Tag Archives: gate

Doorway 776

Doorway 776
A colorful doorway in San Francisco’s Chinatown district.

Doorway 776. © Copyright 2020 G Dan Mitchell – all rights reserved.

A colorful doorway in San Francisco’s Chinatown district.

For the most part, the fronts of buildings in dense urban areas like San Francisco are not generally beautiful. As I photograph in such places I feel like the insides of such buildings may be interesting and feel like home, but that the outsides are often left in a more utilitarian state, with little attention to beautification or personalization. I see this in San Francisco, but I also see it in other major American urban areas and even in other countries that I’ve visited.

All of that makes the occasional exceptions even more notable. I’ve gotten to know a few of them found here and there in San Francisco areas that might be regarded as a bit “gritty.” This wildly colorful front entrance is on a Chinatown side street, not far from the hustle and bustle of one of the busiest streets.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Open Gate and Courtyard

Open Gate and Courtyard
A gate opens to a courtyard, Paris

Open Gate and Courtyard. © Copyright 2018 G Dan Mitchell – all rights reserved.

A gate opens to a courtyard, Paris

This photograph was one in a series of quick snaps — street photography done while on the move, with barely time to stop and compose the image. We ended up here almost by accident. We were working our way towards a museum at which there was an exhibit of photography that seemed interesting, and our route took us through this old area.

The gate was open as we walked past, revealing an interior courtyard. It was entirely empty, except for one very well dressed man, sitting on a step near the wall and staring intently at his cell phone.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Gate and Harbor

Gate and Harbor
Closed gate and shadows at South Beach Harbor, San Francisco

Gate and Harbor. San Francisco, California. May 20, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Closed gate and shadows at South Beach Harbor, San Francisco

Up early and on the train to San Francisco on a sunny spring morning, I got off at the SF Caltrain Station and began walking along the waterfront. This is familiar territory to me, since “train walks” are a somewhat regular event for me, especially during spring and summer. I get off the train and slowly wander in one or another direction on foot, taking time to look. Sometimes it turns into and out-and-back walk, and sometimes something like a loop. (The latter is what happened on this morning.)

I decided to hear toward the bay, past AT&T Park and then along the waterfront. I angled over toward the South Beach Harbor, mainly because of the luminous and intense light coming across the bay as the fog began to clear — so bright that it was almost impossible to look directly into it. As I passed the harbor this shadow fell across the walkway, so I stepped back and shot straight into its shadow, with the harbor and the bay behind.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Through the Train Window

Through the Train Window
A moment at a passing Manhattan subway station

Through the Train Window. New York City. December 27, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A moment at a passing Manhattan subway station

I was in the train when I made this photograph. I had started by making a few photographs of the reflections inside the car of people standing the aisle, juxtaposing them with the shape of the window and the lights moving past outside. Frankly, that idea didn’t work this time. But as the train moved into the station and stopped, I saw a moving tableau of passengers getting off and coming onto the train. As so often happens, they seem — to me, at least — to constantly arrange themselves by accident into interesting patterns, of shape and form and of activity.

it is hard to clearly explain what I see in a scene like this — I know what it is, though it is hard to articulate. There are three, maybe four main “characters” in the scene, and they all act without any apparent awareness of the others, in true Manhattan style. The woman in the dark coat holding the bag at the left side is facing the train and holding up both hands to make a cell phone picture. Behind her another woman in black is facing the opposite direction, seemingly busy with something she is holding. To the right a man, whose features are hidden by light blurred by the train window, is busy starting to take a camera out of his bag as he leaves the station. In the middle a woman is walking through the exit gate. The light is strange because I’m shooting through dirty train windows and directly toward the source.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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