Tag Archives: glacial

Alpine Rock Garden

Alpine Rock Garden
An outcropping of shattered rock in the Sierra Nevada alpine zone

Alpine Rock Garden. © Copyright 2018 G Dan Mitchell – all rights reserved.

An outcropping of shattered rock in the Sierra Nevada alpine zone

My favorite Sierra Nevada backcountry terrain is just a bit lower than this scene — it is the country right at tree line, where small, scattered trees are separated by meadows and rocky areas. But when it come to exhilarating “high and wild” country, places like the one in this photograph cannot be beat. They are so rugged and unadapted to our human way of living that they remind us that this is not entirely “our” world. Yet, with care and persistence, you can enter this country, pass through it, enjoy and even be changed by the experience.

Here I found this outcropping of weathered and shattered stone at the base of a huge talus slope that led up toward the highest peaks. One of those higher ridges blocked the sun, and the scene is softly illuminated by gentle light reflected from nearby high peaks. Looking at this scene it might seem completely impassable. Yet I watched a couple of backpackers slowly make their way across it. This is the sort of country where progress is no longer measured in miles per hour — it is more likely a matter of hours per mile. I recall one such place I crossed a few years ago where our progress dropped to perhaps a quarter-mile per hour as we picked our way past boulders, along benches, and across talus. It was one of the most memorable hikes I’ve had.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Shoreline, Glacial Moraine

Shoreline, Glacial Moraine
An old glacial moraine reflected the water of an alpine lake in blue hour light

Shoreline, Glacial Moraine. © Copyright 2018 G Dan Mitchell – all rights reserved.

An old glacial moraine reflected the water of an alpine lake in blue hour light

Over the years — decades, actually — I have learned to recognize more patterns in the backcountry landscape. (Which is not to say that I recognize or understand everything — there is still more to learn!) In places where I used to, and still do, respond with, “beautiful scene!,” I now ask additional questions: What makes it beautiful? Why does it look this way? How are these features connected? What processes are at work here? How is this changing? I have always known that glaciation played a big role in the formation of the Sierra Nevada. It is hard to miss this when crossing glacial polish on a granite slab or when tracing the shapes of Yosemite Valley. But it took longer to become aware of subtler effects.

For many years I hiked a particular route out to the Sierra crest that begins not far from Tioga Pass. There is considerable up and down in the first section of the hike — notable enough that I remember three specific such locations. It wasn’t until I had crossed them quite a few times that I realized that they were the remnants of very old lateral/media moraines. That doesn’t make them any easier to cross, but it does “excuse” them! This photograph includes another of these patterns, in this case a mound of gigantic boulders and smaller talus that was clearly pushed up by a small but long gone glacier that stopped just short of the shoreline of this lake. I made the photograph in blue hour light, in the shadows of the ridge above the talus field, and that light and the nearly smooth water evoke for me the stillness and deep quiet of such places.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Grasses, Water, Talus

Grasses, Water, Talus
Talus from a glacial moraine reaches the edge of a reflective alpine lake with a shoreline patch of grass

Grasses, Water, Talus. © Copyright 2018 G Dan Mitchell – all rights reserved.

Talus from a glacial moraine reaches the edge of a reflective alpine lake with a shoreline patch of grass

This is (yet another) photograph from my September backcountry sojourn in the John Muir Wilderness, accompanied by a group of four friends and photographers who try to do this every year. We packed in to a lake a few miles from the trailhead, set up camp, and proceeded to work the surrounding landscape for the next week, starting early and finishing late almost every day. In the course of the week we thoroughly explored the surroundings within a few miles radius of our camp.

The far edge of the lake near our camp was completely rocky and almost entirely devoid of flora. (Our side did features a meadow and some stunted trees.) A tremendous talus field, distorted by glacial action, rose straight up from the lake shore to the surrounding ridges. I photographed this material several times during our stay, most often working in the early morning before the direct sunlight arrived. In many of the photographs there is nothing by rocks and water, but in this one I included a bit of the colorful shoreline grass.


See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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High Peaks, Evening Light

High Peaks, Evening Light
Rugged peaks tower above canyons and glaciated ridges, John Muir Wilderness

High Peaks, Evening Light. John Muir Wilderness, California. August 28, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Rugged peaks tower above canyons and glaciated ridges, John Muir Wilderness

This set of peaks is bound to figure in quite a few of the photographs that I’ll be sharing from our recent extended backcountry photography trip into the John Muir Wilderness of the Sierra Nevada. Because we were located on a high, open bench directly across the canyon from them they were a constant presence, visible virtually anywhere we walked.

This photograph was made from a location a few hundred feet higher than our camp. Ascending the valley above our camp revealed more and more spectacular country — large high meadows full of wildflowers, a steam winding down the mountainside and pooling in a small tarn in the middle of a meadow, and above that access to the whole upper basin. I made this photograph late in the day after climbing up the slopes a bit to get some elevation on the glaciated moraine and forest below, opening up the views to the south into this rugged area of valleys and ridges.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.