light. © Copyright 2018 G Dan Mitchell – all rights reserved.

Soft, early evening light on forest trees in the Tuolumne River Dana Fork drainage

It was evening, and I had stopped in a familiar location along Tioga Pass Road between Tuolumne Meadows and Tioga Pass, a place where the terrain opens up a bit to offer broader views back to the west and up toward the highest peaks in the area, and above which a rugged peak of fractured granite and talus rises. It is also a place where I can almost always spot deer late in the day.

I made a few photographs of the higher peaks and ridges, then turned my attention to photographing forest vignettes using a long focal length lens. In many places the light was difficult, as it almost front-lit the trees in the most obvious direction. As I paused and looked around I first noticed a skeletal dean tree near this spot and started to pay more attention to the forest itself. It was softly lit by light coming from a cloudy sky, and there was enough diffused light to open up the forest shadows just a bit.

See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Fall, Photographs: Fall Color, Photographs: Nature

Aspen Color

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Aspen Color
Aspen grove containing colors from green through red and orange to yellow

Aspen Color. Eastern Sierra Nevada, California. October 9, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Aspen grove containing colors from green through red and orange to yellow

I have been watching this location for many years, and even this season I had checked it out earlier in the week to see how the color was coming along. During that first check the color was just beginning, and most of the trees were still green, but when we returned just a matter of days later the scene had been transformed, and most of the trees were wildly colorful. The bits of remaining green seemed to be just enough to set off the brighter shades of yellow, orange, and red.

Photographing aspen color depends a lot on the nature of the light at the time of the photograph. Midday light can be harsh, and the subtle qualities of the coloration can be lost. In fact, if the light on the front of the aspen trees they lose virtually all of their color and they can look quite drab and boring. On the other hand, photographing aspens in shadows can let the colors glow, especially after a bit of adjustment to compensate for the blue quality of the shadow light. Additionally, the softer shadow light allows shaded portions of the scene to be more visible. On this morning we planned our time to make sure that we arrived at a series of locations just before the shadows were overwhelmed by the arrival of direct sun. In fact, as I photographed these shadowed trees, the line of sunlight streaming over a nearby peak was only feet behind my camera position.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.