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Aspen Grove, Evening

Aspen Grove, Evening - A ridgetop aspen grove in full autumn color, Dixie National Forest, Utah
A ridgetop aspen grove in full autumn color, Dixie National Forest, Utah

Aspen Grove, Evening. Dixie National Forest, Utah. October 5, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A ridgetop aspen grove in full autumn color, Dixie National Forest, Utah

This is another photograph that resulted from a more or less chance drive up a back road that I happened to spot while out looking for color, and the particular location of the photograph is anything but iconic – in fact, I’m betting that this grove of aspens is rarely photographed, given its someone “off the beaten track” location in a place without even a recognizable name. Essentially, we had turned off onto an interesting side road and started driving up into the mountains. A bit earlier we had stopped to photograph incredibly colorful aspens and other trees before moving on.

As we continued on up this climb, we became aware of time issues – mainly because I had an idea about photographing another specific location at sunset, and that location was still a good drive away from here. So when we came to an intersection along the gravel road, it seemed like a fine place to stop, look around, and consider heading back the in the direction from which we had come. As we pulled over we began to see several interesting things here. First, nearby there was a little old track leading into the aspen forest. (A photograph of that subject will appear here later.) Then another side road nearby started to look interesting, so we drove a short distance along it until we had a panoramic view of the mountains leading toward Cedar Breaks. Here we turned around, and drove the short distance back to that intersection, and I though that this row of colorful aspens, set along the edge of the ridge and fronted by a bit of meadow, looked interesting enough to photograph – and when I saw the faint clouds line up in the low spot between the trees I had to photograph the scene in this soft, overcast light.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Instant Rebates on Canon Lenses and Speedlites – Up to $300

Canon is offering an Instant Rebate on Canon Lenses and Speedlites of up to $300 through September 29 1, 2012. The promotion includes a large selection of lenses (zooms, primes, L, non-L, EFS, wide to telephoto, macro, tilt/shift), tele-extenders (1.4x and 2x), and electronic flashes including the most recent models. If you have been considering any of this gear, there is a good chance that you can save a bit on your purchase.

The following list includes links that you can use to purchase from site-sponsor B&H Photo. Your purchases through these links are appreciated as they help support this site – thanks! Expires soon – on September 29 1, 2012)

As always, I post offers like these on the Deals page, and not just for Canon. Similar deals are listed there on products from Adobe, Nikon, and more. Updated earlier today, and several expire very soon – including a very low price on Photoshop CS6 for Windows and additional discounts on Adobe Lightroom 4, Photoshop Elements 10, and a Photoshop Elements 10/Premier Elements 10 bundle.

Telephoto Zooms

Wide and Ultra-Wide Zooms
EFS Lenses (for cropped sensor only – includes ultra-wide, normal zoom, macro)
Macro Lenses
Tilt/Shift Lenses
Teleconverters
Speedlite/Flash

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Moonlit Stairs and Windows

Moonlit Stairs and Windows - Metal staircase and wood framed windows on an old building at the Mare Island Naval Ship Yard, photographed under the light of the full moon.
Metal staircase and wood framed windows on an old building at the Mare Island Naval Ship Yard, photographed under the light of the full moon.

Moonlit Stairs and Windows. Mare Island Naval Ship Yard, California. April 16, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Metal staircase and wood framed windows on an old building at the Mare Island Naval Ship Yard, photographed under the light of the full moon.

This month I have had the opportunity to return to the ongoing task for filing through older raw files to see what I missed the first time around. (The task also leads to deleting some files that I originally held on to.) For me this is an important ritual, as I often accidentally “leave behind” some photographs when I first review them – either I get to busy and move on before I fully explore them, or in some cases I simply don’t yet “see” the photograph when I look at it too soon after making it. I have a theory about the latter issue. Sometimes I think I’m so invested in what I hoped or thought the photograph would be that I fail to see what it really is, at least until I’ve waited a while.

The subject of this photograph is the exterior of a building at the historic Mare Island Naval Ship Yard in Vallejo, a place that I have photographed only in the dark! I have worked with this building before. It is superficially a pretty uninteresting structure, but some of the unusual exterior stairways become interesting compositionally when illuminated by moonlight as in this photograph. I’ll share a few odd technical details about this one, too. The exposure time was nearly 8 minutes! And the capture was still underexposed. Since I cannot meter a scene like this, I often make my first exposure based on some sort of educated hunch – and I guess I just couldn’t imagine that I’d have to stand there any longer than this! Of course, because of the distance between the close-in railing and the far portions of the upper story, I had to use a small aperture of f/16. And being concerned about noise I shot at ISO 200. In the dark. Right. So one reason that I think I neglected to work with this file was that it seemed underexposed – OK, it was underexposed, even given the very dark subject of the scene. However, when I began to work with the raw file I discovered that I could push it the equivalent of several stops and the image would still hold good quality without obtrusive noise. I like the odd combination of shapes and angles, and in the end I think the very dark interpretation is actually the right one for this subject.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Sandstone Towers, Moon Rising Through Clouds

Sandstone Towers, Moon Rising Through Clouds - The full moon rises in a cloudy sky above sandstone towers, Arches National Park, Utah.
The full moon rises in a cloudy sky above sandstone towers, Arches National Park, Utah.

Sandstone Towers, Moon Rising Through Clouds. Arches National Park, Utah. April 5, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

The full moon rises in a cloudy sky above sandstone towers, Arches National Park, Utah.

These rocks are near but not exactly part of the windows area at Arches National Park, where we ended up at the end of our first day there. We had arrived in Moab in the afternoon and then driven up into the park very late in the day – more or less gasping in amazement at the geology we were seeing for the first time – and finally ended up in this area just before sunset.

I’m repeating a story I wrote about earlier, so I’ll make the first part short. There was beautiful light leading up to sunset, and there were some interesting clouds in the sky to the north. However, it was extremely windy, making longer exposures as the light faded a real challenge and also making lens changes unwise. After sunset I ended up in the shelter of some rock towers where I found some protection from the wind. I knew that this was going to be a full moon night, but I was a bit concerned that by the time it was high enough that the ambient light would be somewhat dark, making it very difficult to photograph the twilight surroundings and the very bright moon in a single exposure. But as the moon rose and I found a location from which I could position it and the rocks together, high thin clouds partially obscured the moon and allowed my longer exposures for the dim foreground to work. I might have used a longer lens, but the thought of changing lenses in the blowing wind convinced me to just go ahead and shoot with the lens I already had on the camera – and in the end I think that let me produce a more natural view of the moon than I might have achieved with a longer telephoto.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.