An abandoned mill on a steep slope high in the Panamint Mountains.
For someone like me, the first instinct is to think of Death Valley National Park as being mostly wilderness, and then to associate that with the idea that it is a place of little or no human presence. In truth there’s virtually no place in the world where we have not left a mark… and there are many examples in this park. They range from evidence of long-ago native populations and their descendants who still live there to the rather astonishing number of old mining sites. No matter where you go in this park., you are bound to see these things.
In the latter category is the site of Skidoo, where there was once a real town and lots of mining and ore refining… in just about the most unlikely location imaginable. It was near the summit of high desert mountains, far from any paved roads. The ruins of the water-powered mill (an astounding story too long to relate here) sit on a steep hillside, overlooking a remarkable expanse of rugged desert terrain and mountains that extends to the distant peaks of the Sierra Nevada.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
Telescope Peak, the Amargosa Mountains, and the Amargosa Valley seen beyond the ghost town of Rhyolite Nevada
I first visited the fabled ghost town of Rhyolite, Nevada perhaps a decade ago. I lies outside of Death Valley National Park, not too far from Beatty, Nevada. The place has existed in a state of mostly natural decay in the decades since it was abandoned. The story is that it was once a very successful and busy mining town, but as happens to virtually all such places, the mines played out and the town died. Not a lot is left at this point, though there are a few very interesting structures. Their size gives evidence of what the town must have been: a railroad station, a crumbling bank building, the remains of a large schoolhouse, and more.
When I first visited Rhyolite the place was pretty much what it was, and you could go just about anywhere you wanted to go. Within a few years fencing began to appear around some of the more dangerous structures—tall ruins of stone walls that are eventually going to fall. As time passed more and more fences were erected, and today many of the old buildings are off-limits. In a way this disappoints me, but given the increasing number of visitors and the increasingly fragile state of the town and its structures, I’m will to accept these limitations as a way to slow the eventual decay of the place. I’ve photographed at various times of day and in a range of conditions, but I still like dawn the best here. When the conditions are right, the sun comes up over a low ridge to the east and its light strikes the old bank building and other structures in the town just after it reaches the Amargosa Range and the summit of distant Telescope Peak, the highest point in Death Valley National Park.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Almost a month ago we spent a few hours in the historic ghost town of Bodie, California on the final day of a trip to the eastern Sierra to photograph fall colors. On this day we decided to focus on a few other things, including a looping drive out to the east of the Sierra, followed by a side trip to Bodie, which came up when it looked like the weather conditions out there might be somewhat more interesting than usual.
Rather than save these up for a week’s worth of individual post, I have decided to combine them into a single post. (I have too many photographs queued up for future posts already.) I am presenting them in roughly the order that I shot them as we wandered around in Bodie. For those who may be unfamiliar with Bodie, it was the site of silver and gold mining many decades ago. There are stories of it being a fairly populous place with many “modern” amenities – but also of it being a rather rough place, which isn’t surprising given its remote location and the fact that it was a mining town. The mines gave out and the citizens gradually moved away, leaving the town almost completely abandoned. A few decades ago it was taken over by the California State Park System and it is now a state historical park that focuses on protecting and maintaining the place and making it available to visitors.
Weathered wooden walls and windows, Bodie, California
I passed this building or group of buildings on my way into the town. I have photographed this structure and, in fact, this section of the structure before. Exposed to the harsh summer and winter conditions of this high desert location, it is no surprise that the wood has been severely weathered.
The Standard Mill in the ghost town of Bodie, California
The Standard Mill is a large facility for refining ore, located across the town from the place where most of us begin our walks. To my eyes, it reminds me a lot of certain other mid-century industrial sites where I have photographed. Unfortunately – for me, but perhaps fortunately for other reason – fences surround the site and it is not possible to easily get inside and wander about without a guide. For that reason all of my photographs of the mill are from some distance.
Standard Mill, Bodie – Detail. Bodie, California. October 13, 2013. Copyright 2013 G Dan Mitchell – all rights reserved.
The corrugated metal exterior of the abandoned Standard Mill, Bodie, California
This is a closer photograph of the buildings of the Standard Mill, whose angles, structure, and supporting wires fascinated me.
Old abandoned buildings line the streets of the ghost town of Bodie, California
These are among a number of buildings along the street heading to the entrance to the Standard Mill. The view here looks back across the valley in which the ghost town is located, toward higher hills, a small aspen grove, and cloud-shrouded peaks.
Windows on the front of an abandoned wooden building in the ghost town of Bodie reflect the cloud-filled sky
The squared geometry of the front of this building first caught my, along with the typical weathered condition of the wooden door, window frames, and paneling. The window reflects a distorted and blurred version of the cloud-filled sky, and underneath are hints of what is inside the windows.
The schoolhouse in the ghost town of Bodie, California
This is the view I first had of the schoolhouse, before I realized that it was, in fact, the school. The tall steeple first had me thinking it was perhaps a church. From this side, the building is backed by nothing but the open space of the high desert, highlighting the desolation of the place.
Downtown Bodie ghost town, with barren hills rising beyond
The foreground structure is the same schoolhouse building seen in the previous photograph. Here the perspective looks over the back of the school and across the buildings of the main street leading toward the mill, which is behind my camera position.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Sunrise light on the ruins of the bank building and other old structures in the ghost town of Rhyolite, Nevada with the Amargosa Range and snow-covered Telescope Peak beyond in Death Valley National Park, California.
I was very lucky to get almost (more on that in a moment) perfect conditions for photographing the ruins of Rhyolite, Nevada when I visited there at dawn on April 1 this year. I’ve visited twice, and both times high thin clouds were in the sky before sunrise. On the previous trip the clouds interfered with the sunrise light, but time beautiful warm light came beneath the clouds right at a dawn and washed the old ghost town with color. Better yet, this same light also illuminated the Amargosa Range across the valley and even snow-capped Telescope peak, the highest point in Death Valley National Park at over 11,000′ elevation. And there is more – the high clouds added a slightly dark texture to the early morning sky. There were only two of us there to witness this beautiful morning at Rhyollite – and I regret not getting the name of the other photographer. (I think he may live in the area. He started out shooting a Nikon SLR system and soon moved to a MF system. I’d love to see the photos he got of this scene!) So, what made it almost perfect as opposed to just plain perfect? In a word, “wind.” The wind was howling on this morning, to the point that camera shake was an issue even on the tripod!
This photograph is not in the public domain. It may not be used on websites, blogs, or in any other media without explicit advance permission from G Dan Mitchell.
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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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