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Aspen Grove in Shade

Aspen Grove in Shade
A hillside grove of autumn aspens in early morning shadows

Aspen Grove in Shade. Eastern Sierra Nevada, California. October 9, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A hillside grove of autumn aspens in early morning shadows

I think there may be at least a couple of things worth discussing about this photograph — both from a slightly technical point of view and from an “opportunity” perspective, as in what photographic opportunities might be available in this part of the Sierra when focusing on the subject of autumn aspen trees. The technical issue (though it really turns out to be an aesthetic issue in the end) is one that I’ve discussed before, namely the kinds of light in which one can photograph aspen and other fall color. This photograph was made in fairly deep shade, and the trees stand on a slope of a tall mountain that blocks the morning sun until several hours after sunrise. I went here largely because of that — and the beautiful trees! — because I wanted to photograph in this soft light. Photographing these trees in shade reduces the huge contrast in light levels between highlights and shadows that we must deal with when the trees are lit directly by the sun. The intensity of the colors can increase and the light fills in the shadows, revealing details that disappear in harsh midday light. (One challenge is handling the blue quality of light that comes from the open sky, but that is perhaps a topic for another post.)

The second observation has to do with the types of aspen trees found in the Sierra. People who have seen the huge groves to straight and tall aspens in places like Colorado and Utah often remark on the many small and twisted aspens in the eastern Sierra. They are right to do so — many of “our” aspens are shorter, the groves frequently (though not always) are limited in their extent, and the tall and straight trees are less common. However, that is part of what I like about the Sierra aspens — the variety of “aspen personalities” is remarkable, ranging from brilliantly colorful but very small scrub aspens to some examples of tall and straight trees with thick trunks. This photograph combines the two. The presence of the smaller foreground trees provides color in front of the revealed trunks of this grove of tall and straight trees.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Peak Aspen Color

Peak Aspen Color
An eastern Sierra Nevada aspen grove at the peak of fall color

Peak Aspen Color. Eastern Sierra Nevada, California. October 9, 2017© Copyright 2017 G Dan Mitchell – all rights reserved.

An eastern Sierra Nevada aspen grove at the peak of fall color

I regard fall aspen photography as, to a great extent, an exercise in timing. One element of this is, of course, to simply be in the right place at times of peak color. Aspen color is rarely static, and from day to day it changes. Just a few days earlier I had been in this same spot and most of the trees were still green. (I made a mental note on that earlier visit to come back in a few days when I suspected that the colors might be more developed.) The time of day is also critical since light variations play a huge role in the ways the colors appear. Early and late in the day, when the trees are still in shadow but perhaps lit by open sky and reflections from surrounding mountains, the soft light can produce rather saturated colors and fill the shadows with light. When backlit, the same groves might be so bright that it is sometimes difficult to figure out the idea exposure. And when the groves are front lit the colors can be greatly diminished.

Before we came to this spot we had started our day by photographing in a rather different area a few miles away. We worked those subjects for perhaps an hour and a half, and at that point I remembered my idea of visiting this other location, the one where I made this photograph, before the direct sunlight arrived. So off we went, down one canyon and then up another, to arrive at this spot where I knew colorful aspen trees would spread up the hillside in the shade. The colors were quite incredible. Most of the hillside was in full color — a lot of golden/yellow, but also shades of orange and red. Here and there a few trees where still green, and for this composition I decided to place one of those clusters of green trees in almost the center of a frame otherwise filled with wild colors.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Tall Aspen Trees, Autumn

Tall Aspen Trees, Autumn
A grove of tall aspen trees at peak autumn color, Eastern Sierra Nevada

Tall Aspen Trees, Autumn. Eastern Sierra Nevada, California. October 9, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A grove of tall aspen trees at peak autumn color, Eastern Sierra Nevada

“The color isn’t very good this year,” someone said. “The color is changing late,” said someone else. “It changed to early,” said another. “The trees are still all green,” according to one observer. “Too many trees are bare already,” lamented one photographer. “The early snow turned lots of leaves black,” someone wrote. “It isn’t as good as it used to be,” reported another. After watching quite a few fall color seasons in the Sierra, I have observed that seasons do seem to have a bit of a personality. I’ve also heard (and spoken!) some generalizations about the development of color every year. It finally occurred to me this season that I often hear some variation on the same comments almost every season! Someone reports early color — or that it isn’t starting on schedule. Someone reports that the colors are better — or worse — that usual. But, aside from some differences likely attributable to weather variations, both long-term and short-term, over time things do seem to play out it fairly similar ways each year.

This year I spent — so far — about six days in the Sierra during fall color season. I feel like I pretty much hit the peak color over the past few days, with good color remaining at higher elevations and starting at the lower levels. If you haven’t gone yet and can get away in the next few days, I’m confident that you’ll be able to find some great eastern Sierra color, too. You will find a few groves have lost their leaves, but you’ll also find some in peak condition and probably even a few trees that are still green. I made this photograph on a very cold autumn morning — made a bit colder due to a miscalculation on an ice-coated rock while trying to cross a stream! — in a location where the morning sun had not yet cleared the top of a nearby tall ridge. The trees were picking up some soft reflected light that opened up the shadows and revealed details and colors that would not be a visible later on when the trees were in full sun.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Moonrise, Sierra Wave Cloud

Moonrise, Sierra Wave Cloud
A Sierra wave cloud stretches south along the Sierra Nevada crest as the moon rises.

Moonrise, Sierra Wave Cloud. Yosemite National Park, California. July 15, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A Sierra wave cloud stretches south along the Sierra Nevada crest as the moon rises.

Spend a bit of time — or a few decades — in and around the Sierra and you begin to be able to anticipate certain events. Nothing is a sure bet when it comes to predicting spectacular visual conditions, but some signs make it very likely that your efforts may be rewarded. The “Sierra Wave” cloud phenomenon is one such condition — common, easy to spot once you recognize the signs, and having the potential to produce very special photographic opportunities.

As on this evening, it often begins subtly. The line of clouds is produced over the crest or on its leeward side as moisture-laden air passes above the crest. The clouds can extend many miles north and south and sometimes stack up in layers. During the day they are impressive, but it is at dusk (or, rarely, at dawn) that they excel. After the last direct sunlight has risen above the highest peaks and the sun has set, brilliant red light may illuminate the clouds from the west, producing an almost unbelievable intensity of color. On this evening I saw the potential as I came over Tioga Pass from the east, and I quickly found a place to stop and watch the show develop. The moon above Kuna Crest was an added bonus!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.