Tag Archives: formations

Photographs: Mono Lake Basin, Photographs: Nature

Tufa, Wildfire Smoke, Mono Lake

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Tufa, Wildfire Smoke, Mono Lake
Tufa formations, the vast expanse of Mono Lake, and smoke covered desert mountains

Tufa, Wildfire Smoke, Mono Lake. Mono Lake Basin, California. September 18, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Tufa formations, the vast expanse of Mono Lake, and smoke covered desert mountains

This nowhere near the first time I have photographed from this location, though it is the first time I have worked with conditions like these. Quite a bit earlier this morning I began to photograph before dawn, quickly realizing that the thickening smoke from a nearby wildfire was blanketing Mono Basin and creating atmospheric effects ranging from very dark sky, to clouds illuminated from behind, to drifting layers. After photographing near the lake I headed to a higher elevation area to the north, photographed there, and then headed back down toward Mono Lake.

As I descended I soon began to enter the fringes of the drifting smoke clouds. Lit from behind, the clouds glowed from within and softened the edges of elements of the landscape. Coming past this spot along the edge of the lake I noticed that some tufa structures formed a near semicircle near the shore, giving a bit of definition to a scene that was otherwise quite soft.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Canyon, Contorted Formations

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Canyon, Contorted Formations
Contorted geologic formations along a narrow desert canyon

Canyon, Contorted Formations. Death Valley National Park, California. March 30, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Contorted geologic formations along a narrow desert canyon

Almost inevitably, one’s first impression of Death Valley National Park is that of huge open desert spaces, with salt flats, occasional dunes, and vast alluvial fans surrounded by rugged and arid mountain ranges. These things are impressive — that scale of the landscape reminds me of visits to The Yukon and Alaska — and the fact that roads run though and past them helps make them seem central. But with time to explore a bit more, it becomes clear that there is more to the landscape than first meets the eye. Among these features are the uncounted canyons that thread their way into the mountain ranges.

We visited a few of them during this year’s spring visit to the park, including this one that we hiked into one afternoon. The terrain of these canyons is remarkable variable, ranging from shallow and open to very narrow with vertical walls. This spot fits somewhere in the middle — the walls here are indeed very high, but they tilt back a bit from the vertical and allow a bit more light down to the gravel wash at the bottom. This particular section especially impressed me with the wildly contorted layers revealed in the cliff above. This spot is near the bottom of one of the ranges in the “basin and range” geology of the area, and the old strata are twisted and folded in all directions.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Wash and Eroded Hills

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Wash and Eroded Hills
Wash and Eroded Hills

Wash and Eroded Hills. Death Valley National Park, California. April 3, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Morning light shines on eroded hills and a desert wash.

This was the final morning of my spring photographic excursion to Death Valley. On the last day of these visits I always seem to follow the same general ritual — I get up well before dawn (of course!) and visit one final photography location very early, then go back and break camp before leaving the park and starting the long drove back to the San Francisco Bay Area. This means that I almost always pick a familiar “sure thing” location for the last morning, and one that is not too far from wherever I camped the night before. I rarely make this a spur-of-the-moment decision, instead typically deciding ahead of time where I’ll go — there isn’t a lot of time to waste on this final, long day. On this trip I headed back to a little area not far from a familiar Death Valley icon. (I would stop at that icon, but only if the conditions turned out to be spectacularly unusual — I certainly don’t need another photograph of it otherwise, as beautiful as it is.)

I turned off the main road onto the gravel side road, slowed to a crawl, parked and got out with camera gear in hand, and quickly settled into the quiet and stillness of this place in the moments before dawn. Even though I have been to this spot many times, I’m still surprised by how quiet it is and by how few others go here. Although I know specific locations that might offer reliable and predictable photographs, once I’m here I prefer to take my time and look for and at things that I had not previously noticed. At first — and it was the case on this morning — it seems like there is little special to see, and I may momentarily wonder if I’m going to be able to find photographs. But as I slow down and begin to see, I invariably find things that I would have missed if I had not given the place some time. This photograph was the result of spotting a little path up to a higher spot — the path itself intrigued me so I followed it, and I was happy to find that it overlooked this little bit of classic Death Valley geography.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Red Rock, Dusk

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Red Rock, Dusk
Red Rock, Dusk

Red Rock, Dusk. Grand Staircase-Escalante National Monument, Utah. October 23, 2014. © Copyright 2015 G Dan Mitchell – all rights reserved.

Dusk light on sandstone formations, Grand Staircase-Escalante National Monument

On our first day in this part of southern Utah last October we settled into our primitive camp, hung out for a while, and then headed off to an area of beautifully formed sandstone in the late afternoon, where we planned to do our evening photography. When we arrived the sun was still well above the ridge to our west but its light was intermittently muted by thin clouds that softened the contrasts between light and shadow. For perhaps a couple of hours we worked this landscape of carved red rock, with its gullies, ridges, sand-filled flats, holes and every curving shape and texture you can imagine.

There was much to see, and after I photographed the most obvious subjects I continued to look and began to see less obvious features. As the sun dropped behind the ridge and shadows stretched across this area I first felt a kind of urgency to make photographs while the light was still good. I continued shooting right into the post-sunset dusk hour, when color came to the thin clouds and washed this landscape, already red from rocks and blue from haze, with intense reddish-purple light. I made a series of photographs in this area above a carved sandstone gully, and soon it was too dark to shoot any more. I/we looked up from our cameras, enjoyed the quiet for a few moments, then put on headlamps and found our way across rocks and back to where we started and then drove back to camp.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.