Tag Archives: gentle

Forest and Tower, Afternoon

Forest and Tower, Afternoon
Gentle afternoon haze and soft spring light on forest and granite towers, Yosemite Valley.

Forest and Tower, Afternoon. © Copyright 2023 G Dan Mitchell.

Gentle afternoon haze and soft spring light on forest and granite towers, Yosemite Valley.

The main visual aspect of Yosemite Valley, I think, is of massive, iconic formations in combinations that would be almost impossible to imagine: a dome sliced in half, waterfalls launching from the edges of cliffs thousands of feet above the valley, incomprehensibly massive expanses of granite, the u-shaped form with a carpet of trees at the bottom. But more subtle things characterize the place, too: the back-lit afternoon haze, cloud shadows moving ac ross the landscape, trees and meadows next to the river, and more.

The location is a bit west of the most popular parts of the Valley, wheres a beautiful small meadow provides more open views of the surroundings. The meadow that can be more of a lake in the snow melt season when the nearby Merced river rises. This spot was almost the final stop on my recent one-day visit to the Valley, and there I found multiple subjects to photograph.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Boulder-Covered Ridge and Trees, Sunset

Boulder-Covered Ridge and Trees, Sunset
Gentle sunset light on wilderness trees on a boulder-covered ridge, Yosemite National Park.

Boulder-Covered Ridge and Trees, Sunset. © Copyright 2021 G Dan Mitchell – all rights reserved.

Gentle sunset light on wilderness trees on a boulder-covered ridge, Yosemite National Park.

You have already seen these trees if you have been following along here in recent weeks. To quickly recap, on this evening in the Yosemite backcountry wilderness I went for a long looping walk out beyond the lake where we were camped. I climbed a ridge beyond the opposite shoreline, and followed its spine over a rounded granite dome before descending back to ward the lake on the other side. It was late in the season, and wildfire smoke hovered far to the west between my location and the setting sun. As the sun dropped toward the horizon its light came through the smoky sky and turned the landscape an intense red-orange color.

I stopped and quickly began to photograph, knowing that these lighting conditions would be very brief. When this happens the process of photography is anything but a slow and considered process. Instead my photography instincts kick in and I tend to work fairly quickly, hoping to get something before the ephemeral light is gone. Rather than perfecting a single “perfect” composition, I may try several different approaches in quick succession, working out the details by making photographs and adjusting. A photograph I shared recently focused on this same scene but it used a wider angle. Here I began to eliminate distractions from the larger landscape by tightening the composition.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Forest, Granite, And Spring Snow

Forest, Granite, And Spring Snow
Gentle spring snow flurries on Yosemite Valley meadows and forest

Forest, Granite, And Spring Snow. © Copyright 2018 G Dan Mitchell – all rights reserved.

Gentle spring snow flurries on Yosemite Valley meadows and forest

Now that we are well into spring and it feels more like summer here in California, it is fun to take a final look back at winter in the photographic rear-view mirror. It is hard to believe that it was only weeks ago that I was photographing in falling snow in the Valley! When I returned there one week after making this photograph, virtually all traces of the snow had melted and it felt more like late spring or summer.

The storm that came through the Valley during this visit wasn’t a big one. Typical of most “shoulder season” storms in the Sierra, it only dropped an inch or two of snow, and it passed quickly. But for a moment all of the sensory elements of winter made one final stand — the blue-gray color of the scene, the distant cliffs disappearing into falling snow and clouds, and the colors muted to an almost monochrome quality. What the photograph cannot capture, but may possibly suggest, are things like the cool dampness and the changes to sound on these days — a quiet stillness where the sound-space seems larger somehow.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Aspen Grove, Filtered Light

Aspen Grove, Filtered Light
Aspen Grove, Filtered Light

Aspen Grove, Filtered Light. Bishop Creek Canyon, California. October 15, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Gentle light filters to the forest floor within an autumn aspen grove near the south fork of Bishop Creek.

This is yet another of my familiar and favorite aspen groves in the south fork of Bishop Creek Canyon. Despite the fact that the frame is completely filled with trees in this photograph, the grove is not all that large, being a lot longer than it is thick. Behind me there is a gravel road and then a creek, and at the far edge of these trees the landscape abruptly opens up to talus slopes leading towards tall peaks to the south.

I like this spot for several reasons. For one thing, it is a bit off the beaten path since you have to leave the main road in a not-that-obvious spot and then follow a one-lane dirt road that winds through the trees. In addition, there is nothing obviously special or scenically attractive about this exact spot – the first time I stopped in this exact location is was primarily because there was a wide spot along the dirt road to park my car! This is another of those aspen groves that consists of densely packed and rather small and spindly trees. The trees are close enough together that it is actually rather difficult to walk among them, and I had to twist and turn and duck to get into this spot.

Partly because of the filtered light and the density of the trees, and partly because I shot with a very wide-angle lens, it seems like the edge of the grove is a long ways off and quite indistinct. By the point at the edge – which is probably just barely visible in a print – the detail of trunks and branches and leaves is so dense that the boundary is very hard to see.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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