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Red and Orange Aspen Leaves

Red and Orange Aspen Leaves
Red and Orange Aspen Leaves

Red and Orange Aspen Leaves. Bishop Creek, California. © Copyright G Dan Mitchell – all rights reserved.

Intensely colorful red and orange autumn aspen leaves in the eastern Sierra Nevada.

Late in the day on this rainy eastern Sierra fall day I headed for a small dirt side road that I know of in the Bishop Creek drainage. Along this road are a few special aspen groves that I have photographed in the past, including one with very slender trees and sometimes fiery colors. This time I was there a bit earlier than in the past and, ironically, the leaves on these trees were so thick that they didn’t lend themselves to the photograph I had in mind. I did make a few photograph of these trees – one of which will likely appear here before long – but then I decided to try something other than what originally brought me to this spot.

I put the 135mm f/2 lens on the camera – perhaps not a typical landscape lens, but quite nice for shooting close images of leaves and creating soft background blur – and went hunting for small groups of leaves with appropriate backgrounds. Because it was late in the day and in an area where the sun drops behind ridges fairly early and overcast and raining intermittently, the light was really interesting. While this light can mute some colors, it also fills in the shadows a bit and can intensify the colors of bright subjects like the aspen leaves.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Brown Aspen Leaves

Brown Aspen Leaves
Brown Aspen Leaves

Brown Aspen Leaves. Sierra Nevada, California. October 10, 2010. © Copyright G Dan Mitchell – all rights reserved.

Closeup of a group of brown autumn aspen leaves against a background of yellow leaves.

While I like the brilliantly colored yellow, orange, red, lime green, and golden fall aspen leaves, this color isn’t the only thing that appeals to me about these trees. I enjoy photographing their trunks, too – sometimes when most or all of the leaves are gone. I’m also interested in photographing the brown and sometimes black leaves that seem to appear after a freeze. I found this grove along a slope not far from Mammoth Lakes, and I spent some time wandering up a hillside among the trees in the middle of the day. Although this is not typically the best time for photographing the intense aspen colors, by working under a canopy of leaves and by looking for a few backlit leaves I managed to find a few shots that work. This group of brown leaves ended up being almost colorful because light filtering through the overhead trees and leaves created backlight that was a bit softer and diffused that the “normal” midday light.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Conway Summit Aspens, Autumn

Conway Summit Aspens, Autumn
Conway Summit Aspens, Autumn

Conway Summit Aspens, Autumn. Sierra Nevada, California. October 10, 2010. © Copyright G Dan Mitchell – all rights reserved.

Layers of colorful autumn aspen groves lead up toward Dunderberg Meadow and Peak above Conway Summit, California.

I often plan my visits to this large aspen grove on the high point of highway 395 just north of Lee Vining for late afternoon, when the rows upon rows of large aspen groves are back-lit by the afternoon sun as it drops towards the crest of the Sierra Nevada near Dunderberg peak. Each grove tends to change color at a slightly different time, and each can take on a different shade ranging from green (in the case of those that change a bit later) to golden and red and orange. This year, in this area, the colors seem to tend more towards gold/yellow and less towards red/orange, but no matte what the shade they light up in this light.

I was extra lucky on this afternoon in that there were clouds. Talk to many Sierra photographers about the weather and you’ll discover that we are not so fond of the “perfect blue sky weather” that so many others love. Yes, it is “pleasant.” No, it is not necessarily visually interesting. It had been that sort of “perfect” weather for the first couple days of this visit to the “east side,” but in the middle of the afternoon on this day puffy clouds began to form over the crest, and their shadows added texture and brought out the shapes of hills and ridges beyond the aspens.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Fall Color, Eastern Sierra Aspens

Fall Color, Eastern Sierra Aspens
“Fall Color, Eastern Sierra Aspens” — A grove of aspen trees along Bishop at the peak of their gaudy fall colors, Sierra Nevada, California.

On a week of brilliant fall color during an autumn when the color was exceptional in parts of the eastern Sierra, this little grove of aspens was almost absurdly colorful. I first saw them while driving away from a nearby shot – their fluorescent colors got my attention while I was looking in a completely different direction. The colors nearby were quite something, but they literally paled next to this grove. (I’ve heard trees like this referred to as Cheetos trees – and I think you can imagine why.)

Should you think that this color is simply something I’ve pumped up in post processing, take a look at the boulder in the lower part of the frame and see the tree trunks and the pale grasses at bottom right. The fact that I shot in over cast conditions, late in the day, and in a very light rain did intensify the colors a bit, but this is what they looked like.

These colors present some photographic challenges. The main one is that almost all of the light is in the red channel, and when shooting a digital camera it is easy to blow out (grossly overexpose) the red channel and not even realize it. I have found that with this subject it is critical to use the three-channel histogram display that shows the separate levels of red, green, and blue. The single luminosity histogram display averages the values of the three color channels, and if one is extremely hot (as is the red channel here) you can blow it out even if the histogram looks fine.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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