Tag Archives: france

Windows And Hallway

Windows And Hallway
A hallway with alcove windows, The Louvre, Paris

Windows And Hallway. Paris, France. August 11, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A hallway with alcove windows, The Louvre, Paris

In Paris we, of course, visited the Louvre. We had a day, and that was not nearly enough. A week might be about right. We managed to view one floor of one wing, and then quickly visit a few other areas. We mostly saw older work including some of the major classics for which the museum is known, but later in the day we briefly explored some areas that aren’t perhaps the typical things that American tourists look for there.

This was a day of interesting outdoor light. There were clouds, sometimes thick and sometimes thinning enough to produce directional light. As we passed through this hallway the light was softly directional and even though the architecture here was modern and somewhat plain, the light attracted me and I stopped to photograph this row of windows.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Cafe, Montmartre

Cafe, Montmartre
Evening scene at a cafe in Montmartre, Paris

Cafe, Montmartre. Paris, France. August 8, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Evening scene at a cafe in Montmartre, Paris

This photograph was made on a warm summer evening last summer in Paris, on the day that we arrived by train from London. I’m almost embarrassed to say that this was our first ever visit to Paris — it is a long story — but I’m also very happy that we did get there, spending a beautiful week in the city. As first-time Paris visitors, we had little idea what we were doing, an issue perhaps compounded by the fact that I generally don’t like to do too much research about a place before arriving. Oh, and we don’t speak French. All of that aside, we made it from the train station to our hotel, and set out on foot in the early evening to try to get our bearings.

We had virtually no idea where we were going. We understood that we were in Montmartre, which we had selected at least in part because our son and daughter-in-law had stayed in the area recently. I won’t recount the entire story of our random wanderings through areas that we began to understand a bit better by the end of our visit, though in another post I may share the tale of our “discovery” of a rather well-known place. In any case, we were hungry, and it didn’t take us too long — though longer that it took on the following evenings — to figure out that finding a place is not a problem in Paris. In fact, we ate at this place…


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Pedestrians, Le Marais

Pedestrians, Le Marais
People on the sidewalk in Le Marais, Paris

Pedestrians, Le Marais. Paris, France. August 10, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

People on the sidewalk in Le Marais, Paris

Le Marais, where we ended up almost by accident as we searched for a photography museum in Paris, turned out to be a wonderful place to make photographs. The old streets are narrow, predating the more recent modernization of many parts of Paris, and the buildings are often old. Most people are on foot, and there are wonderful back drops for photographing them everywhere.

The person in the colorful clothing, paused against the textured and weathered wall for a cellphone check, first caught my attention. I did make another photograph in which this person is the only figure, set off against a very large expanse of wall. But when I have the chance I often like to try more than one interpretation of a subject, so I framed a vertical composition and waited for other passers-by to walk through the frame, trying to catch them in interesting juxtapositions and poses.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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It’s Time To Dance!

It's Time To Dance
Graffiti, street art, and a potted ivy plant, Le Marais

It’s Time To Dance! Le Marais, Paris, France. August 10, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Graffiti, street art, and a potted ivy plant, Le Marais

We wandered into Le Marais, a section of Paris that still retains the old, narrow, and sometimes twisting streets from before the improvements that brought wide boulevards and a logical (or so they tell me) street layout. It is also a sort of “artsy” area, with lots of little shops, the occasional museum, interesting people, and lots of street art. All in all, it felt like a street photographer’s paradise to me. (I made my favorite photograph of the entire five-week trip — and perhaps one of my favorites of all time — here in Le Marais, probably only feet from where I made this one.)

The street art, which includes but is certainly not limited to graffiti, is ubiquitous. Some seems light-hearted, some has a darker edge. Some is political, and the meaning of some of it was opaque to me. The combination of the French language — which I don’t speak and only some of which I can figure out — and English, some of which seems just a bit odd or “off,” gave a lot of it a kind of perplexing quality. For example, the words written around the edge of the black planter down near the sidewalk, which enthusiastically announce “It’s Time to Dance!” I saw these large female dancing figures elsewhere, another visual theme whose precise significance eluded me.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.